Restauration Gilded and Epargne Armillary Sphere and Paperweight, circa 1830

A French 19th Century Restauration Psyche Coiffeuse mirror Patinated and gilt bronze rectangular Psyche Coiffeuse Mirror designed with Greek frieze, palmettes, oves, strings of p...

A twelve lights green patinated metal, bronze and ormolu restauration period chandelier.

A Famille Rose Painted Enamel inkwell set Qianlong Period (1736-1795) by l’Escalier de Cristal It consists of a fretworked tray with raised edges in blackened wood surrounded by a fine gilded bronze ring, on which rests two Famille Rose Qianlong Period (1736-1795) hexagonal inkwells with pierced tops, one with original glass container, decorated with polychrome stylised flower heads and foliate scrollwork. This inkwell is characteristic of the productions of the Maison de l'Escalier de Cristal, it shows a hybrid realization, using ancient Asian elements, used as a container for feathers and ink. Stamped «Escalier de Cristal Paris» Circa 1880 L’Escalier de Cristal, Parisian firm created about 1800 by Mme veuve Desarnaud, famous under the French « Restoration » for its decorative objects combining crystal and bronze. She was awarded a gold medal at the 1819 Paris Exposition des Produits de l’Industrie for an outstanding gilt-bronze mounted crystal dressing table. Located in Paris, at the Palais-Royal, Galerie de Valois, L’Escalier de Cristal was bought out around 1830 by Boin, and then by Lahoche in 1840. The company owed its rise to a position amongst the most im-portant Paris decorative wares shops to Lahoche, who expanded considerably the business and entered later in partnership with his son-in-law to set up in 1852 Lahoche et Pannier...

Orfèvrerie Christofle for "Ile de France" 1949 Compagnie Générale Transatlantique Paquebot A set of six silvered metal cups Monogr...

“Wheat ears and poppies" DAUM Nancy Vase A "Wheat ears and poppies" multilayer glass vase by Daum - Nancy With an etched and polychromatic enameled decor with gold highlights on an...

Dawn and Rooster Daum Nancy Vase 1897 Opalescent glass vase with and hand-painted polychromatic enameled decor gold highlighted on an acid frosted background with rising sun and cameo sun rays gilding, a rooster and red iris, highlighted with gilding on the top and the base of the rim. Signed "Daum # Nancy" with gold, under the base. Circa 1897 Mint condition Animals are very rare subject matter for Daum Art Nouveau...

A rectangular marble paperweight with octogonal inlaid micromosaic plate. The plaque depicting a spaniel in a landscape, the trunk os a tree in this left. Depictions of dogs in micro...

Count Gleichen’s Russian shell paperweight, the tooth shaped fragment of a Russian armament shell set above another of rectangular form both raised on a silver mount on an ebonized rectangular plinth, applied with a plaque reading ‘Two fragments of a Russian shell fired at Mr Fred Burne assist.t paymaster and Mr Henry Crave St John midshipman of H.M.S. Cumberland in Aug.t 1854 from Tsee Fort Bonarsund whilst conveying refreshments to the English camp – for their messmate – H.S.H. Prince Victor of Hohenlohe Midshipman landed with the Naval Brigade in 1854’. With a framed caricature of Count Gleichen inscribed Vanity Fair, London, July 5, 1884. Vice Admiral H.S.H Count Gleichen – the Queen’s Nephew.Russian and English, 1854. The print has the following biography on the reverse and on the mount ‘His Serene Highness Prince Victor …. of Hohenlohe-Langenburg, is better known in England as Count Gleichen and as the Queen’s nephew. Born fifty years ago, he was sent to school at Dresden; but at the age of fourteen he conceived ideas not to be bounded within the confines of the small life of a German principality. So he ran away from school to go to sea, and his aunt the Queen of England, being informed of the fact, proposed to her sister to let her adventurous nephew become naturalised as an Englishman and enter the English Navy. This was accordingly done, and Prince Victor, as he was then called, was appointed to the Powerful on the Mediterranean Station, in 1848. He served in the Crimean War and in the operations in China he proved a popular officer and a good sailor-man, and was three times wounded in battle. In 1861 he married the daughter of Admiral Sir George Seymour, sister of the fifth Marquis of Hertford on which occasion it was that he put down his title of Prince and took up for future use that of Count. He became, in due course a Vice-Admiral, and in the meantime he also became a sculptor. It is in the latter art that he now mainly busies himself, and he has created many pleasing busts of his royal relatives and some works of greater pretensions than family portraits. An Alfred the Great, a Beaconsfield, and a Prince Imperial...

An armillary sphere is a model of objects in the sky consisting of a spherical framework of rings, centred on the Earth or the Sun, that represent lin...

This is a clear crystal Lexus LS 400 car paperweight. Very nicely you can see through the crystal the inside details of the car, like the seats and the b...

Carl Auböck Pipe Paperweight, Brass, Signed. Small scale meticulously detailed brass pipe paperweight by Viennese designer Carl Auböck.

Paperweight made of lost wax casting brass depicting a horse's head, English manufacture of the 1930s. Good condition. Measures: cm 10 x 10 H 5. Shipping is insured by Lloyd's London...