Very Rare and Important Dutch Musical Wall Clock Klaas Andriese, circa 1810

Empire ormolu mantel clock, Belgium, circa 1810, Signed "J.B. Romaet a Gand". Decorated with a shepherd scene. Strikes the hour and half hour on a bell. With enamel clock face and si...

A very important gilt bronze, enameled bronze and patinated bronze clock depicting two children holding the stellar globe on which a cupid holding a torch in the right hand and a gar...

A very important French gilt bronze and Rouge marble figural mantel clock by Japy Frères Movement: Japy Frères (1806-1930) Origin: French Date: 19th century Dimension: 30 3/4 i...

Elegant, decorative, extremely rare. Very good condition. High end quality.

This is a SUPERB L&JG Stickley Antique Period Mantle Clock circa 1907. It is in excellent working condition with good original finish, along with original dial and hands. The clock ...

A Magnificent & Rare Black Forest Carved Wood Wall Clock, representing owls. High carving quality and very realistic. Germany, circa 1870. Dimensions: Height 35" Width 17" Depth 6...

Chimes of Normandy Musical Clock Early 20th Century A masterpiece of horology and woodworking, the Chimes of Normandy Clock exemplifies early 20th-cent...

Very fine and rare green onyx, porcelain, cloisonné enamel and ormolu mantel clock French, Late 19th Century Height 64cm, diameter 23cm This beautiful piece is an exceptionally unusual and equally beautiful mantel clock, crafted from a variety of materials, used to showcase an array of superb decorative arts and techniques. Made in France in the late nineteenth century it is formed of green onyx, porcelain (the vase on top), cloisonné enamel and ormolu. The dials are set upon three columns of ormolu, mounted on green onyx, and framed with enamel in red, white, and blue, floral motifs. The dials are adorned with lettering in both French and Spanish, and measure time, temperature, and pressure. An elegant decorative vase mounts the clock, crafted from porcelain, and similarly decorated with enamel elements. Rare in design and even rare in terms of pure quality, it forms a unique antique timepiece...

Complete Vienna clock on six stocky ball feet made of alabaster, architecturally structured wooden case with fruitwood veneers in the shape of a portal, steps in front flanked by two...

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...