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Antoine Louis Barye Tigre Qui Marche 17”

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  • Japanese Meiji Genryusai Seiya Bronze Elephant and Tigers
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  • Song to Ming Dynasty Cast Iron Daoist Buddhist Head
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  • Pair of Han Dynasty Pottery Horses and Equestrian Riders
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    A wonderful pair of Ex Sotheby’s painted Polychrome Equestrian Horse and Riders made from gray pottery, Presents beautifully and guaranteed authentic with provenance and COA. Measures: Height 11.5 inches and width 11 inches Condition: Possible professional restorations but not detectable. Provenance: Sotheby’s London. 16th November, 1999. Lot 12 (2 of 4 horses in that lot). Sotheby’s New York, NY September 14, 2019. The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered. Horses were believed to be related to mythological dragons, reflecting their sacred status within society. During the unification of China under the Han Dynasty, bands of mounted nomadic warriors from the north threatened the country. In order to thwart their attacks, the Chinese sought to import stronger, faster steeds from Central Asia (as opposed to the Mongol ponies used by the invaders), eventually leading to the creation of the Silk Road. This small sculpture of a mounted soldier reveals the crucial military role of the horse. When compared to the diminutive stature of the rider, the importance of the horse becomes readily apparent. This creature provided security and strength, allowing the Empire to secure its borders and expand its influences across Central Asia. The magnificent regalia of the horse, including a brilliantly painted saddle in red and green/gold, reflect the respect this animal received. The warrior as well is gorgeously decorated with a painted red tunic and gray chest...
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  • Jaguar Qui Marche No. 2 (Walking Jaguar) Antoine L Barye
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  • "Cerf Qui Marche" by A L Barye
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    Excellent late 19th Century French bronze figure of a walking stag with beautiful autumnal, green. black. brown and orange patination and excellent hand finished surface detail on an oval naturalistic base with integral stepped plinth, signed Barye and inscribed F Barbedienne Fondeur ADDITIONAL INFORMATION Measures: Height: 19 cm Width: 22 cm Condition: Excellent Original Condition Circa: 1870 Foundry: F Barbedienne Materials: Bronze Book Ref Barye by Michel Poletti & Alain Richarme ABOUT Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...
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