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STACKED Sculpture no.4 Made of Salvaged Mahogany, Richard Haining, Available Now
$10,450
£7,923.73
€9,151.82
CA$14,661.99
A$16,333.13
CHF 8,615.47
MX$198,044.22
NOK 109,601.17
SEK 102,100.43
DKK 68,340.18
About the Item
This is Richard's third free-form exploration using his signature STACKED style. As with all of his work, this sculpture was built, sculpted, and finished entirely by hand. To the confusion of many, there is no lathe work involved. The desired profile is defined during the building process. Imagine coil pottery…or an analog version of 3-D printing. Piece by individual piece, layer upon layer, he additively sculpted the form, controlling both the wall thickness as well as the profile. Once constructed, Richard reductively shaped the exterior using a variety of hand held tools, resulting in a finely honed quality with subtle undulations very similar to that of hand built ceramics.
Additional images can be made available upon request.
- Creator:Richard Haining (Maker)
- Dimensions:Height: 48 in (121.92 cm)Diameter: 9.25 in (23.5 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:Hardwood,Mahogany,Pottery,Reclaimed Wood,Scrap Wood,Wood,Carved,Hand-Carved,Hand-Crafted,Hand-Woven,Joinery,Laminated,Mosaic,Oiled,Parquetry,Patchwork,Polished,Turned,Varnished,Woodwork
- Place of Origin:
- Period:
- Date of Manufacture:2022
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Brooklyn, NY
- Reference Number:1stDibs: LU2918328617822
Richard Haining
Richard Haining is a Brooklyn-based studio furniture maker and artist. Raised in Atlanta and educated at the Rhode Island School of Design, he is committed to responsible design that is elegantly hand-crafted with a modern sensibility. Blurring the line between function and fine art, Richard works with designers, trade professionals, and residential clients alike; custom tailoring each piece to suit each client’s specific needs. Whether creating a decorative vase, a custom cabinet, or executing a client's design, Richard’s meticulous attention to detail results in finished pieces that are both utilitarian and beautiful. Much of his current work is directly influenced by the over-abundance of waste and scrap wood being discarded around him. He finds beauty in the knots, century-old nail holes, mineral stains, and other “defects” that are part of that tree’s history, a fingerprint of time since passed, a natural beauty to be celebrated. These locally salvaged remnants became the building blocks for his ‘Stacked’ collection of decorative vessels and furniture pieces. The one of a kind patterns created by the tiny stacked wooden pieces achieve a quality reminiscent of mosaic tile work, basketry, and ceramics. In a world that tends to shun manual labor, Richard finds pure joy in the art of working with his hands. The ritual of creating each individual piece is a very gratifying experience for him, and it is his wish that the recipients of his work experience the same delight.
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