“Chien Epagneul Francais” Bronze Sculpture by Christophe Fratin

"RECLINING GREYHOUND" BY CHRISTOPHE FRATIN (FRENCH, 1801-1864) Signed in naturalistic base "FRATIN", foundry cold-stamped mark along edge "A. DAUBREE EDITEUR"; circa 1860 Item # 102EWL26Q An exquisite sand-cast model of Levrier Couché cast circa 1860, the sculpture is typical of Fratin's vivid texturing and silky finish. It was executed in the foundry of Alfred Daubrée...

"CHIEN DE CHASSE (HUNTING DOG)" BY PAUL-EDOUARD DELABRIERRE (FRENCH, 1829-1912) Patinated bronze with plaster filled base; signed in rock "E. Delabrier...

PIERRE-JULES MÊNE French, 1810-1879 "Chien Braque Suet no. 1" Patinated copper-electrotype signed "P.J. MÊNE 1842" in naturalistic base, handwritten in...

"HARVESTER" AFTER A MODEL BY MATHURIN MOREAU (FRENCH, 1822-1912) In a reddish-brown and golden patinated bronze; signed in base "Math. Moreau" Item # 012SKP14W A fine model of a rural young farmer resting against a rocky outcrop to sharpen his scythe, the base of which has been set in the hay collected in a pile beside the rock; the naturalistic base is signed along the back in his typical nearly cursive script "Math. Moreau". It is a complex model and a fine accomplishment for the foundry, the joints seamlessly flowing into one another without any obvious connections. The surface is chiseled with great care, resulting in fine detailing of the toes and fingers to include the wrinkles at each joint and texturing of the nails, crisp eyelids and flawless skin, gorgeous texturing of the garment...

PAUL PHILIPPE Polish/French, 1870-1930 "Mischievous" Polychromed gilt bronze over original marble base signed in cast "P. PHILIPPE" signed in cast "i9.R / France" with foundry seal of A.G. Paris Item # 212MPH15S An exquisite and rare example of Paul Philippe's Mischievous finished in a brilliant polychromed gilt, the young woman grabs her reddish-brown hair in hand while looking off into the corner with a sly look in her eyes that suggests she holds a secret that we will never know. The base signature is captured directly from the mold. Situated over its original faceted base. A very fine work. ARTIST Born in Thorn in Poland in 1870, Paul Philippe studied under Antonin Larroux at the École des Beaux-Arts after moving to Paris, France around 1900. He exhibited extensively at all of the major French salons and developed his own voice in sculpture by focusing his ouevre around the movement of the female body, often depicting exotic models in highly theatrical poses with a loose adherence to realism in his idealized visions. He walked a fine line between Art Nouveau and Art Deco while his figures do tend towards the latter. He executed figures in bronze and chryselephantine and worked with some of the best foundries in France and Germany. Many examples of his work are held in the Art Deco Museum in Moscow, Russia. Artist Listings...

FRITZ HEINEMANN German, 1864-1932 "Der Fechter" [The Fencer] (1903) Patinated and parcel gilt bronze signed in cast "Fritz Heinemann" and inscribed "Akt Ges Gladenbek Berlin" raised over original black and white marble plinth cast circa 1915 Item # 310IXP02A A very fine example of a nude warrior after achieving victory in battle titled "Der Fechter" or "The Fencer", it is a reduction of the monumental marble...

Christophe Fratin (1801-1864) "walking monkey" bronze, signed, signature of the founder Qyesnel XIXth edition.

Inscribed Fratin with Charpantier, Paris Foundry.

Don Quixote and Sancho Panza in bronze pair by Christophe Fratin (1801-1864) late 19th characters of the famous novel by Cervantes each riding their proud mount Rossinante and Rucio....

A very fine Animalier bronze study of a feeding gazelle with her fawn reclining at her feet. The bronze with rich brown patina and excellent detail raised on a naturalistic base, signed Fratin and engraved with title to the fore ‘Gazelle’ Additional information Height: 10 cm Width: 17 cm Condition: Excellent Original Condition Circa: 1860 Materials: Bronze Book reference: Bronzes of the 19th Century by Pierre Kjellberg SKU: 4934 ABOUT Christopher Fratin (1 January 1801 – 16 August 1864), also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. Work He exhibited at the Paris Salon from 1831–1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. One of the stamps he used (pictured) showed the "n" reversed, not by design but due to an error on the part of the maker of the stamp. Bronzes bearing this stamp have the appearance of not seeming to be genuine when in reality they are. Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City's Central Park. Many of his small bronzes—including his miniature bronzes which were more affordable due to their smaller size—were sold commercially to the general public during his lifetime. Today, Fratin's sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, Strasbourg, Nîmes and at the Peabody Institute in Baltimore, Maryland. The Georg Eisler...

Exquisite mid 19th century French bronze study of an anthropomorphic bear sitting on a barrel playing a violin, the barrel can be opened halfway to form a container. The surface with excellent mid to dark brown patina and very fine hand chased surface detail, signed Fratin and titled Le Père Odry Additional Information Height: 17.8 cm Width: 8.6 cm Depth: 7.2 cm Condition: Excellent Original Condition Circa: 1845 Materials: Bronze Book reference: Bronzes of the 19th Century by Pierre Kjellberg About Le Père Odry Le Père Odry is a character in one of Balzac's novels, Unconscious Comedians which is one of the lesser known novels in the series La Comédie Humaine. The novel tells the story of a famous painter who takes his provincial cousin on a trip of Paris to open his eyes to what really goes on in the city behind the respectable façade. Le Père Odry appears in the novel as a dissolute actor. Christopher Fratin, French 1801 ~ 1864 also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. He exhibited at the Paris Salon from 1831–1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. One of the stamps he used (pictured) showed the "n" reversed, not by design but due to an error on the part of the maker of the stamp. Bronzes bearing this stamp have the appearance of not seeming to be genuine when in reality this foible is actually an indicator of authenticity. Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City's Central Park. Many of his small bronzes—including his miniature bronzes which were more affordable due to their smaller size—were sold commercially to the general public during his lifetime. Today, Fratin's sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, Strasbourg, Nîmes and at the Peabody Institute in Baltimore, Maryland. The Georg Eisler...

After Christophe Fratin (French 1801-1864), a majestic 12 point stag in brown patinated cast bronze, modeled with head turned to towards hind, inscribed "FRATIN", and mounted to a re...