Ceramic Mask by F. Labelle with a Metal Base, circa 1980-1990

Wall ceramic mask, circa 1950 French midcentury ceramic mask with elegant black ceramic glaze color. Original perfect conditions Measures: Height 24 cm, large 22 cm, depth 7...

A monumental ceramic box by Camille Virot. Perfect original conditions. Signed at the base, Circa 1990-2000. Unique piece.   

A white and black ceramic sculpture by Jeanne Grandpierre. Perfect original conditions. Signed under the base, Circa 1980-1970. Unique piece.  

A ceramic vase by Claude Champy. Perfect original conditions. Signed under the base "Champy". Circa 1980-1990. Unique piece.  

A ceramic vase with abstract decoration by Loup Combres. Perfect original conditions. Signed under the base. Circa 1980-1990.  

A ceramic vase with abstract decoration by Sophie Combres. Perfect original conditions. Signed under the base. Circa 1980-1990.  

Beautiful 1970 bronze sculpture ethnic inspiration "mask" dark color black and bronze with a plexiglass base.

Rustic; folk art; mask; Axel Vervoordt This Rustic looking mask has a soft and elegant expression, closed eyes, and a finely carved mustache. The encrusted patina inside and out ...

Beautiful classic Chokwe mask genre that honours female founding ancestors. Such representations are particularly significant as the Chokwe trace the descent through the lines of their mothers. This is thought to be a dance mask with a net and wood hairstyle, from the Batshokwe people skilled in the art of carving and of very ancient origin belonging to the culture of the divine monarchy. The Batshokwe sculptors were the most famous in the region, masters in geometric decorations such as the depiction of scarifications and tooth deformations, the surfaces of their works were carefully smoothed and polished. On the forehead of the mask, the classic chinge-lyengelye scarification is clearly visible, commonly interpreted as a variant of the Portuguese cross...

Attributed to the Yoruba people of western Nigeria, this wooden headdress was worn during a masquerade known as egungun. A widespread Yoruba ritual, egungun performances honor a comm...

This helmet mask created by the Mende people of Sierra Leone was made for the women of their tribe to wear while dancing. Commissioned by women for their ...

Very important “Nwantamtay” dance African mask, consisting of three sections: The upper in plain rectangular shape surmounted by a crescent shape moon, the middle with beautiful geometric triangles in black bitumen and white kaolin, surrounding a red cruciform in the centre of remarkable contrasting colors, and the lower part or face inscribed in a circular space that inspired numbered great artists like Joan Miro, Picasso and Henry Moore of a very strongly solar symbolism, with a projecting protuberance emanating from the forehead like a sculpted bird beak, that descents toward the mouth. Concentric eyes harmonize with the circular mouth, both with of elegant proportions. The whole mask exudes a supreme harmony and perfect balance rarely seen in this pieces. The back-side presents nice ware that attested the ancient origin and traces of animistic ceremonies as the use of animal blood residues. The painting of brown bitumen or cola, the natural colorants in red and ocher tones and the white kaolin are original and do not show any repainted or restored areas, giving a freshness rarely seen in old pieces. This exceptional mask Bwa, of the Hound`e Region in Burkina-Fasso, was used it the transit ceremonies and funerals manifesting the presence of “Do”, name given to their God sons, protectors and powerful spirits. The round face also represents an owl, the curving beak of the bird plants a seed into the sun, like a female sexual vulva being fecundated by the male organ; the eternal symbol of Ying and Yang, masculine and feminine, and the quest of life and death. This mask of Primitive facture can be compared to the one in the celebrated Verite Collection (this one being larger) sold in Paris at the Hotel Drouot, Saturday June 17, Lot 59, for 80,000 Euros and remarkably stands out from the Pierre and Tannia Matisse sold in Sotheby’s, New York in May 13, 2011. Another similar piece was published in: “Arman et l’art africain...