Claude Victor Boeltz 24 Karat Gold-Plated 'Exploded' Photograph Frame

Table lamp in the form of a classical horse head in 24k gold plated brass upon an ebonised base with gilt detail, made by Deknudt circa 1970. In super condition, some time related we...

A very rare pair of 1970’s brass plated stainless steel Table lamps, designed by Maria Pergay. Born in 1930 in Moldova, Romania to Russian-Jewish parents, Pergay and her mother fled to France at the beginning of World War II. After the war, Pergay studied costumery, set design, and sculpture at the Institut des Hautes Études Cinématographiques in Paris, before opening her own shop to sell decorative silver objects. It wasn’t until the late 1960s that she began using stainless steel. Pergay lives and works in Paris, France. Today, her works are held in the collection of the Metropolitan Museum of Art in New York. These lamps are sometimes mistaken for designs by the Italian company Il Punto...

The stunning 1970's Art Deco influenced brass lamps are each adorned with a large agate slice, semi-precious stones were one of Daro’s favourite mediums when creating his works, and ...

An exceptional table lamp by the renowned design partnership Isabelle and Richard Faure, fully signed and dating to the early 1980's. Hand crafted in burnished and solder brass vine ...

Tall model of photo picture or drawing frame light lamp in gilt bronze and dioptase stone by the french artist Claude Victor Boeltz.

Seashell, bag holder or centerpiece in gilded bronze and rock crystals. Biography Claude Victor Boeltz, France (1937) Claude-Victor Boeltz, is born in 1937 in Paris. Complete arti...

A French 1970s Gold and bronze clam shell center peice sculpture with three large quartz and amethyst crystal clusters. Signed Biography: Claude Boeltz was born in Paris in 1937. The fourth generation in a line of artists, from his early childhood Boeltz was interested in disciplines as far ranging as sculpture, painting, ceramics, architecture, and blacksmithing. From the very start he was fascinated by what would become life long inspirations—anatomy and geology. His first apprenticeship was with the sculptor Henri Molins, which was followed by apprenticeships at the prominent Susse and Houdot foundries. His last was with Soudoun, under whose tutelage he was honored with the national “Best Worker in France” award. During these apprenticeships Boeltz took night classes at the Boule School, the Gambetta School, and at the Academy of Art in Paris. He would eventually take degrees from all three. On Sundays he went to museums, particularly the Louvre, where he sought out work in the Louis XIII - Louis XVI styles. He also spent long hours in study of the many artists he admired, such as Bersus, Meunier, Giacometti, Ponpon, Chipparus, Dali, Dajou, and Ruhlman. After these apprenticeships he tried to establish himself in the Riviera, where he befriended, and briefly collaborated with Picasso. Boeltz’s time in this vibrant community was, however, cut short—in the early 1960s he was called into the French military. While on tour in the Sahara he carved miniatures, and would carry them in his baggage from base to base. One that survived—a replica of the Arc d’triumph—was later offered to President Eisenhower on behalf of the French Army. Upon leaving the service Boeltz established a foundry in the Loire, and by the late 1960s his work, now enormously popular, was shown all over Europe. In the early 1970s he met the sculptor Cesar. The famous sculptor’s “compression” pieces inspired Boeltz to create the work for which he would soon become best known. Boeltz’s “exploded” bronze works were pieces plated with 24 karat gold made to look like liquid gold crystalized an instant after explosion. Boeltz augmented this unique medium with vibrant details, often with African emeralds, but with other stones or unusual materials as well. In his famous Cleopatra, dedicated to Elizabeth Taylor and installed in Georve V hotel in Paris, the artist employed metacrylite as a base and for its veil. The immediate success of these “exploded” works allowed Boeltz to build two foundries devoted largely to their creation, one in the Faubourg St. Honore’ in Paris, and the other in Fontenay Sous Bois. “Exploded” works from the foundries were presented and sold at Fred’s Jewelers...

Claude Victor Boeltz Letter Holder , circa 1970, France. Gilt exploded bronze, metal blade. Dimensions: 16 cm W, 10 cm H, 8 cm D. Boeltz’s "exploded-bronze" pieces, made famous in th...