Dieter Crumbiegel German Brutalist altered form brown iron glaze

Rookwood pottery was established based upon Arts and Crafts ideals positing the celebration and elevation of pottery as an art form. Both professional and amateur decorators and potters were instrumental in the success of what became an art industry and the nations first Internationally recognized art pottery. It is marked 1885, 61 and W. Rookwood's font, Form # 61 and the use of W to indicate white clay are well known to Rookwood collectors and have been identified in most publications concerning the pottery dating back to Peck's books. Sometimes we just can't figure out who decorated them. Many of the decorators were married society ladies and some used their spouse's initials or names on pots. I have been unable to identify what appears to be M AED in under-glaze initials. Nor does the pencil notation which appears M.E. Foster (or Foote) turn up in my review of the literature, including The Ladies God Bless 'em. The quality of the decoration is high and represents the interest in Japonisme and Aesthetic Movement art. The four cobalt lined vertical panels recall vertical Japanese woodblock prints and the gold tracery and rim is surprisingly present with only modest wear to the high points and minor bleed through of the under-glaze around the lip. (shown). It is important to note that unless or until the decorator is identified, it is impossible to assert that the decoration is by a Rookwood artist. Many amateur ladies and gentlemen, particularly members of the Cincinnati Pottery...

Bertil's work is often haunting, but this bottle vase is ready for display or perhaps for the most adventurous as a container for your personal witch's brew. A entire layer of end of day type scattered glass has been cameo acid cut back to reveal a frosted midnight blue glass underlayer. But, just look at these birds. Ravens, crows... certainly birds of the night. A taller neck than I have seen before and the slight slumping and bubbled inclusions reinforce the visual message that this is both art and handicraft. The fortuitous bold coloration of the birds makes the pattern boldly assert. Marked Kosta Boda Atelier 92 and B Vallien...

In 1886, John Northwood, famous glass artist of Stourbridge, UK, (later instrumental in the development of art glass in the US), invented a pull up machine allowing small metal teeth...

A monumental weed vase by studio potter Clyde Burt. This is 20" tall by 5.5" diameter and is from the 1960's series "Zig Zag Lines". A related (smaller) ex...

A rare large scale Eskimo fisherman theme mid century modern vase by noted California Artist Edmund Ronaky. Signed to the base and a quintessential West Coast work of modernism. The ...

Art Deco Bat pattern cut crystal vase Attributed to Charles Graffart (1873-1967) Val Saint Lambert circa 1928 Charles Graffart is described in the Bri...

Article: Ceramic object Designer and producer: Dieter Crumbiegel Information: Dieter Crumbiegel (born June 6, 1938 in Essen) is a German artist (painting, ceramics) and university professor. Since 1961, Crumbiegel has held solo and group exhibitions of ceramic objects in West and East Germany, Belgium, CSFR, France, Italy, Australia, New Zealand, Switzerland, Spain, Hungary and Taiwan. Decade: 1980s This original vintage Studio Ceramic Object was designed by Dieter Crumbiegel and produced in his own Studio in the 1960s in Heinsberg in Germany. It is made of solid very heavy stoneware pottery and has a very unique light beige main coloration with abstract brown illustration. the bottom is marked with typical Producer signature. a very collectible and very rare item of the Crumbiegel Collection. the object has a very sculptural form and in its size of 18cm in height and 21cm in diameter, it is very impressive. straightforward and minimalistic design of the 1980s design era. This item is a wonderful addition to every modern home. Dimensions: Height 18cm Diameter 21cm. Condition: This item is in a very good vintage condition with patina. slight traces of use. VITA: Dieter Crumbiegel graduated from high school in 1957 at the traditional language Burggymnasium in Essen. He then studied painting from 1957 to 1961 at the State University of Fine Arts in Kassel with Fritz Winter and Marie-Louise von Rogister, ceramics with Walter Popp, art theory and art sociology with Stephan Hirzel and Georg Hoeltje, and art history and art education with Ernst Röttger. During the 1958/1959 academic year he received a holiday scholarship from the Max Beckmann Society and spent some time in the Liliamor house with its founder Lilly von Mallinckrodt-Schnitzler in Murnau. In 1959 he also received a scholarship from the German National Academic Foundation. Crumbiegel completed his studies in 1961 with the first state examination. After the 2nd state examination in 1964, Crumbiegel worked with Robert Sturm at the educational institute in Fulda as a lecturer for the training of art and craft teachers at general schools with a training focus on the construction of vascular ceramics. In 1971 he took over the class for sculpture and architectural ceramics at the State Technical School for Ceramic Design in Höhr- Grenzhausen. From 1979 to 2001 he was a professor at the Niederrhein University of Applied Sciences in Krefeld in the design department, studying ceramics/porcelain/glass design. In 1979, Crumbiegel was appointed a member of the Académie Internationale de la Ceramique (AIC) / International Academy of liamorCeramic in Geneva. The German members of the AIC joined together in 1983/1984 to form Group 83 - German Ceramicists,[1] of which he himself became a member in 1986. Crumbiegel founded the “Krefeld School for Ceramics/Design”[2] as a continuation of the Kassel School for Ceramics run by his teacher Walter Popp, from which artists and designers such as Frank Louis emerged. In 1983 he was appointed supervisor at Helwan University in Giza/Cairo. From 1971 he gave lectures on new trends in ceramic art at the Hetjens Museum in Düsseldorf. Between 1969 and 1978 he was a member of various award juries, such as the jury for the Richard...

Brutalist urn form glazed pottery sculpture signed by the Artisan from a Palm Beach estate.

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen *1925 †2005 Decade: 1980s This or...

Article: ceramic pottery vase. Origin: Germany. Producer: Carstens Tönnieshof, Germany. Decade: 1970s. This original vintage pottery object was designed and produced by C...

Article: ceramic pottery vase. Origin: Germany. Designer: Heinz Siery. Producer: Carstens Tönnieshof, Germany. Decade: 1970s. This original vi...

Article: ceramic pottery vase. Origin: Germany. Designer: Heinz Siery. Producer: Carstens Tönnieshof, Germany. Decade: 1970s. This original vi...