French More Desk Accessories

Beautifully carved figural giltwood pocket watch stand.

Pair of Picture Frame, Polished Brass, Made by J.H. France, 1900s Pair photograph frame (or miniature frame) with classical Victorian design. Typical frame for wedding photographs....

A highly collectable letter opener or paper knife made by silver plated bronze and dating to c.1960. The handle is in the form of a horse head, beautifully executed. The underside...

Sweet and diminutive vase using the Neriage technique by Jean Gerbino for Vallauris, France Ceramic glazed shaped vase, with mosaic patterning and terracotta accents Circa 1960's Sig...

Mughal ladies Tom Pouce lighter designed by Cartier. Fabulous and extremely rare ladies cylindrical gasoline lighter. Created in Paris during the art deco period by the house of Cartier, back in the middle of the 1920's. This miniature Tom Pouce lighter, takes its name from the classic short fairy tales by the Grimm's brothers, Tom Thumb (Tom Pouce being the French translation). It was crafted with Champlevé colored enamels over rustic bronze and accented with details in yellow gold of 18 karats. Embellished with natural lapis lazuli and an emerald. The main outside body is decorated with organics elements and figures of red and blue birds. Gorgeous look and surely a great conversation piece which is accompanied by the round Cartier red box. Champlevé, in the decorative arts, is an enameling technique or an object made by the champlevé process, which consists of cutting away troughs or cells in a metal plate and filling the depressions with pulverized vitreous enamel. The raised metal lines between the cutout areas form the design outline. Emerald: Accented on top in a bezel setting, with 1 square faceted cut of a natural green emerald of about 0.15 carats. Lapis: Mount with 1 flat round cabochon cut, carved from lapis lazuli of about 1.25 carats. Birthstone: Emerald for the month of May. Weight: 21.95 Grams, (14.07 Dwt). Measurements: Have a diameter of 16 mm and a height of 33 mm (0.63 x 1.30 Inches). Hallmarks Stamped with the maker's mark, the serial numbers, the French taxation mark for luxury items BL inside a rectangular cartouche and signed, "CARTIER 5554", stamped with matching cases numbers, 13 & 13. Ministere Des Finances Lighter Tax 1911-1945 Note: On 10th December 1910 the French state adopted a new tax regulations on all devices indented to produce spark or fire by friction, or by any other means, and of the combustion of a flammable substance. Since 1st January 1911 every lighter in France that was intended for sale in the French market had to be taxed and adequately marked. To confirm that the excise duty was paid to the Ministry of Finance a special duty metal plate (stamp) was attached (usually welded) to the lighter by the lighter manufacturers. The fees charged by the French state were high but the tax rates levied by the state were varying depending on the type and finish of the lighter. Following tax rates were used: 2 French francs for common pocket lighters, 5 Fr for pocket lighters made of silver, 20 Fr for luxury pocket lighters (e.g. made of gold), 5 Fr for common table/desk lighters (over 10 cm), 10 Fr for table/desk lighters (over 10 cm) made of silver, 50 Fr for luxury table/desk lighters (over 10 cm) made of gold or platinum. Between 1911 and 1916 a simple copper plate was used which had the date 1911 engraved. Later, between 1916 and 1945 a new plate (undated) was introduced with the letters "C" and "I" (stands for indirect taxes) and a profile of Mercury (patron god of financial gain, commerce and messengers) with an inscription "Ministère Des Finances" (eng. Ministry of Finance). Two shapes were used for the plate – oval for table lighters, the other one for pocket lighters. Additional to the two duty plates a marking "BL" (Briquet de Luxe, eng. luxury lighter) was introduced in 1926. It was a small hallmark which was considered as more discreet and applied only on luxury lighters like Quercia or Lancel. It is worth to mention that France was not the sole country where lighters were taxed and marked with special plates...

Shipping policy: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). 19th century banded agate seal...

A fabulous 1930s French bronze paper clip holder by renowned French sculptor, Max Le Verrier (1891-1973), a Pioneer within the Parisian Art Deco move...

Listed is an absolutely stunning and incredibly rare, set of three, Cartier sterling-silver oversized desktop paperclips, circa 1960s. The set includes: "Paid," "Unpaid," and "Unansw...

Jean Gerbino for Vallauris, France, ceramic glazed mosaic lidded pot Sage green, terracotta and cream shades, beautifully crafted Circa 1960's Signed Gerbino to base Height 2.5 inch...

