Midcentury Teardrop Sun Catchers in Blue Rainbow Glass, Set of 4

Small unusual desk sculpture with removable bronze dice. Despite its small size its very heavy. The dice may have been mounted as a hood ornament originally and then made in to a dec...

Beautiful mint/light blue glass G-Note glass sculpture/relief in fine intact condition. These wall decorations were produced from 1970 until 1983, at Bergdala Glassworks Sweden. They...

Aldo Londi Buddha head in the blue/turquoise 'Cinese' (Chinese) glaze, mimicking ancient bronzes that has been resting on the ocean floor for millenn...

A set of sculptural candle-screens in pressed blue relief glass. Suitable for your inside window sills or shelf. Made in Scandinavia during the 1960s or 1970s possibly by Orrefors or...

A rare set of Swedish door handles / doorknob set by the company Verrina Sweden. Made during the 1970s in the style Art Deco Revival - Midcentury Modern Hotel Lounge and indeed suita...

A pair of solid brass candlesticks designed and manufactured by Hyslop in Copenhagen, Denmark during the 1960s. The candlesticks are to be fitted with regular sized candles. They hav...

A Felipe Delfinger sun catcher made of amber art glass sculpted and protruding through iron circles creating daisy-like round flowers. Eleven flowers attached by iron rings hang down...

Large handmade glass relief or sun catcher made for Holmegaard Glassworks 150th anniversary in 1975. Mounted in original cast iron holder. "The Seasons" we...

Greenlandica, figure of catcher carved in soap stone. Signed "Ludvig Golsen" FR H. Frederikshåb. Ca. 1950 / 60's. Measures: 20 x 7 cm. In good condition, wear.

A Meiji period bronze of a cricket catcher, shown holding a whistle to his mouth with his left hand and a long rod in his right hand, wearing traditional clothing with a wide-brimmed...

'Catcher of the Skies' is a unique pink, orange and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

Edouard Sankowski individually sculpts these pieces with Alabaster he selects. Along with the individually shaped Glass, they present unique traits due to the nature of the materia...