Steel Rabbit Sculpture by Kim Simonsson, Finland, circa 2006

Golden Dog Sculpture by Kim Simonsson. Made with Porcelain. Circa 2020, Finland. Unique piece. Very good condition. This Sculpture is not signed. Kim Simonsson (1974 Helsinki) is a Finnish visual artist. He graduated with a master’s degree in art from the University of Art and Design Helsinki in 2000. Simonsson makes Figurative sculptures from ceramics. He was elected Young Artist of the Year in 2004. In 2009, he received the Pro Arte Award in recognition of technical excellence and original expression. Simonsson held his first solo exhibition at the Kluuvi Gallery in Helsinki in 2003. He has participated in group exhibitions since 1997. Simonsson was the chief artist of the Retret Cave in the summer of 2009. In the fall of 2009, he held the Pro Arte Prize Exhibition at the Didrichsen Art Museum. In his works, Simonsson combines Japanese manga...

Exceptional sculpture by Angelo Mangiarotti, Italy, circa 2006 Unique piece. Provenance : Special order for Mangiarotti editor. Carrara marble. Mangiarotti has worked for Cassina...

Large skull sculpture by the Spanish Artist Gabriel Made with Rubber Strips, circa 1990, Spain Very good vintage condition. Gabriel Sanz Romero was born in 1954 in Barcelona. He ...

Jordi Alcaraz sculpture. Sculpture made with glazed ceramic. Unique Piece Signed Circa 2016, Spain. Excellent condition. Alcaraz began a super artistic career as a sculptor and...

Diego Cabezas sculpture. Very decorative. Signed. Circa 2021, Spain. Very good condition. Modernism is both a philosophical and arts movement that a...

Philippe Hiquily sculpture. Altuglas and brass. JM Lelouch Editions 2012. Signed and numbered, limited edition 1/4. Circa 1990, France. Signed by the designer. Very good vintage condition. Philippe Hiquily was a French sculptor and designer, trained at the Ecole des Beaux-Arts in Paris. Influenced by his friendship with Marcel Duchamp, Hiquily is known for his surrealist works. The artist produced biomorphic furniture and erotic sculptures...

This is an intense bronze sculpture created by the Italian artist Ugo Riva, in 2006. Lost wax bronze on iron basement. The title of this artwork is "I...

Rabbit brass sculpture with beautiful marble base. Hand made clothes. Great quality and condition. Corresponding « deer » sculpture for sale here to m...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2006. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

This is an intense bronze sculpture created by the Italian artist Ugo Riva, in 2006. Lost wax bronze on iron basement. The title of this artwork is "D...

The rabbit is a symbol of wit, prudence and skill, of abundance and good fortune. It is cast in a rich dark bronze patina to make a charming gift for the season, a beautiful object f...

Excellent bronze of boy and rabbit measuring 15 1/4"H x 5 1/2"W x 5"L. By Massachusetts/New Mexico/New York artist Warren Wheelock (1880-1960). The work has a dark, rich patina and was created circa 1930s. A sculpture by Wheelock is in the collection of the Smithsonian Art Museum. He also had a work that was part of the sculpture event in the art competition at the 1932 Summer Olympics. This piece is in perfect condition with no flaws. Born in Sutton, Massachusetts, Warren Wheelock (1880-1960) became a painter, sculptor, illustrator, teacher and writer. He was known for his direct carving of geometric shapes to create figures that were nonobjective, and he also did representational heroic portraits. Exhibition venues include the Corcoran Biennial, the Woodstock Art Association, and the American Abstract Artists. He had a strong connection to the mountains of western North Carolina as well as to Woodstock, New York, and Albuquerque, New Mexico. During his life he was well-enough known and respected to be referenced in articles in Life Magazine, Time Magazine, and the New York Times. A heroic bronze by Wheelock of Baron von Steuben is in Philadelphia. He did WPA work...