Early 20th Century More Desk Accessories

Stylish and perfectly handcrafted pair of picture frames. If you are looking for the perfect picture frames for a pair of small photos of your children or of you and your wife or hu...

Pair of Picture Frame, Polished Brass, Made by J.H. France, 1900s Pair photograph frame (or miniature frame) with classical Victorian design. Typical frame for wedding photographs....

Rare and highly stylish Arts & Crafts lamp. If you are an enthousiast of early 20th century lighting in general and of the Arts & Crafts style in particular then this antique lamp could be perfect for you. Handcrafted from brass and copper and inlaid with colored glass inserts this incredibly stylish desk or table lamp could very well be the perfect addition to your Arts & Crafts interior. Apart from some minor indentations to the upper part of the hand-hammered lamp...

Practical size Art Deco desk lamp with a wonderful look and feel. There is something about table lamps from the past that you just don't find in modern lamps. If you don't have the right eye than this particular 1920s desk lamp...

An English Edwardian period dressing table hand mirror, hair and clothes brushes from the early 20th century with silver piqué décor of garlands and medallions. Born in England during the early years of the 20th century, this exquisite set of hand mirror and brushes...

Art Nouveau antique pewter footed dish for Liberty & Co., Regent Street, London Superb dark pewter patina and hand hammered with stylised edging decoration Circa 1910 Signed English ...

This is an antique cartographer's instrument set. An English, silver nickel surveyor's tool case, dating to the early 20th century, circa 1920. An attract...

Set alongside the four treasures of the study - the calligraphy brush, ink, paper, and inkstone - a brush rest was an essential fixture of the scholars' desk. This early 20th century...

Set alongside the four treasures of the study - the calligraphy brush, ink, paper, and inkstone - a brush rest was an essential fixture of the scholars' desk. This early 20th century...

Stylish and very strong pair of timeless candle sticks. If you are looking for beautiful Arts & Crafts antiques to grace your living space then this hand-crafted and timeless pair c...

Large, Edwardian, sterling silver and blue guilloche enamel-mounted magnifying glass, Birmingham, England, 1906, Geo. Hope - maker. Measures almost 9 inches long x 3 3/4 inches diame...

Rare pair of natural hippo teeth bookends. Perfect to display your favorite books on a nightstand, mantel, dresser or shelf. Certainly a topic of conversation. The antique set of...

Art Nouveau antique pewter footed tray made by Liberty & Co., Regent Street, London Historic household piece of English pewter with hand hammered stylised decoration Circa 1910 Signe...

Art Deco note pad, Vienna, circa 1920 Brass polished and stove enamelled.

Hallmarked in London in 1913 by George Betjemann & Sons, this handsome set of Antique Sterling Silver Postal Scales, are plain in design, and have the original silver plated weights....

Heavy bronze metal bank savings department manager desk name plate in very good condition, circa 1925. Has felt material on the bottom.

A large Swedish globe from 1911 by H. Kiepert, Swedish version by "Arvid Kempe" for "Wahlström & Widstrand". Stockholm, dated 1911. Cartographer "D. Reimers in Berlin. This large glo...

Elegant Jugendstil Bronze and Brass, Table or Desk Lamp with mother and infant chimpanzee sculpture. We are happy to offer you another one of our recent great finds. This truly wond...

Art Nouveau Signed WMF Pitcher Brass and Copper with Handle and Organic Details Hand-hammered out of one piece of copper. Brass handle with Organic style details With original Pati...

Beautiful brass frog game set very nice They are the pieces of the popular frog game These originally would be mounted on a piece of furniture, but it is...

Art Deco Saart Brothers, sterling silver and white guilloche enamel with a floral vanity, dresser brush set. Marked with Saart Brothers hallmark and ster...

