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Substantial Tom Bennett Bronze Freeform Sculpture with Marble Base 14/150

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Japanese Momotarō Folktale Bronze Monkey Sculpture on Base, 1960s
Located in San Francisco, CA
A delightful 1960s Meiji period-style Japanese cast bronze monkey figure on lacquered wood base, inspired by the popular ancient Muromachi/Edo period folktale of Momotaro (“Peach Boy...
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Vintage 1960s Japanese Meiji Animal Sculptures

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Bronze

Modernist Brutalist Abstract Bronze Slab Sculpture
Located in San Francisco, CA
Offered here is a large brutalist abstract bronze slab sculpture. Sculpture is unmarked, and the artist is unknown. A very heavy and substantial work, ...
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Vintage 1970s American Brutalist Abstract Sculptures

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Bronze

Randy Cooper, “Melanie”, Figural Wire Mesh Shadow Sculpture on Wood Base, 1998
Located in San Francisco, CA
An entrancing 1998 “Melanie” wire mesh screen figural shadow sculpture on black wood base by American artist Randy Cooper. Extremely well-executed ne...
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1990s American Post-Modern Figurative Sculptures

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Metal, Wire

Bruce Hasson Verdigris Bronze Puma Sculpture, Signed and Numbered, Early 2000s
Located in San Francisco, CA
A very handsome and engaging circa early 2000s signed and numbered Brutalist cast bronze sculpture of a puma by world renowned San Francisco Bay Area sculptor and painter Bruce Hasson (b. 1954). The big cat—deemed a puma based on its similarity to the one in a titled sculpture from his "Plight of the Animals" series, but conceivably a mountain lion, panther, or particularly healthy domestic feline–lounges languidly upon a rectangular platform. A big paw hangs over the front, while a long tail extends well past the back, giving the sculpture wonderful dimensionality. As relaxed as its body looks, though, its eyes remain alert and sharply focused. Brutalist/Expressionist work displays fantastic and loose natural texture and character from top to bottom, having been initially crafted in clay of small built-up applied pieces. Calls to mind the works of Alberto and Diego Giacometti—both inspirations to Hasson—and especially the latter, whose work features many similarly executed animals. Verdigris finish is a fantastic shade of bluish-green, with hints of natural bronze intentionally peeking through in spots and adding to the depth of color. Numbered and signed “© 1/50 Hasson” in the artist’s hand in the casting on the side of the platform. The piece came to us untitled, and our research uncovered no other matching examples. We’ve dated it based on examples of his work that bear a similar theme and aesthetic; however, it could be from as early as the mid-to-late-1980s, another period during which he produced cast bronze animals. Dimensions listed are overall; platform is H 1.75 x W 9.5 x D 4.5. Single piece casting weighs a substantial 16 pounds. Bruce Hasson lives and works in the San Francisco Bay Area, and studied at the University of California-Santa Cruz before continuing at the Accademia di Belle Arti in Florence, Italy, and the Accademia Carrara in Bergamo, Italy. He draws his influences from a broad spectrum that includes artists and designers such as Naum Gabo, David Smith, and Isamu Noguchi, as well as early Latin American and Etruscan cultures. Per Berenson Fine Art: “After 1989, he has spent much time in Latin America, including Peru, where Machu Picchu made an indelible impression. He places great value in the sculpture of the Aztecs as well as the Incas. The Archaic Etruscan style, in all its primitive crudeness, beautiful simplicity and realism has also been a significant influence in the artwork of Bruce Hasson over the last 35 years.” Through the years, Hasson’s sculptures have often conveyed strong themes of peace, disarmament, and the conservation of nature. His 1,700 pound “Millenia Bell” was first installed at the Campidoglio in Rome during the 2000 Nobel Peace Prize Conference as a monument to human survival, and was struck by Soviet Union President Mikhail Gorbachev during its dedication. Notable public works in San Francisco by the artist include “The Ark” in Father Alfred E. Boeddeker Park, a powerful 1985 bronze drawing attention to the preservation of endangered animals and their natural habitats; and 1989’s “Trolleys” at the Polk-Bush Garage, 56 cast aluminum balustrades and a balcony based on the human form and transportation, and part of the San Francisco Arts Commission Collection. Across the bay at Berkeley City Hall you’ll find Hasson’s 2002 “Peace Bell...
Category

Early 2000s American Brutalist Animal Sculptures

Materials

Bronze

Gedion Nyanhongo “Exercising”, Large Shona Springstone Sculpture, 1990s
Located in San Francisco, CA
A very impressive signed Shona sculpture in springstone titled “Exercising” by important Arizona-based Zimbabwean artist Gedion Nyanhongo. Exquisitel...
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1990s Zimbabwean Figurative Sculptures

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Stone

Curtis Jeré Brass-Colored Metal Clipper Ship Sculpture, Signed
By Curtis Jeré
Located in San Francisco, CA
A monumental free-standing metal ship sculpture with brass-colored finish by Curtis Jeré, signed. Crafted out of shaped and welded steel rods, it...
Category

Vintage 1970s American Mid-Century Modern Figurative Sculptures

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Metal

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Solid Patinated Bronze Abstract Sculpture by Bob Bennett Signed- Numbered 93/150
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Beautiful and rare signed and numbered and dated, patinated bronze abstract sculpture, by listed artist Bob Bennett 93/150, beautiful finish and patina with a burn red enameled finish.
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Bob Bennett Abstract Bronze Sculpture
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Located in Winnetka, IL
Bob Bennett is an american artist and sculptor and this abstract piece was done in 1987 and was 15 out of 50. He and his twin brother Tom were highly ski...
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Tom Bennett Bronze Abstract Sculpture, 1980s
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Located in West Palm Beach, FL
Tom Bennett bronze abstract sculpture from the 1980s. American. Bronze free-form on a black marble base. Signed edition 21/100. Patina to the bronze...
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Bob Bennett Signed Bronze Hand Sculpture, USA, 1970's
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