Bronze Sculpture Mastiff Charles Valton Dog Bronze statue animalier Antiques . Signed and stamped . Valton was known for his big cats but probably his most ...

This exquisite coral-form picture frame was realized by the esteemed artist Claude Victor Boeltz in France. They are among artists 24-karat gold plated "exploded-bronze" pieces made ...

This Louis-Philippe period table lectern in cherrywood resting on four turned legs, has three positions for three different reading angles. France, circa 1840.

Peaceful pastoral Basque scene illustrated by Monique Ordoqui for Ciboure, France Stoneware ashtray hand decorated by the creative Basque artist Circa 1969-1974 Signed M Ordoqui. R ...

This antique paper binding press was forged in France, circa 1860. The large Classic "Presse a Relier" made of solid iron is rectangular in shape and features two sides connected to ...

Super pair of typical Ciboure stoneware tapered vases by Anne Marie Grillard for Ciboure, France Hand decorated with a shepherd tending his flock on one and an animated musician on t...

Sporting a 'Dutch Cut' to his coat, this adorable ceramic poodle stands tall and proud Collar and feet are gilded, the glaze is a delicious toffee caramel colour and the eyes are pin...

Catch loose change or other odds and ends with this pair of 19th century decorative tazza dishes. Crafted in France circa 1880, each compote sits on a square green marble base with r...

Charming And Petit, Jean Gerbino for Vallauris, France, ceramic glazed neriage posy potpourri vase in tones of mocha An intriguing, tactile vase with superb mosaic pattern. Circa 19...

Bronze Sculpture Lioness / Roger Godchaux Jewish Artist & Susse Lost Wax Bibelot . An important bronze sculpture By the great Jewish Bronze Master animalier , Estampille 1- Cire perdue Lost Wax Stamp "La Lionne" by Roger Godchaux. See Photo 2- 2- With A Stamp of Susse. See Photo 3- 3- the signature of the Artist on the bronze. See Photo Incredible Executed and very fine details with Dark Brown Patina with a hue of green . The movement of the lionesse is very graceful and sinuous (as most of the lion Sculpture he produced) Mounted on a black stone base 5 1/2" x 11 1/2" Antique Dealer West Hollywood CA Melrose Ave La Cienega Blvd. Godchaux Né à Vendôme le 21 décembre 1878 et mort le 6 mars 1958 à Paris. Roger Godchaux Sculpteur animalier regularly produces animal drawings and paintings. Thus, unlike his sculptures which mainly represent wild animals, especially elephants and felines that he was going to study at the Jardin des Plantes, his paintings are often inspired by farm animals that he could observe in a small village of Brie where lived the mother of his companion. He also paints commissioned portraits or portraits of his family or friends, such as Gaston Switzerland or René Huchet . But it is above all a sculptor. He made some works by direct carving of the wood. However, he mainly worked by modeling the earth. It treats surfaces by smoothing and oblique streaks. In this respect, unlike other animal sculptors like Édouard-Marcel Sandoz , François Pompon or Armand Petersen whose works are smooth, his work is close to the art of Paul Jouve which leaves apparent textures. The lioness is finished with Godchaux’s distinctive surface modeling where the flesh is left textured like a wax model on the artists bench, still being formed and tooled. Godchaux’s animal work is characterized by gentleness and a sensitivity towards his subjects that showcases their playfulness and personality. This is captured beautifully in the present example where her curiosity and intensity of focus are fully developed; the anatomical and muscular realism is noteworthy. The naturalistic base is signed in his standard script “Roger Godchaux” and is also signed “Susse Fres. Edit. Paris” with the Susse cachet; a tiny stamp “France” is impressed into the edge below the cachet. Models in mud are most often cast plaster. It is often in this material that he exhibits in Salons and galleries. The works for sale are cast in bronze. They are entrusted to famous founders like Susse , with whom he signs publishing contracts, or Valsuani . He also works with lesser known smelters like Gatti, Andro or Planquette. Some of his bronzes do not wear a cast iron seal. While there are some large models, most are modest in size, easily finding their place in collectors' homes. Some of his works are terracotta or sandstone. Models were published by Susse both in bronze and terracotta. Terracotta remains raw or is glazed. He also worked at the Sèvres factory in the late 1930s. Roger Godchaux , born in Vendôme on December 21 , 1878 and dead the March 6 , 1958in Paris , is a painter , draftsman and sculptor of animals French . If all domestic and wild bestiary is part of his artistic universe, it is the wild beasts and elephants that have been his favorite subjects. Figurative sculptor, he represents the animal without artifice, in his attitudes of everyday life. Roger Godchaux's father is an antique dealer. His mother, Jeanne Godchaux, is a concert pianist. He has a brother Yvan with whom he studies in Vendôme under the care of his maternal grandparents, music teachers in high school. Having joined Paris, he prepared in 1894 admission to the School of Fine Arts . He soon turned to animal art . He became a pupil of Jules Adler and Jean-Léon Gérôme . In 1896, he is a pupil of the Julian Academy . Great admirer of Antoine-Louis Barye , he will build a collection of works produced in the workshop of the master 1 . In 1905, he began to exhibit in Paris. He regularly participates in the Salon des artistes français . In 1914, he was mobilized in Saint-Lô . Reformed, he is assigned to the offices of the Ministry of War. During this period, he put his drawing skills at the service of propaganda for the Allies. After the war, he saw rue Descombes . He resumes the exhibitions at the Salon des artistes français where, in 1922, he won the bronze medal. The state orders two bronze plates for the Army Museum Library . In 1924, his second companion gives him a daughter, Luce. In 1925, the jury of the International Exhibition of Modern Decorative and Industrial Arts awarded him a silver medal. In 1927, he won the contest of car manufacturer Chenard and Walcker for the creation of an emblem for their cars. In February 1928, the State bought him a bronze sculpture: Elephant , exhibited at the National Salon of animal artists, of which he becomes the treasurer in November of the same year. It was at this time that the Newark Museum in the United States bought him works. It was also in 1928 that he won the silver medal at the Salon des artistes français. In 1929, the state bought him a sculpture ( Pigeon ) again. During the inter-war period, he exhibited regularly in various galleries: Galerie Charpentier , Galerie Georges Petit , Galerie Edgar Brandt , group of animals of the Malesherbes Art Gallery. He has friendly relations with other animals, including Henri Valette and Gaston Switzerland, with whom he regularly works at the Jardin des Plantes . In 1937, he signed a contract with the Manufacture Nationale de Sèvres for the edition of terracotta. During the Second World War , he stayed in Paris and continued to work in his studio on Boileau Street , but was forced to wear the yellow star . He lives with his girlfriend and daughter Avenue de La Motte...

