Murano Glass Book Ends by Salviati FINAL CLEARANCE SALE

Set of 4 hand etched amethyst Murano glasses by Salviati / Made in Italy in the 2000s. Original "SALVIATI" mark on the base. Height: 5.5 inches / d...

Vintage Italian smoky Murano glass sculpture depicting a woman with her head in her hands in a keeling position. It is made of solid glass, hand polished by Loredano Rosin / Made in...

Vintage Italian Murano glass vase with green, orange, white and black color infused with Murrine / Made in Italy by Effe Due, circa 1970s Original label and m...

Italian clear Murano art glass vase hand blown with blue bugnato ashlars / Made in Italy by Giuliano Busato, circa 1990s Original maker's mark underside Measures: Height 20 inches, w...

This beautiful end cut of a geode resembles a piece of Murano glass. Greenish colours, punctuated by cut stalactite "eyes" blur into orange areas and create a wonderful aesthetic. A ...

1960s Blenko glass bookends, designed by Joel Myers rare emerald green solid cast glass with textured design in the front and smooth on the back.

Pair of heavy green and blue Murano glass book ends by maestro Luciano Gaspari, circa 1950. Born in Venice in 1913. He studied at the Fine Arts Academy of Venice and Bologna, he was a pupil of Virgilio Guidi and Giorgio Morandi. He participated in a number of Biennales. Luciano Gaspari is a painter who enters into symbiosis with glass production, studies the collections, scientifically verifies the techniques, establishes a deep relationship with great masters such as Alfredo Barbini , Luciano Vistosi , Paolo Martinuzzi, especially Livio Seguso and, later, Pino Signoretto. Become the artistic director of Salviati in 1955, he plays the role with untiring commitment and rigor. Characteristic of his approach is a total mastery and an innovative use of traditional techniques, the ability to look to the past to invent the future, but also to use novelties with courage and imagination, or to "force" common use by transforming, for example, simple bottles in sculptures. He engages in serial productions, in "unique pieces", in sculptures, but also in objects such as plates (including absolutely extraordinary those presented at the '66 Biennale), vases, cups, bottles: in every creation the quality of colors, the balance between brightness, transparency, glows and shadows reveals the intense relationship between the painter's sensitivity and fantasy and a perfect understanding of the potential of glass. 1913. Born in Venice on March 22 in a family of decorators. 1931. After attending the Institute of Art, he made his debut at the collective exhibition of the Opera Bevilacqua La Masa. 1932. He receives the prize for the younger painter at the XVII Venice Biennale. 1933. Student of Virgilio Guidi at the Academy of Fine Arts. 1935. He follows Guidi in Bologna. Here he attends the course of engraving techniques held by Giorgio Morandi, with whom he will remain in correspondence for a long time. 1936. Participates in the Rome Quadriennale and the Venice Biennale. 1937. After completing his studies in Bologna, he returns to Venice. 1938. Participates in the Venice Biennale. 1940. Participates in the Venice Biennale; becomes assistant to Giuseppe...

Pair of Murano glass obelisks retrofitted with LED bases.