Mughal ladies Tom Pouce lighter designed by Cartier. Fabulous and extremely rare ladies cylindrical gasoline lighter. Created in Paris during the art deco period by the house of Cartier, back in the middle of the 1920's. This miniature Tom Pouce lighter, takes its name from the classic short fairy tales by the Grimm's brothers, Tom Thumb (Tom Pouce being the French translation). It was crafted with Champlevé colored enamels over rustic bronze and accented with details in yellow gold of 18 karats. Embellished with natural lapis lazuli and an emerald. The main outside body is decorated with organics elements and figures of red and blue birds. Gorgeous look and surely a great conversation piece which is accompanied by the round Cartier red box. Champlevé, in the decorative arts, is an enameling technique or an object made by the champlevé process, which consists of cutting away troughs or cells in a metal plate and filling the depressions with pulverized vitreous enamel. The raised metal lines between the cutout areas form the design outline. Emerald: Accented on top in a bezel setting, with 1 square faceted cut of a natural green emerald of about 0.15 carats. Lapis: Mount with 1 flat round cabochon cut, carved from lapis lazuli of about 1.25 carats. Birthstone: Emerald for the month of May. Weight: 21.95 Grams, (14.07 Dwt). Measurements: Have a diameter of 16 mm and a height of 33 mm (0.63 x 1.30 Inches). Hallmarks Stamped with the maker's mark, the serial numbers, the French taxation mark for luxury items BL inside a rectangular cartouche and signed, "CARTIER 5554", stamped with matching cases numbers, 13 & 13. Ministere Des Finances Lighter Tax 1911-1945 Note: On 10th December 1910 the French state adopted a new tax regulations on all devices indented to produce spark or fire by friction, or by any other means, and of the combustion of a flammable substance. Since 1st January 1911 every lighter in France that was intended for sale in the French market had to be taxed and adequately marked. To confirm that the excise duty was paid to the Ministry of Finance a special duty metal plate (stamp) was attached (usually welded) to the lighter by the lighter manufacturers. The fees charged by the French state were high but the tax rates levied by the state were varying depending on the type and finish of the lighter. Following tax rates were used: 2 French francs for common pocket lighters, 5 Fr for pocket lighters made of silver, 20 Fr for luxury pocket lighters (e.g. made of gold), 5 Fr for common table/desk lighters (over 10 cm), 10 Fr for table/desk lighters (over 10 cm) made of silver, 50 Fr for luxury table/desk lighters (over 10 cm) made of gold or platinum. Between 1911 and 1916 a simple copper plate was used which had the date 1911 engraved. Later, between 1916 and 1945 a new plate (undated) was introduced with the letters "C" and "I" (stands for indirect taxes) and a profile of Mercury (patron god of financial gain, commerce and messengers) with an inscription "Ministère Des Finances" (eng. Ministry of Finance). Two shapes were used for the plate – oval for table lighters, the other one for pocket lighters. Additional to the two duty plates a marking "BL" (Briquet de Luxe, eng. luxury lighter) was introduced in 1926. It was a small hallmark which was considered as more discreet and applied only on luxury lighters like Quercia or Lancel. It is worth to mention that France was not the sole country where lighters were taxed and marked with special plates...

This is a beautiful PAIR of photo frames from the Art Deco period, handmade from oak having a fan design and with glass inserts, which we date to circa ...

Gorgeous vintage metal money bank. A beautiful decorative item in metal with a missing lock. Made in Europe, circa 1910s or older. Nice addition to any collection, desktop, living ro...

These are a good pair of Art Deco period, Book ends of two Pelicans hand carved in wood. Each stylised pelican has been well hand carved in a dark hardwood and stands on a base f...

An unusual brass desk top, mantelpiece or shelf curio. Likely England or France, c1900s. Raised over a black marble bass, this details desk top model of a street lantern has ...

Set of 4 metal Thermos cups from the early 1900s in great condition with a thick cowhide cover and a lid. Incredible condition to metal cups for being over 100 years old. Leather cup...

Fabulous gilded, a 'strange large eared creature' decorates the interior of this miniature bowl by Daisy Makeig-Jones for Wedgwood Miniature bone china lustre tea bowl gilded in fili...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Pair of Picture Frame, Polished Brass, style of J.H. France, 1900s Pair photograph frame (or miniature frame) with classical Victorian design. Typical frame for wedding photographs...

Original Victorian period double photograph frame (or miniature frame) with classical Victorian 'Lover's Knot' design. Typical frame for wedding photographs. Made of solid cast brass...

Ventaglio Art Decò con piume di struzzo bianco avorio e manico in rodoide. Disponibile uno anche con piume marroni. Entrambi i ventagli vengono venduti corredati della loro scatola ...

Fully functional. 220V, European plug. New power cable. Very silent running

Art Deco 'Chained Bulldog' Car Mascot / Hood Ornament designed by Marvel, French, 1920´s, silver-Gilt plated bronze, small version, 14cm long, compl...