Gentle shades of mint green and mocha decorate this posy from Jean Gerbino for Vallauris, France Created using the ceramic glazed neriage technique An intriguing, tactile vase with s...

Pair of Picture Frame, Polished Brass, style of J.H. France, 1900s Pair photograph frame (or miniature frame) with classical Victorian design. Typical frame for wedding photographs...

Gorgeous and very refined Art Deco French writing set made of hardwood, inlaid bone simil and glass. The complete set is preserved in perfect condition, consisting of the inkwell, th...

Original Victorian period double photograph frame (or miniature frame) with classical Victorian 'Lover's Knot' design. Typical frame for wedding photographs. Made of solid cast brass...

Beautiful 19th century letter rack from the French Napoleon III period. The letter rack is made of bronze with wooden panels. The wooden panels are decorated with red traditional lac...

A stunning paperweight dating back to the late 19th Century with roses and flowers that will spark your imagination every time you put your eyes on it. This art piece has faceted e...

Letter Holder, By Yonel Lebovici, France 1970

This elegant paper binding press was forged in France, circa 1870. The Classic "Presse a Relier" made of solid iron is almost square in shape with scallo...

Organic in form, abstract ceramic vide poche by Gabriel Fourmaintraux, France Strong pallet of red, yellow and orange enamels contrast wonderfully with the exterior matt black glaze ...

Original Victorian period Pair of photograph frame (or miniature frame) with classical Victorian design. Typical frame for wedding photographs. Made of solid cast brass with a highly...

Dramatic pose - inscribed "Tigre Furieux Per Clem" and singed by the artist.

Quietly understated elegant Jean Gerbino for Vallauris, France, ceramic glazed pale blue mosaic lidded pot Classic form and function with signature mosaic from Gerbino Circa 1960's S...

A Fantastic 19th Century French Louis XVI Style Dore Bronze Mounted Blue Opaline Crystal Box. The box is composed of two sections of French opaline crystal which are mounted to a fa...

