Metal Decorative Objects

Crafted entirely with an exceptionally detailed enamel technique known as pliqué-à-jour, this French box is a luxurious objet d'art. Exhibiting a subtle translucence like that of sta...

Elegant Art Nouveau silver centerpiece: Body on a round stand stepped by a fluting and with an embossed beaded rim, vessel widening rhythmically in differently sized, tongue-shaped ...

French Silver Art Nouveau Vase Beautiful French silver and glass vase with a flared opening at the top. The vase is set on an ornate silver base that features intricate designs, incl...

François-Raoul Larche (French, 1860 - 1912). Three 'Art Nouveau' Gilt-Bronze Sculptural Centrepieces. Comprising a large pair of centrepieces and a ...

A cold painted bronze figure of an eastern lady serving coffee most probably Bergman work shop.

1900 bronze heron on block of Malachite.

Carabin's captivating group of six bronze dancers showcases nude models passionately wielding castanets. Five of the dancers are depicted in 2nd, 3rd, 4th, and 5th positions, while the sixth dancer adopts a traditional flamenco stance known as the braceo, characterized by one arm raised and the other resting at the hips in an elegant S shape. The inspiration behind these castanet dancers likely stems from the renowned Spanish performer Carmencita, who gained international fame following her performance at the 1889 Exposition Universelle. Carabin's artistic vision drew from a series of 600 albumen prints capturing nude prostitutes, who frequented local brothels on streets like Rue des Moulins, de Richelieu, d’Amboise, or Joubert. Carabin's early years were marked by his family's exile from Alsace, leading him to settle in Montmartre's red-light district at nine. As an adult, he immersed himself in the vibrant atmosphere of Montmartre's renowned clubs, including the Chat Noir and the Café de la Nouvelle Athènes. In 1895, Carabin crafted 600 nude albumen prints, all of which found a home in the permanent collection of the Musée d'Orsay. Renowned artists such as Degas, Monet, Rodin, Toulouse-Lautrec, and Renoir were avid collectors of Carabin's work, making the prime example of an artists artist. Product Details: Item #: S-21514 Artist: Rupert Carabin...

Tiffany Studios’ Pond Lily Desk Set is a rare model, with only three extant sets known. The set is decorated with a dazzling array of lily pads, lily buds, dragonflies, and moths. The dragonfly and moth was a leitmotif of the Art Nouveau, but Louis Tiffany encountered the creatures and explored their form and significance throughout his childhood and artistic life, beginning as a youngster who sketched au plein air in the woods and wetlands surrounding his father’s summer house. At his Laurelton Hall estate, an artwork of nature coaxed into form over decades, Tiffany observed these insects in the teeming saltwater marshes and wetlands of Oyster Bay. The crown jewel of his Laurelton Hall garden was a water lily pond filled with varieties of colored water lilies, a novelty that debuted at the 1900 Exposition Universelle. Tiffany proceeded to make a series of designs based on the pond lily which he displayed to much acclaim in the 1902 Turin Prima Esposizione Internazionale d'Arte Decorativa Moderna. Product Details: Item #: T-21399 Artist: Tiffany Studios New York Country: United States Circa: 1905 Materials: Patinated Bronze Signed: blotter ends, inkstand, calendar frame, pen tray and rocker blotter each impressed "Tiffany Studios New York"; the inkstand, pen tray, rocker blotter and blotter ends further impressed with firm's respective model numbers Literature: Martin Eidelberg, Nina Gray and Margaret K. Hofer, A New Light on Tiffany...

Rembrandt Bugatti's striking bronze depicts a pair of elegant white storks. The male stork, positioned on the left, gently rests its head upon its soft breast while tucking one of it...