Henry Lepaute Coat of Arm Shield Wall Clock

This is an Art Nouveau Style Table Clock. It depicts a small balloon shape clock mounted in copper color metal. A standing young nymph is adorning the front of the case while holding its face. The white enamel round dial of the clock has Arabic numbers and is also decorated with a garland of roses and leaves around the center. The gold color metal hours and minutes hands are made of scrolls of leaves. At the bottom of the dial face is hallmarked New Haven Clock...

This is a Franz Hermle German tambour mantle clock. It’s case is made of wood. It is adorned with with some fine and delicate carved scrolls in the front....

This is a 15 jewels Swiss round clock. It depicts an enamel round frontal panel painted with a colorful beautiful bouquet of flowers framed by gilded bronze Roman numerals dial. In t...

This a Sevres style porcelain ormolu bronze mounted mantel clock. The frontal cobalt blue porcelain panel is hand painted with a winged cherub holding a basket of flowers. Below him,...

Highly graphic chrome wall clock with classic 50's details. Sweeping hand movement on this wonderful clock designed by one the greatest industrial designers of this century.

White marble French mantel clock, the Carrara marble case carved with a figure of Minerva beside a pedestal, on Sienna marble base. Minerva ...

This exceptional mantel clock was created in the early 20th century in France, inspired by an 18th century model by the famous metalworker, François Vion (French, 1737-1790). The clock’s design includes sculptures of the Three Graces holding up a spherical clock with a revolving, or ‘cercle tournant...

Ormulu pendule with depiction of friendship and love Paris (Lepaute, Thomire) fire-gilt bronze Empire around 1815 Dimensions: H x W x D: 44 x 36 x 13 cm French pendulum movement with eight days duration. Thread suspension and lock disc striking movement with strike on bell on the half and full hour. White enamel dial with Roman hour numerals and Breguet hands. Signature: LePaute & Fils / Hrl. du Roi (Pierre-Basile Lepaute (1750 - 1843) with his son Pierre-Michel Lepaute (1785-1849); from 1811 in joint workshop). Description: The extremely high quality pendulum shown here takes up a profound theme: Friendship, which combines with love and can thereby outlast time and death. As it is typical for the epoch of classicism, personifications and symbols are taken from the fund of ancient mythology and art and then developed further. The main figure is a young woman in an antique, girded garment, standing barefoot and with crossed legs next to an altar, on which she is leaning with her left elbow. She gracefully bows her head towards a tempestuously approaching Cupid, grasps his right hand with her left and draws him to her bosom, the seat of the heart. The delicate ambivalence of flying towards and being held culminates in the trustingly intimate look that the two cast at each other. The young woman personifies friendship, the winged Cupid love. As a sign of their intimate connection, two burning hearts appear on the altar next to the two, framed by the puffed scarf, which are closely bound together by a chain of flowers. Next to them, on the altar slab, one can see an erected book with the title "Amitie" (French: amitie, friendship). Supporting the book is a pomegranate held by a ring of pomegranate flowers. The bursting seeds spill out of the cracked skin. Since ancient times, the pomegranate and its blossoms have been dedicated to the goddess Persephone, symbolizing the underworld and death, but also life and fertility. The myrtle interwoven in the pomegranate flower wreath of "friendship" also has a far-reaching symbolic power: the plant was dedicated to the goddess Aphrodite, stands for virginity, and was and is therefore obligatory in the bridal wreath...