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Agustín Cárdenas Drawing Study for Abstract Sculpture, Untitled I
About the Item
Agustín Cárdenas Drawing Study for Abstract Sculpture, Untitled
Agustín Cárdenas, Cuban, 1927–2001
This exceptional drawing by renowned Cuban sculptor Agustín Cárdenas (1927–2001) dates from the 1950s–1960s and measures 16 inches by 20 inches. The drawing, a study for an untitled carved and blackened biomorphic wood sculpture, presents two views—front and back. It is signed in the lower right corner, 'A._ Ca-'. The piece is currently housed in a commercial wood and plexiglass frame measuring 20 inches by 24 inches, offering protection and ease of transport. However, it is ready for further framing to suit your preference.
Agustín Cárdenas Alfonso, born on April 10, 1927, in Matanzas, Cuba, and passed away on February 9, 2001, in Havana, Cuba, was a prominent figure in the Surrealist movement in Paris. His work was notably influenced by Constantin Brâncuși, Henry Moore, and Jean Arp, blending organic forms with surrealist themes.
This drawing is not only a rare find but also a remarkable insight into Cárdenas' creative process. It is an ideal addition for collectors of fine art or anyone with an appreciation for modernist drawings and sculpture. Ready to be displayed, this drawing embodies the innovative spirit of one of the 20th century's upcoming sculptors.
*At the time of posting, we have an additional Agustín Cárdenas Drawing Study for Abstract Sculpture, Untitled II, Item Reference LU2592340304942.
- Creator:Agustín Cárdenas (Artist)
- Dimensions:Height: 0.25 in (6.35 mm)Width: 20 in (50.8 cm)Depth: 16 in (40.64 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Period:
- Date of Manufacture:1950s
- Condition:Wear consistent with age and use.
- Seller Location:West Palm Beach, FL
- Reference Number:Seller: SDHU5T18681stDibs: LU2592340301742
Agustín Cárdenas
Cárdenas was a descendant of african slaves from Senegal and Congo. He was born in Matanzas, a major export port for the sugar industry. Cárdenas studied under Juan José Sicre, in Cuba, and from 1943 to 1949 at la Escuela Nacional de Bellas Artes “San Alejandro” in Havana. He was a member of the Asociación de Grabadores de Cuba (AGC) from 1951 to 1955. Also he was a member of the creative group Los Once from 1953 to 1955. Cárdenas’ work was exhibited several times in 1952 “Pintura Ávila Escultura Cárdenas” at the Palacio de los Trabajadores in Havana, and in 1955 he exhibited a selection of his pieces in “Agustín Cárdenas: 20 esculturas” at the Museo Nacional de Bellas Artes de La Habana. Cárdenas settled in Paris in 1955 and in 1957 joined the Surrealist movement in there. His work incorporated aspects of his African heritage and of Dogon totems. In 1987, his work was in the Corea Gallery, Seoul, South Korea. In 1993, his work was exhibited in “Agustín Cárdenas” in the Museo Nacional de Bellas Artes de La Habana and in 2002, Cárdenas work was presented in “Desires and Grace” at the Haim Chanin Fine Arts Gallery in New York City. Cárdenas also took part in many group exhibitions such as the IV Exposición Nacional de Pintura, Escultura y Grabado at the Centro Asturiano in Havana in 1950, the “Exposition Internationale du Surréalisme Eros” at the Galerie Daniel Cordier in Paris in 1960. He participated in the II Bienal Internacional de la Pequeña Escultura in 1973 in Budapest, Hungary and the exhibition of Abstract Art “Tono a Tono” in the Salón de la Solidaridad in the Hotel Habana Libre in Havana in 2000. Cárdenas was awarded with several distinctions during his life, including Segundo Premio VI Salón Nacional de Pintura y Escultura, Salones del Capitolio Nacional, Havana, by the Cuban government (1953) and the Silver Medal XXXVII, Salón de Bellas Artes, Círculo de Bellas Artes, Havana (1955). In 1976, he was awarded with the Ordre des Arts et des Lettres in France and the Fujisankey Biennal Prize at the Hakone Open-Air Museum, Fujisankey, Japan. In 1995 he received the Premio Nacional de Artes Plásticas by the Cuban Ministry of Culture. His works can be found in many permanent collections around the world, including the Centre National des Arts du Cirque, Fonds National d’Art Contemporain and Musée de la Sculpture en Plein Air in Paris; the Musée d’Art et d’Industrie at Saint-Étienne, France; the Hakone Open-Air Museum, Hakone, Japan; the Musée d’Art Contemporain, Argel, Algeria; Museo de Bellas Artes in Caracas, Venezuela, and in the Museo Nacional de Bellas Artes de La Habana in Havana, Cuba.
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