Mahogany English Fusee Round Dial Wall Clock by J.Huband, Evesham

English dial clock by J.Allen, Norwich Mahogany round dial wall clock with brass bezel, inspection door to the side and bottom door to allow acces...

Victorian mahogany round dial clock resting on a foliate carved bracket with centrally mounted thermometer with bone engraved register plate. Twelve inch painted dial with Roman numerals signed ‘G.Morris, Great Dover Street, London. Eight day chain fuse movement. circa 1890 Watchmakers and clockmakers of the world by Brian Loomes...

Regency bracket clock in an arch top case with brass inlay and dentil moulding, side carrying handles and standing on four brass ball feet. Painted dial with Roman numerals and original spade hands signed ‘Memess, Trafalgar Square, London’. Glazed rear door to the fine quality eight day single fuse movement with arch shaped plates and ‘regulating’ pendulum. C.1820. ‘Watchmakers and clockmakers of the world’ by Brian Loomes...

George III Bracket Clock. Stunning mahogany case with Cupola top surmounted by a ‘pineapple’ finial, profusely inlaid with brass, fishscal...

This giant single fusee dial clock would have been made for a public space like a railway station. Made By Swinden and Sons of Birmingham, it has a su...

Mid 19th victorian century mahogany fusee wall clock circa 1860. Good quality English wall clock from the high Victorian period.  White enamel dial with roman numerals, glass door w...

Antique Mahogany Drop Dial Wall Clock, having a quality mahogany circular glazed door opening to reveal a painted dial with original hands and an 8 day movement above a drop case wit...

A one of a kind english twin fusee carriage clock by James Moore French. The eight day movement has a large English jewelled level escapement with compensated bimetallic balance. The movement is wound and set through a round glazed door at the back and can be regulated from the outside as the fast/slow arm extends through the back of the case with rack striking the hour and half hour on blued steel gong with trip repeat. The gilt dial is signed as is th back plate of the movement, the centre of the dial is engraved with foliate scroll work with a roman chapter and breguet style moon hands. The unusual case of case bronze in a rococo revival style is finely chased with fluted sides flanked by Cariatids with a swag of fruit and flowers strung between them, th handle is formed of two dolphins. James Moore French was born in 1781 in County Antrim, Ireland. He was the son of Dr Hugh French and Sarah (née Arundel) French who married his father in 1763 and died in 1783, two years after James’s birth. In 1784, the year after Sarah’s death, Dr Hugh French married a widow named Judith Woodward who was to raise the young James French as her own, alongside his own and his half siblings. As a young man, James French moved from Ireland to London, where he worked with a relative, Peter Moore...