Italian Baroque Gilded Cartouche Sculpted Frame Early 1600s

Piccola e rara Cornice Barocca dal nord Italia Scolpita a mano di forma rettangolare in senso orizzontale. La cornice è formata da profonde volute e ...

Set of four Antique Gilt Frames of oval shape with ferine feet and a shell-shaped cymatium and two median decorations consisting of the interlacing of the outline of the outer frame ...

Cornice Dorata Rettangolare Per Specchio Epoca 1800 in legno di cirmolo, finemente intagliata con un trionfo di foglie accartocciate che si sviluppano intorno alla cornice rettangola...

Theca table top in early 1800s Ebonized Poplar Wood small display case with modern glass accessible from the panel on the back hinged and locked by an eyelet. The sides of this smal...

Engraved and gilded wooden frame of rectangular shape with floral decoration. Louis XIV era Origin France

Rectangular frame completely carved with leafy volutes and bouquets of flowers. An oak wreath carved border delimits the internal light of the frame, which is composed of an elaborat...

Richly carved wooden frame with guilloché decoration, 17th century. Guilloché decoration is a decorative technique of engraving regular geometric patterns on wood; these patterns, o...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...