Superb petit ceramic vide poche by Gabriel Fourmaintraux Intense black glaze, hand decorated with distinctive red, yellow and green enamel motifs Circa 1950 Height 1.5 inch, Width ...

Rare limited edition letter holder designed by Yonel Lebovici and manufactured by Distrimex, France 1969. This nickel plated spiral shaped letter holder was made in a limited product...

French chess game in the thematic of Ancient Egypt. The chess pieces are in painted and waxed plaster, the board is in wood and the is also a display shel...

A lovely pair of bookends. The base is made of marble, with deer statues on top. These are made of spelter, patinated in a bronze color. The figurines are marked 'TEDD'. The set is ...

This elegant paper binding press was forged in France, circa 1870. The Classic "Presse a Relier" made of solid iron is almost square in shape with scalloped edges, and features scrol...

French 1920s desk organizer with six drawers.

A collection of nine vintage lighters. All nine are from various parts of Europe. We do not recommend using them. Measures: biggest 3.75"W x 1.25"D x...

Original French Art Deco Chrome Table or Desk Lamp Inset With Purple Stained Glass Panels & Boom Arm Pivotable Shade - 1930s Has been Pat Teste...

A gorgeous 19th century French ormolu sculpture of a Baccante, by Jean-Léon Gérôme. This incredible sculpture is by Jean-Léon Gérôme (French, 1824-1904), one of the most famous and i...

Midcentury French modern full leather desk set by Le Tanneur composed by: Calendar L 18.5cm x L 11cm depth 5cm Pencil case L 23cm x L 8cm depth 2....

Finest quality and stunning design Louis XVI style desk, circa 1890. Owning and using top quality pieces of furniture from times when European craftsmen were at the top of their game is something that will lift your spirit like very few things can. That is ofcourse is you are able to recognize quality. It will remain a mystery why so many people don't seem to see the quality and the details of even the best quality made antiques. This wonderful antique ladies desk...

A Fantastic 19th century French Louis XVI Style Dore Bronze Mounted Blue Opaline Crystal Box. The box is composed of two sections of French opaline crystal which are mounted to a fab...

A desk clock designed by Cartier. A beautiful and sober desk clock, created in Paris France by the the house of Cartier during the late art deco period, back in the early 1935. This desk clock is very rare and has been designed with geometric art deco patterns and assembled from several polished pieces carved from natural black onyx and reddish translucent agate. All parts mounted in gilded bronze and sterling silver settings of .935/.999. Movement: Swiss mechanical wingding Imhof movement, Caliber 244, Fifteen Jewels, 8 days, Serial 2449074. The dial is octagonal with a unique painted scene depicting an ancient Greek ship...

A Beautiful Empire style malachite orb on a bronze doré stand retour d'Egypte of 3 figures of standing maidens with a pine cone in the center an detailed crown holder hosting a large...

Small vintage R&Y Augousti Art Deco style box with inlayed faux bamboo decoration retailers label to the underside Paris France circa 1990 R&Y Augousti was founded in 1989 by husband-wife duo Ria & Yiouri Augousti. Their artistic backgrounds brought them together as innovators in their field by reviving the artisanal techniques of shagreen and other exotic materials that were predominant in the Art Deco period of the 1930s. Through their mix of vintage and contemporary design their furniture and home accessories brand were met with worldwide praise. From a debut collection for the luxurious Hotel Crillon...

Beautiful small salad bowl made with the "Passifolia" pattern. "The rain drums on the convex palm leaves. The wind hums over the fringe of petals. These sounds sharpen the chlorophy...

A French snuff box from the Edwardian Period. Very beautiful hexagonal box, created in Paris France during the Edwardian period, back in the 1905. ...

Bamboo pencil designed by Cartier. Very unusual and useful luxury piece, created in Paris France by the iconic house of Cartier, during the mid century period, back in the 1950's....

A French 19th century Louis XVI Style Ormolu Mounted and Footed Prismic Pattern Cream Opaline Crystal Box. The box is composed of two sections of French ...

