
Antique 18inch French Grand Tour Gilt Bronze Model of Vendome Column 19thCentury
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Antique 18inch French Grand Tour Gilt Bronze Model of Vendome Column 19thCentury
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This is a wonderful antique French Grand Tour gilt bronze model of the Vendôme Column, circa 1880 in date.
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Antique French Grand Tour Ormolu Bronze Model of Vendome Column 19th Century
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Antique Monumental Grand Tour Bronze of Michelangelo David 19th Century
Located in London, GB
This is an elegant monumental Grand Tour bronze sculpture of Michelangelo's David, circa 1880 in date.
The full-length portrait statue is of David, the 14ft marble statue depicts the Biblical hero David, represented as a standing male nude, David looks tense and ready for battle after he has made the decision to fight Goliath, but, before the battle has actually taken place. His brow is drawn, his neck tense, and the veins bulge out of his lowered right hand and holding his slingshot over his shoulder.
This impressive scuplture is 107cm (3ft 6" ) tall and weighs over 36kgs (79lbs).
This high quality hot cast solid bronze was produced using the traditional 'lost wax' process.
The attention to detail of this sculpture is absolutely fantastic.
Condition:
In really excellent condition, please see photos for confirmation.
Dimensions in cm:
Height 107 x Width 41 x Depth 24.5
Weight 36.3 kg
Dimensions in inches:
Height 3 foot, 6 inches x Width 1 foot, 4 inches x Depth 10 inches
Weight 80.0 lbs
Michelangelo's David
This astonishing Renaissance sculpture was created between 1501 and 1504. It is a 14ft marble statue depicting the Biblical hero David, represented as a standing male nude. Originally commissioned by the Opera del Duomo for the Cathedral of Florence, it was meant to be one of a series of large statues to be positioned in the niches of the cathedral’s tribunes, way up at about 80mt from the ground. Michelangelo was asked by the consuls of the Board to complete an unfinished project begun in 1464 by Agostino di Duccio and later carried on by Antonio Rossellino in 1475. Both sculptors had in the end rejected an enormous block of marble due to the presence of too many “taroli”, or imperfections, which may have threatened the stability of such a huge statue...
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