Glass Desk Accessories

Rare and highly stylish Arts & Crafts lamp. If you are an enthousiast of early 20th century lighting in general and of the Arts & Crafts style in particular then this antique lamp could be perfect for you. Handcrafted from brass and copper and inlaid with colored glass inserts this incredibly stylish desk or table lamp could very well be the perfect addition to your Arts & Crafts interior. Apart from some minor indentations to the upper part of the hand-hammered lamp...

Elegant Art Deco Black & Gold Desk Tidy is a stunning piece that exudes sophistication and style. Crafted from black glass, this desk tidy features intricate gold detailing that adds...

Please note that VAT is not included in the price. Elegant interior lamp designed as an essential element that creates an evocative light of great comfort. A matte ball of simple and pure form, cut in two perfect halves that diffuse reflected and discreet light. The project line is the essentiality that shapes both the aesthetics and the lighting effect. The light is spread from inside the ball, reflected on the inner shell of the dome and spread on the surface of the table on which it is placed. Designed for the living, its light gives a great atmosphere to the home. The unit features a dimmer enabling custom quality and intensity light. Aldo Parisotto and Massimo Formenton graduated in architecture from the IUAV of Venice. In 1990 they founded their own design firm P+F Parisotto+Formenton Architetti. Their research is oriented towards a range of different design themes, through which they have developed wide experience on both the national and international levels. In the design field they developed a collaboration with leading furniture and lighting companies such as cc-tapis, FontanaArte, Mingardo, Minotti Cucine. In the yacht sector the studio worked for Sanlorenzo, Cantiere del Pardo...

A glass and paper decoupage paperweight of an English country scene with horses, circa 1970s, Engand. A great piece for a desk, library, side/end table, etc. Dimensions: 2.63" Depth ...

A Perthshire Crown Paperweight, 1996 Additional information: Date : 1996 Origin : Scotland Features : Red and blue twists alternating with white latticino rods on a ruby ground with...

Stunning Gucci desk set made of black leather and brass. Four pieces include: massive desktop blotter or pad, huge letter opener, envelope holder and a leather pen holder with glass ...

Fantastic three-piece Czechoslovakian dresser set from 1930s. The dark green glass with deep cut cherubs playing music framed in bronze is so beautifully d...

A beautiful millefiori Baccarat paperweight that will spark your imagination every time you put your eyes on it. The canes stand out as individuals, heightened small gaps between the...

Beautiful vintage Murano hand blown clear crystal with black accents Italian art glass horned baby owl bird figurine, paperweight. Documented to designer Archimede Seguso. Similar on...

Beautiful antique inkstand with one glass for the ink in the center. Made of Gutta-Percha in a very nice condition.

Supreme geometric and angular shaped Czech crystal Art Deco perfume bottle Clean geometric lines on black enamel. Vintage Bohemian, Czech cry...

This antique Grant Tour micro-mosaic paperweight is unsigned, but presumed to have originated from Italy, or possibly the Vatican City, and dating to approximately 1880 and done in t...

Wonderful German late 19th century carved wood black Forest inkwell. Beautifully carved with a seated dog on a naturalistic base of ferns and foliage, the cut glass inkwells retaining their original leaf carved stoppers...

A beautiful, handcrafted Scottish studio art glass 'Dragonfly' garden paperweight decorative object, made in Scotland, circa late-20th century. A beautiful piece, a traveling garden ...

Recognisably first class, beautiful Czech crystal Art Deco perfume bottle Clean geometric pattern on black enamel. Vintage Bohemian, Czech cr...

Exceptional Gutta-Percha inkwell with original glass inserts.  

Beautiful vintage ICET Arte Murano hand blown deep black with white accents abstract shape tuxedo kitty cat figurine, sculpture. The piece has an original "Arte Murano ICET...

Beautiful, vintage Murano hand blown multi-color murrine with black Italian art glass mosaic paperweight. Documented to the Fratelli Toso company. The murrines pieces are all lined i...

A small and substantial hand-crafted art glass vase in an organic bulbus form, Czechoslovakia, circa mid-20th century. Vase has a graduated smokey plum hue. Beautiful as a standalone...

Classic early 1890s Black Forest Brienz wood carved inkwell in form of a walnut on a leaf. Nice addition to your room or just for use it on your desk. Made of hand carved wood and gl...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Vintage glass ashtray is an elegant glass decorative object, realized during the 1970s. A very elegant glass ashtray. Good conditions exc...

Art Deco adjustable transparent glass ball table lamp in the style of Jacques Adnet (1900-1984), glass base and socket in metal. The ball can be moved to different positions.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Rene Lalique black glass 'Tete D'aigle' cachet. Engraved makers mark, 'R Lalique France No. 175'. Book reference: 'R. LALIQUE Catalogue Raisonné De ...

Showstopping and voguish, oversized Czech crystal Art Deco flacon with black enamel geometric pattern Perfect size for either cologne or liqueur A su...

Antique Grand Tour 'King Charles Cavalier Spaniel' micro mosaic plaque - hand made to the finest quality with great detail - may be framed or mount...

Rare 19th century French heavy cast iron clip with spring in the shape of a birds head. Most likely a heron, the hinge in its 'jaw joint' makes its beak act as a clip. You pinch the back and its feathered neck to open the beak. So this pretty item could be used as paper clamp...

A late 19th century silver plate mounted horse hoof inkwell, the lid and horseshoe of silver plate, the hinged lid opening to the glass inkwell wit...

