
Brass Owl Sculpture by Oswaldo Guayasamin (Ecuadorian, 1919-1999)
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Brass Owl Sculpture by Oswaldo Guayasamin (Ecuadorian, 1919-1999)
About the Item
- Creator:Oswaldo Guayasamin (Maker)
- Dimensions:Height: 12.21 in (31 cm)Width: 5.12 in (13 cm)Depth: 4.73 in (12 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1955
- Condition:Wear consistent with age and use.
- Seller Location:London, GB
- Reference Number:1stDibs: LU6236240484362
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Oswaldo Guayasamín (July 6, 1919 – March 10, 1999) was an Ecuadorian painter and sculptor of Kichwa and Mestizo heritage.
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Early life
Guayasamín was born in Quito, Ecuador,[2] to a native father and a Mestiza mother, both of Kichwa descent.[3] His family was poor and his father worked as a carpenter for most of his life. Oswaldo Guayasamín later worked as a taxi and truck driver. He was the eldest of ten children in his family. When he was young, he enjoyed drawing caricatures of his teachers and the children that he played with. He showed an early love for art. He created a Pan-American art of human and social inequalities which achieved international recognition.
He graduated from the School of Fine Arts in Quito as a painter and sculptor. He also studied architecture there. He held his first exhibition when he was 23, in 1942. While he was attending college, his best friend died during a demonstration in Quito. This incident would later inspire one of his paintings, Los Niños Muertos (The Dead Children). This event also helped him to form his vision about the people and the society that he lived in.
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Guayasamín started painting from the time he was six years old. He loved to draw from that age. Starting from watercolors and transforming all the way through to his signature humanity pieces, his art career had many highlights. Although tragedy molded Guayasamín's work, it was his friend's death that inspired him to paint powerful symbols of truth in society and injustices around him. While his interest was seldom with his school work, he began selling his art before the time that he could even read. After his attendance at the School of Fine Arts in Quito, his career took off.
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