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Modern Ceramic Sculptural Vase

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Large Modern Owl Sculpture on Hanging Perch by Sergio Bustamante
By Sergio Bustamante
Located in Pasadena, CA
Perched on a thin crossbar, this owl sculpture made by Sergio Bustamande stares at the viewer with painted eyes, their spiraling, hypnotic contours. The green and gold of its gaze su...
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Vintage 1970s Mexican Folk Art Mobiles and Kinetic Sculptures

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Metal, Brass, Copper

French Waiter Figure Wire Wine Rack in the style of John Risley
Located in Pasadena, CA
The French Bartender figure sculpture captures the essence of a French bartender adorned with a dapper mustache and a classic beret. Wonderful and unique memphis-style sculptural wire wine rack shaped to look like a French waiter in the style of John Risley. Wire platter has glass plate, and hanging glassware racks below. Crafted from intertwined black metal tubes, the sculpture is not just a piece of art, but a practical addition to your home. The tray held aloft by the bartender offers a stylish solution for organizing wine glasses. At the same time, the vertical ranks of his legs provide a storage solution for 14 wine bottles, adding both whimsy and functionality to the piece. This fusion of ingeniosity and elegance transforms the Bartender into more than a mere sculpture...
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Mid-20th Century American Mid-Century Modern Figurative Sculptures

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Iron

Cheeky Child Bronze Statue on Square Base by Curtis Jere
By Curtis Jeré
Located in Pasadena, CA
Sculpture has long been revered as one of the purest means of expressing artistic thought and feeling. An art form that transforms materiality and space, capturing an ephemeral momen...
Category

Late 20th Century American Mid-Century Modern Figurative Sculptures

Materials

Brass, Bronze

Tall Lucite Sculpture by Joseph Alan Hough
By Joseph Alan Hough
Located in Pasadena, CA
This one-of-a-kind sculpture was carved from a single piece of crystal clear Lucite. The base of the clear Lucite piece is signed "J. Alan Hough. Joseph Alan Hough is a Californian ...
Category

Vintage 1970s American Mid-Century Modern Abstract Sculptures

Materials

Lucite

Pair of Capistrano Mexican Folk Art Sculptures Attributed to Gemma Taccogna
Located in Pasadena, CA
Capistrano Gemma Taccogna, a Mexican artist of Italian descent, left a distinctive mark in folk art with her mastery of papier-mâché for the small one, and of ceramic for the big one, which she transformed into an illusion of porcelain. Her style is immediately recognizable: faces with clean features, large, stylized eyes outlined in black, and a playful approach to form. These two vases, attributed to Taccogna, evoke Russian dolls known as Matryoshkas, due to the way the faces are painted, associated with the archetype of the mother of a large family, a symbol of motherhood and fertility. The larger one, a mix of ceramics and papier-mâché, and the smaller one, entirely made of papier-mâché, share this common aesthetic, reinforced by generous, solid shapes. Their gazes seem to observe without truly concentrating, as if absorbed in a distant thought. This lack of focus gives them a presence that is both peaceful and enigmatic, suspended between wakefulness and dream. The relief necklaces, applied with a deliberately naïve touch, add a sculptural dimension to the whole. The matte, textured material contrasts with the porcelain-like visual effect. One of the vases is signed "Bunny Price" and dated 1964, while the other remains anonymous. However, their attribution is unquestionable. Presented together, these vases belong to the movement of the Mexican craft...
Category

Vintage 1960s Mexican Mid-Century Modern Figurative Sculptures

Materials

Paper

Gilt Metal Curtis Jere "Pompon" Sculpture
By Curtis Jeré
Located in Pasadena, CA
This Curtis Jere sculpture is expertly crafted from gilt metal to create a mesmerizing starburst design. The sculpture features thin brass needles radiat...
Category

Vintage 1970s American Mid-Century Modern Abstract Sculptures

Materials

Metal

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Sculptural Ceramic Handled Vase by Robert Turner
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A black glazed stoneware free form vase with handle by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Akan" and made in 1990. The vessel is one of the classic forms wi...
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Sculptural Ceramic Handled Vase by Robert Turner
By Robert Turner
Located in Atlanta, GA
A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.
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Sculptural Ceramic Funnel Vase by Robert Turner
By Robert Turner
Located in Atlanta, GA
A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...
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