Early 18th Century Italian Salvator Rosa Gilded Frame

Important, beautiful gilded and carved wooden frame with typical 18th century French motifs Excellent condition Internal dimensions cm 20.8 x 26.8 This artwork, never before on the...

Salvator Rosa last 17th century giltwood frame. Internal measurements cm 32.x 40.8 Pure example of Italian Salvator Rosa gild wood frame of 17th century. "Salvator Rosa" is the famo...

Italian Salvator Rosa last 17th century giltwood frame. Internal measurements cm 20 x 30 Pure example of Italian Salvator Rosa gild wood frame of 17th century. "Salvator Rosa" is th...

Salvator Rosa last 17th century “Mecca” giltwood frame. Internal measurements cm 54.5 x 65. Pure example of Italian Salvator Rosa gild wood frame of 17th century. "Salvator Rosa...

Rococo frame. Gilded wood. 18th century. Rectangular frame made of carved and gilded wood, and decorated in the corners and the centres of the sides with carvings of architectural e...

A large French baroque art frame. Pine wood carved with foliage decorations and black-painted edges. Original untouched with very fine age-relat...

Frame. Carved, polychrome and gilded wood. 18th century. Rectangular frame made of wood and decorated with two bands of plant and architectural elements of classicist influence carv...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...