FACTORY / HOUSE: Tiffany & Co. Travel Clock STYLE / REFERENCE: Art Deco / Folding Clock METAL / MATERIAL: Articulated Folded Frame / Original Reptilian S...

ABOUT An antique Royal typewriter with black crinkle finish. Lift up lid with gull wings. The keys are glass with black and gold letters. Thi...

In nice original and functional condition. Fully functional. 220V, European plug.

FACTORY / HOUSE: Asprey London STYLE / REFERENCE: Strut Desk Clock METAL / MATERIAL: Polished Beveled Agate and Nickel CIRCA / YEAR: 1920's / 1930's DIMENSIONS / SIZE: 9.5" X 5.25"...

A desk clock designed by Tiffany & Co. A beautiful and elegant easel back desk clock, created in New York city by the Tiffany & Co. studios, during the art deco period back in the early 1920. This rare piece has been designed in a squared curvilinear shape and carefully crafted up in solid sterling silver .935/.999 . The watch is gilded and is fully embellished with applications of purple-violet and white enamels over a geometric guilloche patterns. It is fitted at the reverse, with an easel back retractable hinged stand. Movement: Is Swiss mechanical wingding, 8 days. The dial is creme-white with arabic golden numerals and with black hands and inscribed, Tiffany & Co. Swiss. Weight: 180.95 Grams, (1115.99 Dwt). Measurements: 80 mm by 80 mm by 16.5 mm (3.15 x 3.15 x 0.65 Inches). Clocks Hallmarks: Stamped with the maker's mark and signed, "TIFFANY & CO. 8 DAYS SWISS". Case Hallmarks: Stamped with the maker's mark monogram, the Swiss mark of the standing Bear for the silver assay, and signed, "CONCORD WATCH CO. STERLING SILVER ARGENT 0.935 CONCORD W. CO SWISS 1608". Concord Watch Co, was founded in Biel, Switzerland in 1908. From the start, the company had its sights set on the American market. Concord produced luxury watches for several jewelry companies, including Tiffany & Co. and Cartier. During peace talks in the Second World War, President Harry Truman gave Concord watches as a gifts to Joseph Stalin and Winston Churchill. The North American Watch Company...

Fully functional. 220V, European plug. New power cable.

