George Nelson & Associates Ball Clock

George Nelson Early ‘Coconut’ Lounge Chair enamelled folded steel shell and chromed steel legs recently upholstered in Maharam Checker upholstery 85cm high, 105cm wide, 82cm deep De...

George Nakashima (1905-1990) Wohl Occasional or End Table Nakashima Studio, USA 1977 American black walnut single slab top with free or 'live' edges, expressive grain and sapwood det...

George Nakashima, Slab I Coffee Table, Nakashima Studio, USA 1968 American black walnut single slab top with two free edges, sap grain details, exposed knots, and bark pockets, clie...

Georges Jouve (1910-1964) Cylinder Vase (Vase Rouleau), circa 1955 blue enamelled stoneware with black enamelled interior 20.5cm high, 6cm diameter incised signature and artist's mon...

George Nelson & Associates table clock. Howard Miller Clock Company, USA. Rosewood, steel. Measures: 4.25 W x 3 D x 5.5 H inches. Signed with decal manufacturer's label t...

Mid-Century Modern wall clock designed by George Nelson & Associates for Howard Miller Clock Company. Produced in 1955, this piece was named the 'Spoke' clock model no. 2227. Operate...

George Nelson for Howard Miller Clock Company. Walnut outer frame with a round aluminum face. 8 day movement. Shows signs of use and wear but overall presents well. Original Key.

Interestingly, while nearly all of the designs that came out of George’s studio were attributed to him, many were actually designed by him and his team. Some were even designed solely by someone else working at the studio. Nelson famously recounted the story of how the Ball Clock came to life in an interview decades after it’s release: “It was one of the really funny evenings. Noguchi came by, Bucky Fuller came by, and here was Irving, and here was I, and Noguchi - who can’t keep his hands off anything - he saw we were working on clocks and started making doodles. Then Bucky sort of brushed Isamu aside. He said, ‘This is a good way to do a clock’ and made some utterly absurd thing. Everybody was taking a crack at this, pushing each other aside and making scribbles. At some point we left – we were suddenly all tired, and we’d had a little bit too much to drink – and the next morning I came back, and here was this roll of paper, and Irving and I looked at it, and somewhere in this roll, there was a ball clock. I don’t know to this day who cooked it up.” Nevertheless, whoever it was that came up with George Nelson’s designs, it’s almost certain that they would never have come to fruition if it wasn’t for George’s vision and forward-thinking approach. Can you tell me more about his clocks? George’s clocks were one of his most impressive bodies of work. In total, he and his team designed over 130 clocks in just three decades. While it is widely accepted that Irving Harper was the lead designer for the Howard Miller Clock Company at George Nelson Associates, the collection arose after two insightful observations from George: one, that people no longer used the numbers to tell the time; and two, that since most people now used their wristwatch to tell the time, interior clocks were now free to become more decorative in nature. The clocks were designed and released in batches of 8 and were initially only given numbers for names. The Sunflower Clock was simply ‘Clock 2261’, the Flock of Butterflies Clock was 'Clock 2226’, and so on. The Ball was the first clock designed by George and his team and it was followed shortly after by the Star, Sunburst, Spindle, Asterisk, Turbine, Flock of Butterflies, Eye and others. The clocks were purposefully abstract and were designed to complement the modernist furniture emerging at the time. As well as wall clocks, George’s studio also produced a series of desk clocks during that time, most notably the bubble-shaped Night Desk...