A Pair of Antique Bow Porcelain Flower Filled Vases

An attractive pair of lions, in the white; possibly based on a Chinese original.

This is a fabulous pair of figures of Liberty and Matrimony made by the Bow Porcelain factory between 1760 and 1764. These figures were a popular pair portraying marriage. The bow...

Flemish man and wife, in the white. He wears an open coat, waistcoat, breeches and tricorn hat, and plays a hurdy-gurdy. She wears a sleeved dress, long apron and linen cap and carri...

An early example of bow’s output, with a smooth, silky glaze. Painted after the Kakiemon with a phoenix, butterfly and various plants after the Japanese; with reserved panels featuri...

An antique English porcelain figurine. By Bow. In the form of a boy clothed in 18th century garb and holding a flute. We've noted losse...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...

A vase and cover, decorated with peonies &c in the Famille Rose style. Incised R mark group. Prov Taylor Collection; Simon Spero; Joseph Handley.  

She stands barefoot, wearing a long-sleeved robe in white, deep pink and washed pale yellow and partly edged with gold; a red and gilt-topped sceptre in her right hand, an outsize pe...

From a series of figures representing The Four Seasons, Autumn is shown as a young man squeezing grapes into a cup, symbolic of harvest time, and recalling classical representations ...

He wears a winged helmet and sandals, a loosely draped pink, white, and yellow washed cloak over a short tunic, and leans arrogantly against bales, his message sack over his left sho...