Bronze Sculpture Lioness / Roger Godchaux Jewish Artist & Susse Lost Wax Bibelot . An important bronze sculpture By the great Jewish Bronze Master animalier , Estampille 1- Cire perdue Lost Wax Stamp "La Lionne" by Roger Godchaux. See Photo 2- 2- With A Stamp of Susse. See Photo 3- 3- the signature of the Artist on the bronze. See Photo Incredible Executed and very fine details with Dark Brown Patina with a hue of green . The movement of the lionesse is very graceful and sinuous (as most of the lion Sculpture he produced) Mounted on a black stone base 5 1/2" x 11 1/2" Antique Dealer West Hollywood CA Melrose Ave La Cienega Blvd. Godchaux Né à Vendôme le 21 décembre 1878 et mort le 6 mars 1958 à Paris. Roger Godchaux Sculpteur animalier regularly produces animal drawings and paintings. Thus, unlike his sculptures which mainly represent wild animals, especially elephants and felines that he was going to study at the Jardin des Plantes, his paintings are often inspired by farm animals that he could observe in a small village of Brie where lived the mother of his companion. He also paints commissioned portraits or portraits of his family or friends, such as Gaston Switzerland or René Huchet . But it is above all a sculptor. He made some works by direct carving of the wood. However, he mainly worked by modeling the earth. It treats surfaces by smoothing and oblique streaks. In this respect, unlike other animal sculptors like Édouard-Marcel Sandoz , François Pompon or Armand Petersen whose works are smooth, his work is close to the art of Paul Jouve which leaves apparent textures. The lioness is finished with Godchaux’s distinctive surface modeling where the flesh is left textured like a wax model on the artists bench, still being formed and tooled. Godchaux’s animal work is characterized by gentleness and a sensitivity towards his subjects that showcases their playfulness and personality. This is captured beautifully in the present example where her curiosity and intensity of focus are fully developed; the anatomical and muscular realism is noteworthy. The naturalistic base is signed in his standard script “Roger Godchaux” and is also signed “Susse Fres. Edit. Paris” with the Susse cachet; a tiny stamp “France” is impressed into the edge below the cachet. Models in mud are most often cast plaster. It is often in this material that he exhibits in Salons and galleries. The works for sale are cast in bronze. They are entrusted to famous founders like Susse , with whom he signs publishing contracts, or Valsuani . He also works with lesser known smelters like Gatti, Andro or Planquette. Some of his bronzes do not wear a cast iron seal. While there are some large models, most are modest in size, easily finding their place in collectors' homes. Some of his works are terracotta or sandstone. Models were published by Susse both in bronze and terracotta. Terracotta remains raw or is glazed. He also worked at the Sèvres factory in the late 1930s. Roger Godchaux , born in Vendôme on December 21 , 1878 and dead the March 6 , 1958in Paris , is a painter , draftsman and sculptor of animals French . If all domestic and wild bestiary is part of his artistic universe, it is the wild beasts and elephants that have been his favorite subjects. Figurative sculptor, he represents the animal without artifice, in his attitudes of everyday life. Roger Godchaux's father is an antique dealer. His mother, Jeanne Godchaux, is a concert pianist. He has a brother Yvan with whom he studies in Vendôme under the care of his maternal grandparents, music teachers in high school. Having joined Paris, he prepared in 1894 admission to the School of Fine Arts . He soon turned to animal art . He became a pupil of Jules Adler and Jean-Léon Gérôme . In 1896, he is a pupil of the Julian Academy . Great admirer of Antoine-Louis Barye , he will build a collection of works produced in the workshop of the master 1 . In 1905, he began to exhibit in Paris. He regularly participates in the Salon des artistes français . In 1914, he was mobilized in Saint-Lô . Reformed, he is assigned to the offices of the Ministry of War. During this period, he put his drawing skills at the service of propaganda for the Allies. After the war, he saw rue Descombes . He resumes the exhibitions at the Salon des artistes français where, in 1922, he won the bronze medal. The state orders two bronze plates for the Army Museum Library . In 1924, his second companion gives him a daughter, Luce. In 1925, the jury of the International Exhibition of Modern Decorative and Industrial Arts awarded him a silver medal. In 1927, he won the contest of car manufacturer Chenard and Walcker for the creation of an emblem for their cars. In February 1928, the State bought him a bronze sculpture: Elephant , exhibited at the National Salon of animal artists, of which he becomes the treasurer in November of the same year. It was at this time that the Newark Museum in the United States bought him works. It was also in 1928 that he won the silver medal at the Salon des artistes français. In 1929, the state bought him a sculpture ( Pigeon ) again. During the inter-war period, he exhibited regularly in various galleries: Galerie Charpentier , Galerie Georges Petit , Galerie Edgar Brandt , group of animals of the Malesherbes Art Gallery. He has friendly relations with other animals, including Henri Valette and Gaston Switzerland, with whom he regularly works at the Jardin des Plantes . In 1937, he signed a contract with the Manufacture Nationale de Sèvres for the edition of terracotta. During the Second World War , he stayed in Paris and continued to work in his studio on Boileau Street , but was forced to wear the yellow star . He lives with his girlfriend and daughter Avenue de La Motte...

French chess game in the thematic of Ancient Egypt. The chess pieces are in painted and waxed plaster, the board is in wood and the is also a display shel...

Cute Gold Painted Metal Bulldog Money Bank . This Moneybox Bulldog Dog Figurine has Big Eyes which are looking into yours, so you can't say no to him. It's a Detailed Bulldog Figuri...

Fully functional. 220V, European plug. New power cable.

Beautiful Vintage Post Office Scale from Columbus Bilateral 1920's. Old original post letter balance scale, Antique Postal Brass Tin Bilateral Scale. Ni...

The packaging of the machine has surface defects that are associated with the age of use. Made in USA Serial number Z192196 Fully functional Made of metal, steel, chrome, fabric. Go...

Beautiful highly decorative letter scale. All written in German. With porcelain Enamel Face. Nice item for your writing desk or just as a display item at your cupboard.

American vulcanized fiber company factory office trash can, small to medium in size. The cleanest example that we have ever found, even with paper label to the outer bottom as well. ...

