Belle Époque Desk Accessories

Very nice early wooden box, made in Austria, Central Europe. The box was made in the Gründerzeit period, how we ...

Beautiful antique paperweight, handmade from multi colored glass, in the shap...

Belle epoque desk clock designed by Cartier. An impressive and magnificent "mignonette" desk clock, created in Paris France by the house of Cartier, during the Edwardian Belle Epoque period, back in the 1905. This stunning piece is very rare and has been designed with neoclassic French patterns and carefully crafted with parts made up in yellow gold of 18 karats, silver and platinum. It is mounted with four spherical parts, carved from green chrysoprase. The five sides are embellished with applications of vivid purple enamel over a sunburst and linear guilloche ground and the borders are accented with a linear frame of white champleve enamel. Fitted in the reverse with a system to open and close the three winding parts to manipulate. Movement: Mechanical 8 days, key winding and It is accompanied with the associated original key. Dial: White ceramic, with Arabic black numerals, with gold indexes batons for the seconds and gold hands with juxtaposed circles ending on arrowhead, inscribed, Cartier Paris-London. Diamonds: The platinum part on top is mount, with 60 calibrated Old European rose cuts diamonds, 0.30 carats, F color, VS-1 clarity Chrysoprase: Mounted with screws on the base, with 4 four spherical cabochon cuts carved from natural translucent green chrysoprase with a weight of 8 carats. Weight: 272.8 Grams, (174.87 Dwt). Measurements: 69 mm by 50 mm by 37 mm (2.72 x 1.97 x 1.46 Inches). Hallmarks: Stamped with French marks, the mark of the boar for the silver and the gold assay and warranty, the maker's mark for Eugène Bako inside a lozenge cartouche, the case numbers, the Cartier serial numbers and signed at the bottom, "CARTIER LONDON PARIS 2027,11290,11453,21". Literature: Olivier Bachet & Alain Cartier, Cartier Exceptional objects, Palais Royal 2021, Volume 1, Pp-117 and 128, for two similar Illustrated, see figures. Comparative Literature: Hans Nadelhoffer, Cartier, Jewelers Extraordinary, London, 1984, pl.18 Barracca, Negretti & Nencini, Le Temps de Cartier, Milan, 1989, p.34 A Cartier carriage clock of very closely related design was sold Antiquorum Geneva, The Magical Art of Cartier, 19 November 1996, lot 36 (illustrated in its travel case in Nadelhoffer). The dial design may be compared with other Cartier desk clocks of this period illustrated in Barracca et al. Publications: Published in the Vogue Art...

French cast bronze / brass lizard in lost wax technique on a solid polished Lapis Lazuli. Can be used as a paper...

À beautiful bronze patinated iron inkwell/paperweight in the shape of a nautilus shell.

Massive Art Nouveau Bronze Poseidon Inkwell, by Hans Müller Austrian, circa 1900. Behold the Art Nouveau Bronze...

A gorgeous ladies hand wall or desk letter / paper clip. Made of Ormolu, by Erhard & Sohne, Germany. Beautiful c...

An exquisite and decorative Italian porcelain jewelry box. Hand painted in pink, gold and white with flower moti...

A Rare Early 19th Century Gilt Bronze and Malachite Three Piece Desk Set By Leuchars of London James Leuchars ...

Enamel cloissoné and gilt bronze inkwell. France, late 19th century.

Onyx, Champlevé and Gilt Bronze Inkwell, France, circa 1890.

French French Belle Époque Sculptural Paperweight Gilt Silver and Rose Quartz ca. 1880s DIMENSIONS Height: 3-5...

Enamel cloissoné and gilt bronze inkwell. France, late 19th century.

French 950 silver inkwell on stand, circa 1910. Straight sides with vertically applied strapwork bands; curved b...

Beautiful large 19th century French Belle Époque inkwell. Grand gilt bronze with many compartments decorated with Sevres porcelain plaques...

A Beautiful Late 19th Century Gilt and Patina Bronze Inkwell Depicting a bronze sleeping cherub lying on a gilt...

Heading : A 19th century banded agate and ormolu bronze inkwell Date : 1880-1910 Origin : France Decoration : Th...

A Very Nice Late 19th Century Bronze and Marble 3 Piece Desk Set The large Chinese...

A gorgeous candlestick. Made of metal with cloisonné enamel parts. Beautiful color and patina. This was made pro...

A wonderful French large oval bronze ormolu garland embossed picture frame with easel back 18" H x 14" W.     ...

A gorgeous candlestick and match stick holder set. Made of Ormolu, by Erhard &...

Wonderful pair of rare stand/table frames, made circa 1890. The construction is made of brass, into which a gl...

Albert Marionnet (1852-1910), A Large Belle-Epoque Naturalistic Inkwell, circa 1900 In gilded and chiseled bron...

A fine Baccarat paperweight. By Baccarat. With a deep purple and yellow lamp work pansy with a branching stem,...

French Belle Epoch Antoine Bourdelle Sculptural Pair of Bookends Patinated Bronze Edmond Etling & Cie Foundry, Paris ca. 1910 DIMENSIONS Height: 7.5 inches Width: 3.33 inches Depth: 3.33 inches MARKINGS Same markings are present on the plinths of both bookends: Signed 'A. Bourdelle’. Stamped ‘Edmond Etling & Cie Foundry, Paris’ ABOUT BOOKENDS This exquisite pair of bookends, created by the renowned French sculptor Antoine Bourdelle, epitomizes the grace and emotional depth of the Belle Époque era. Each bookend is a remarkable sculpture in its own right, yet when placed together, they form an inseparable narrative composition, bound by a shared plot. One bookend captures the passionate embrace of Harlequin and his mistress, a tender yet intense moment frozen in time. The second bookend portrays Pierrot, lost in the anguish of jealousy, his expression and posture radiating sorrow and longing. Together, these two figurative sculptures create a dramatic scene, where the books they support become part of the stage set, acting as a barrier between the characters—much like a stage wall in a theatrical performance. The interplay of emotion and movement in this captivating sculptural pair makes it a true masterpiece, seamlessly blending art with functionality. ABOUT SCULPTOR Émile Antoine Bordelles (French, 1861 - 1929) was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts seyle to modern sculp[ture. His studio became the Musee Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the15th arondissement of Paris, France. His very well known for his use of quivering Romanesque forms in his depictions of mythological figures. One of his best known works Hercules the Archer (1909), was a commissioned sculpture for the financier Gabriel Thomas. Born Émile-Antoine Bourdelle on October 30, 1861 in Montauban, France, he learned woodworking as a youth from his father who was a cabinetmaker. While assisting his father during the workday, he studied drawing at the École des Beaux-Arts in Toulouse in the evening. Moving to Paris in 1885, the artist became an assistant to Auguste Rodin in 1893, Rodin’s influence is evident in many of Bourdelle’s early sculptures. By 1900, he had begun receiving commissions for a number of theaters and later taught classes at his studio to young artist such as Alberto Giacometti and Otto Gutfreund...

Signed illegibly original red marble base. Dimensions: H: 8.25” x W: 3.25” x D: 4.25” Base diameter: 2.75” ...