A wallet minaudiere designed by Cartier Paris. An exceptional, beautiful and extremely rare wallet minaudiere, created in Paris France by the luxury house of Cartier, back in the 1970. This incredible piece has been specially crafted for the exclusive Cartier department "S" of "Select de Cartier", in genuine iridescent lizard leather with accents made in 18 karats yellow gold and mount in a bezel with a round cabochon cut of a natural blue sapphire. Has a measurements of 101.6 mm by 146 mm (4 x 5.75 Inches) and the Size of Euro or Dollar currency banknotes perfectly fit inside. Stamped with the maker's cartouche, French hallmark and signed, "Cartier PARIS MADE IN FRANCE". History: On the 19th of June, 1920, the House of Cartier in Paris created a collection of accessories so special they resembled jewels in their precious materials and expert craftsmanship. This collection was known as "Cartier S...

Desk paper weight letter opener set designed by Hermes. Fabulous and highly decorative piece, created in Paris, France by the house of Hermes, back in the 1960. This useful horse-...

Danseuse Païenne (pagan dancer) graceful sculpture of a dancer Design by Alexandre-Joseph Derenne for Max Le Verrier Patinated spelter Marble base Original Art Déco, Franc...

A large antique letter rack, made of carved wood. The wickerwork is also made of carved wood. With three compartments. Made in France around 1890-1...

A desk clock designed by Cartier. An impressive and beautiful desk clock, created in Paris France by the house of Cartier, during the art deco period, back in the 1920. This stunning rare piece has been designed with Chinoiserie patterns and carefully crafted up with parts in yellow gold of 18 karats and carved nephrite green jadeite jade. Accented with applications of navy blue enamel and fitted on top, with a hinged retractable handle. The movement is mechanical It is accompanied with the associated original key for the winding. The dial is silver with guilloche, Roman numerals with gold hands and inscribed, Cartier. Weight: 320.95 Grams, (205.74 Dwt). Measurements: 69 mm by 31 mm by 78 mm (2.72 x 1.22 x 3.07 Inches). Hallmarks: Stamped with French marks, five times with the head of the eagle for the assay and guaranty of the gold, two times with the maker's mark JM inside of a lozange cartouche and signed on the reverse, "CARTIER 1649". Literature: Olivier Bachet & Alain Cartier, Cartier Exceptional...

French etui sealing wax case. Exquisite objet d'art, created in Paris France in the late 19th century, circa 1890. This is a etui sealing wax case, mast...

Belle epoque desk clock designed by Cartier. An impressive and magnificent "mignonette" desk clock, created in Paris France by the house of Cartier, during the Edwardian Belle Epoque period, back in the 1905. This stunning piece is very rare and has been designed with neoclassic French patterns and carefully crafted with parts made up in yellow gold of 18 karats, silver and platinum. It is mounted with four spherical parts, carved from green chrysoprase. The five sides are embellished with applications of vivid purple enamel over a sunburst and linear guilloche ground and the borders are accented with a linear frame of white champleve enamel. Fitted in the reverse with a sistem to open and close the three winding parts to manipulate. Movement: Mechanical 8 days, key winding and It is accompanied with the associated original key. Dial: White ceramic with gold batons for the seconds, with Arabic black numerals and gold hands, inscribed, Cartier Paris-London. Diamonds: The platinum part on top is mount, with 60 calibrated Old European rose cuts diamonds, 0.30 carats, F color, VS-1 clarity Chrysoprase: Mounted with screws on the base, with 4 four spherical cabochon cuts carved from natural translucent green chrysoprase with a weight of 8 carats. Weight: 272.8 Grams, (174.87 Dwt). Measurements: 47 mm by 40 mm by 70 mm (1.85 x 1.57 x 2.75 Inches). Hallmarks: Stamped with French marks, the mark for the silver and gold assay and warranty, the maker's mark for Eugène Bako inside a lozange cartouche, the case numbers, the Cartier serial numbers and signed at the bottom, "CARTIER 2027 LONDON PARIS 11290 S". Literature: Olivier Bachet & Alain Cartier, Cartier Exceptional objects, Palais Royal 2021, Volume 1, Pp-117 and 128, for two similars Illustrated, see figures. Comparative Literature: Hans Nadelhoffer, Cartier, Jewelers Extraordinary, London, 1984, pl.18 Barracca, Negretti & Nencini, Le Temps de Cartier, Milan, 1989, p.34 A Cartier carriage clock of very closely related design was sold Antiquorum Geneva, The Magical Art of Cartier, 19 November 1996, lot 36 (illustrated in its travel case in Nadelhoffer). The dial design may be compared with other Cartier desk clocks of this period illustrated in Barracca et al. Publications: Published in the Vogue Art...