A stainless steel lighter designed by Ronson. Very beautiful desk Rondelight lighter, created in London England by The Ronson Co. during the art deco period, back in the 1929. This is a very unusual lighter designed with wonderful geometric patterns and crafted in solid steel with a main spherical body similar to a billiard ball. Embellished with black and creme lacquer creating a great contrast with the polished steel. It is extremely well made and solid construction with very nice care and attention to all details. This surely is a very decorative piece and a great conversation item in gorgeous and exceptional preserved condition. Weight: 254.6 Grams, (163.21 Dwt). Measurements: 57 mm by 57 mm by 76 mm (2.25 x 0.25 x 3.0 Inches). Marks: Stamped with the maker's mark and signed, "RONSON TRADEMARK MADE IN ENGLAND RONDELIGHT BRIT PAT. 621570 FILL HERE RONSON The Ronson lighter company started as The Art Metal Works in 1897 and was incorporated on July 20, 1898, by Max Hecht, Louis V...

Art Deco His studio was located in Schaerbeek (Belgium), where he worked as a sculptor for a company called "Carli et Fréres". Modeled and cast as two Two Geese with a Child Beautif...

The first typewriter of German production - rare Fully functional. The packaging of the machine has surface defects that are associated with the age of use. Made in Germany-number se...

Very rare and great looking antique toy train ticket dispenser by Gebruder Bing, Nurnberg (GBN). Since buying and selling only the rarest antiques h...

A very fine and rare french lion head form ashtray or catchall having glass eyes. Very unique piece with some wear and minor loss to verso - not observed whe...

A super little vase glazed with an intriguing sea green lustre and hand decorated with gilt decoration by Josef Ekberg for Gustavsberg, Sweden Wonderful Ekberg craftsmanship Signed a...

Wonderful huge plate designed by Olof Ahlberg in organic forms of the Art Nouveau, the design is datable to the year 1905. The pewter plate is masterfully ...

Absolutely delightful and delicate Daisy Makeig-Jones for Wedgwood, octagonal bone china lustre bowl. The interior is decorated with mother-of-pearl colo...

The entire machine is expertly disassembled, cleaned, lubricated, all repaired and fully functional. The packaging of the machine has surface defects that are associated with the ag...

A snuff gold box designed by Henrik Wigström. Beautiful neo classic snuff box, created in St, Petersburg Russia, at the workshop of Henrik Wigström, back in the 1908. This piece has been carefully crafted in the Russian imperial and Louis XVI styles, in solid yellow gold of 56 zolotnik (14kt) and embellished with applications of white enamel. Decorated around with garlands and intricates dotted patterns. Fitted with an invisible hinge and close perfectly well. Weight: 36.65 Grams, (23.49 Dwt). Measurements: 41 mm by 39 mm by 14 mm (1.61 x 1.53 x 0.55 Inches). Hallmarks: Stamped on both parts with Russian marks; the kokoshnik post 1908 mark with the letter a for the city of Saint Petersburg, the maker's mark HW associated to Henrik Wigström inside an oval cartouche, scratched with his inventory numbers 86111 and the 56 zolotnik mark for the assay and warranty of the gold. Other Hallmarks: Stamped in the outside border, with German importation marks; the German Crown mark, the retailer mark AT inside an oval and the 585 mark for the assay and warranty of the gold. Henrik Immanuel Wigström born on 1862 and was a Finnish silver & goldsmith. He was one of the most important Fabergé workmasters along with Michael Perchin. Perchin was the head workmaster from 1886 until his death in 1903, when he was succeeded by his chief assistant Henrik Wigström. These two workmasters were responsible for almost all the imperial Easter eggs. Henrik Wigström was born in Ekenäs, Finland, and was apprenticed to a local Danish born goldsmith named Peter Madsén, a successful manufacturer of silverware who was familiar with the jewellery trade in the city of St. Petersburg, as at one time he had had a workshop there. Once in Madsén's employment, his master's trade with Russia, as well as his numerous business contacts here, brought him to work in St. Petersburg. Goldsmith Werner Elfström employed Wigström as a apprentice on his arrival in the capital in 1875. Wigström became assistant in 1884, at the age of 22, to Perchin, whose shop at that time was already working exclusively for Fabergé. Wigström became head workmaster at Fabergé after Perchin's death in 1903. The number of craftsmen in Wigström's workshop diminished drastically with the outbreak of World War I. By 1918, the Revolution forced the complete closing of the House of Fabergé. Aged 56, Wigström retreated almost empty-handed to his summer house, on Finnish territory, and died at Terijoki in 1923. His art is similar to Perchin's but tends to be in the Louis XVI, Empire, or neo-classical style. Nearly all the Fabergé hardstone animals...