A fabulous and stunning French Poodle figure from Murano glass - oozing Parisian chic! The color is Midnight blue, almost black- with a hint of indigo This piece has massive presen...

Pocket watch, Deroches Brothers. Gilded metal, enamels, etc. Possibly towards the end of the 18th century. Pocket watch with a case with a transparent glass part and a composition ...

Vintage glass paperweight is an original Contemporary Design Object realized in the 1970s. Original art glass. Made in Italy. Dimensions...

Large tantalus, hidden to appear as a stack of five books, its hinged lid opens to reveal the interior with a compartment dressed with a central liquor bottle and four old fashion gl...

Very rare Presse Papier of Dino Martens 1950, with murrine inside and a murrine of a stylized fish in the central part. This eye-catching presse papier ...

This is a glass paperweight named "Elixir", limited edition 189/500, by Caithness Glass, Scotland, made after 1970 in the last quarter of the 20th Century. This is a very attractive cone shaped clear glass paperweight, well handmade (hand blown) with a very intricate internal design called Elixir. These were produced as a limited edition, this being 189 out of 500. The makers mark is etched to the base with the number 189/500 scratched alongside. This paperweight weighs about 500 gram. Caithness Glass The company was founded in 1961 by Robin Sinclair and initially only made bowls, vases and drinking glasses. After Paul Ysart joined the company a year later that paved the weigh for Paperweight production, with regular factory production starting in the late 1960s. In 1974 the first millefiori and lampwork paperweights...

A fine Murano glass paperweight. By Vistosi. In the form of a black (or deep amethsyt) ameoba shape with a green & white bullseye pattern. Simply a great Italian glass paper...

Italian 1970s clear Murano glass lighter.

Remarkable and all handcrafted, antique work of lighting art. If you are looking for a truly stylish and original Arts and Crafts desk or table lamp then this aesthetically pleasing work of beauty could be gracing your home soon. This early Arts and Crafts fixture...

19th Century Victorian silver large lidded inkstand, of rectangular casket form, with a hindged lid, engraved with Rococo scrolls and foleage, with vacant cartooches, resting on four...

Art Nouveau figural woman table lamp. This beautiful petite lamp is a classic piece of Art Nouveau design. The nude woman graces with elegant the fron...

Antique rare paperweight glass ball with picture, alpaca base, good original condition, around 1880.

This is a beautiful handblown Glass Millefiori Paperweight by Vasart, Scotland, Circa 1960 or slightly earlier back to the 1950's. This paperweight is handmade with a Millefiori, six spoke radial cane design. having Latticino Spokes. The predominant red, green and white colour combination gives excellent contrast producing a very distinctive weight. The pontil mark to the base has been ground down giving a somewhat matt finish to the ventral section. There are no makers markings on the base that we can see. VASART HISTORY Pre 1946, Salvador Ysart and his 3 sons were working for Moncrieff Glass, then In September 1946, Salvador Ysart and two of his sons (Vincent & Augustine) established Ysart Brothers Glass (trading as "Vasart", formed from the names 'Vincent', 'Augustine' and 'Salvador'. At that time Paul Ysart remained working for Moncrieff. Vasart made various glass art forms at the Shore Glassworks in Scotland, which included some paperweights including Minis. In 1960 George Dunlop (MD of Pirelli Glass...

Finest quality carved and very good condition Swiss black forest stag / deer sculpture. For the collectors of the rarest and best quality Black Forest sculptures we also have this very detailed, hand-carved stag. Looking at the intricate details and the impressively realistic features of this possibly dying stag, this simply can only be the work of a Swiss master carver. Being capable of creating this much detail on a relatively small sculpture takes a god given talent and a lifetime of experience. With the anatomy, the posture AND the balance being perfectly correct, this work of art inkstand is simply devine. An experienced antique seller...

A beautiful, small, European Art Deco brass and black glass desk letter holder, circa 1930s, Europe, possibly France. A great piece for any desk, libr...

Vintage Kerry glass paperweight hand blown in dark green color with small bubbles / Made in Ireland, circa 1980s Original stickers on the glass ...

This is a beautiful handmade concentric Millefiori, PY cane, Dark Glass Paperweight made by Paul Ysart in Scotland, during his early period, Circa 1930s. ...

A Wonderfull quality bronze inkwell depicting a black African man, made by the goldscheider factory in Vienna around 1890, with inset glass eyes.

Decorative Victorian brass inkwell with a glass insert a nice size and good conversation piece for any desk. This inkwell could use a good cleaning or po...

Vintage glass ashtray is an original decorative object realized in the 1970s. A very beautiful transparent glass with a particular glass proc...

Late 19th century traveling oval leather inkwell with a glass interior well and a hinged lid. A nice pocket size inkwell, a great piece to be add to any collection. From a private collector who traveled the world buy unique and unusual pieces.

Late 19th century traveling inkwell in a red leather mini binocular case. It has a hinged top and a mini glass insert, its a unique traveling inkwell. T...

Circa 20th century collection of antique and vintage leather books displayed in a new glass cloche with wood base. Made in England. Please note of wear c...

Super stylish 1930's Art Deco Modernist picture frame in chrome and glass. Signed to the base f. Gallia, The frame has two pieces of glass whic...

Gorgeous multicolored vase with olive green and blue swirled background highlighted with four unique black medallions of rose bouquets by Rick Strini (Amer...

Late 19th Century Terracotta Inkwell with Sculpted Dog On Top Dog sits atop two enclosed glass inkwells Measures: 7" H, 6.5" W, 3" D.