2010s Abstract Sculptures

This is for a set of three steel oxidated cubes designed and made by Anne Rose Regenboog, Den Haag 2015. These cubes are made of steel and are finished with oxidation to provoke the ...

Set of three monumental concrete figures by Signe Solberg. Signed Signe Solberg, 'Mini monument '1, 2, 3’. Signed. Solbergs work explores the emotional dynamic between the view...

Pennacchio Argentato "Stripes #2". Acrylic resin and enamel. Sculptural, freestanding. Exhibited: Basel, Liste 16, T293 Gallery, Pennachhhio Argentato, June 2011.  

The “Space Box” was designed by Ernesto Duran, as a creative way to enhance the uniqueness of meteorites and could also be used as a decorative piece. It´s an acrylic box with a magnet on top and a steel string pulling the meteorite straight simulating the floating movement they had in outer space, allowing an interaction and a 360° view. Sikhote Alín...

'Heart Flower in Clear & Frost' is a unique artwork by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 2022 solo e...

'Heart Flower in Pink' is a unique artwork by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 2022 solo exhibition celebrating the 25 years and ...

'Sommarial in Clear' is a unique handblown sculptural glass vessel by the British artist, Vic Bamforth. Bamforth is an artist who has helped to bring the highly demanding graal te...

'Orestes' is a unique glass sculpture by the British artist Cathryn Shilling. The interior figure is free-blown glass which is wrapped in kiln-formed glass cane 'fabric' which is app...

'Electra' is a unique glass sculpture by the British artist Cathryn Shilling. The interior figure is free-blown glass which is wrapped in kiln-formed glass cane 'fabric' which is app...

Thaddeus Wolfe [American, b. 1979] Untitled, 2022 Glass 22.25 x 10 x 12.75 inches 56.5 x 25.4 x 32.4 cm Thaddeus Wolfe has developed a wholly original approach to sculpting glass. Combining techniques of glassblowing and casting, Wolfe achieves what would not otherwise be possible in the material--developing his signature vocabulary of angular, highly textured forms. His unique process begins by sculpting a form from broken and carved styrofoam pieces, using meticulous yet improvisitory methods. From this form, Wolfe generates a single-use plaster mold for casting the glass. Color and texture are achieved by layering different tints of glass onto a glass bubble, which is inflated into the cavity of the heated mold. After un-molding the piece, Wolfe carves and polishes certain surfaces to reveal the interior strata. The resulting works which he often refers to as Assemblages are part painterly, part geological. Wolfe has held residencies at Creative Glass Center of America Millville, NJ; Museum of Glass, Tacoma, WA; and Pilchuck Glass School, Stanwood, WA. His work is in the permanent collections of the Corning Museum of Glass, NY (where he was awarded the 2016 Rakow Commission); Indianapolis Museum of Art, IN; Musée de Arts...

Thaddeus Wolfe [American, b. 1979] Untitled, 2022 Glass 29.25 x 16.25 x 10.5 inches 74.3 x 41.3 x 26.7 cm Brooklyn-based Thaddeus Wolfe has developed a wholly original approach to sculpting glass. Combining techniques of glassblowing and casting, Wolfe achieves what would not otherwise be possible in the material--developing his signature vocabulary of angular, highly textured forms. His unique process begins by sculpting a form from broken and carved styrofoam pieces, using meticulous yet improvisatory methods. From this form, Wolfe generates a single-use plaster mold for casting the glass. Color and texture are achieved by layering different tints of glass onto a glass bubble, which is inflated into the cavity of the heated mold. After un-molding the piece, Wolfe carves and polishes certain surfaces to reveal the interior strata. The resulting works which he often refers to as assemblages are part painterly, part geological. Wolfe has held residencies at Creative Glass Center of America Millville, NJ; Museum of Glass, Tacoma, WA; and Pilchuck Glass School, Stanwood, WA. His work is in the permanent collections of the Corning Museum of Glass, NY (where he was awarded the 2016 Rakow Commission); Indianapolis Museum of Art, IN; Musée de Arts...

In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, an...

Ice Vug in turquoise II is a unique handblown sculpture by the British artist Samantha Donaldson. A charming ethereal sculpture with a glacier white...

Acanthe is a cast glass artwork in a beautiful steel blue by the British artist Paul Stopler. With a smooth exterior, the interior is stepped into sections with ridged protruding "shelves" of glass, which are all created in the wax model from which this is cast. Using a complex series of processes, Stopler’s primary fascination is with the craft of lathe-turning waxes to produce unique cast-glass vessels. Made using the lost-wax technique, each of the pieces investigates the dialogue between its outer and inner surfaces; deeply cut exteriors projecting their changing mass onto internal cores and cut interiors illuminating the vessel's exterior with graduating tones. Each vessel is ground and polished to a satin finish, facilitating a soft interior view of light, tone and colour, with the rims being polished to a reflective finish for contrast. A single translucent color is chosen for each form for its potential to transmit changing hues and light accents; the deeper the mass of glass, the more saturated the color. Having studied at the Royal College of Art and previously assisted many other artists including Bruno Romanelli, Max jacquard, Colin Reid and Ann Robinson...

-Made in 2015 -cotton cord, and sewing thread. "Untitled (Vessel 6)" was made in 2015 as part of a body of work for my exhibition "what it is." It is a sculptural vessel-form object made by coiling and sewing cotton rope with an industrial zig-zag sewing machine. The piece is not made with a specific form in mind when started, so its shape emerges somewhat organically during its making. Multiple smaller, individual vessels are made, then joined together. More rope is coiled and sewn onto the new form, and new parts are incorporated and built upon from there. This piece features a large base sewn with black-dyed cotton rope, which acts as a visual and physical anchor for the object. The form is simultaneously architectural and creature-like while retaining a conceptual and actual openness. Since 2010 Doug Johnston has produced a wide range of functional and sculptural objects using a process of coiling and stitching rope using industrial sewing machines...

Imaphan- Uruguay´s Amethyst and boil glass fusion sculpture from TYME collection, a collaboration by Orfeo Quagliata and Ernesto Durán TYME collection ...

Curtis Fontaine’s abstract ceramic sculptures are created through a unique process of hand building that relies as much on intuition as structural aptitude. Years apprenticing under ...

Curtis Fontaine’s abstract ceramic sculptures are created through a unique process of hand building that relies as much on intuition as structural aptitude. Years apprenticing under ...

Crystal illuminated sculptural pendant in hand blown dark gray glass. Designed and made by Jeff Zimmerman, USA, 2017.  

Another iconic design by Karl Springer, this unique sculpture, titled Sonnenteller (Sun Plate), debuted in 1979 and is said to have been inspired by a BWA sun mask...