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Edouard-Marcel Sandoz Lapin bijou, Ring, Rabbit 1920s
About the Item
Édouard-Marcel SANDOZ (1881-1971) & SUSSE Fres (Fondeur) "Lapin bijou", a medal patina bronze sculpture shaping a rabbit, circa 1920.
For Sandoz lovers and collectors, this famous piece is in very good condition! Signed with the artist’s and froundry’s marks. Perfect for everywhere you put it on! and be part of one of your Magnificent Sandoz collection!
Sculpteur Figuriste et Animalier 1881-1971, Catalog Raisonné de l'Oeuvre Sculpté, by Félix Marcilhac, Les Editions de l'Amateur, listed under no.656, p.372 and illustrated in black and white p.373. Private collection, Switzerland
Dimensions
Height : 9 cm / 3.54 inches
Depth : 9,5 cm / 3.74 inches
Width : 5 cm / 1.96 inches
- Creator:Edouard-Marcel Sandoz (Maker)
- Dimensions:Height: 3.55 in (9 cm)Width: 1.97 in (5 cm)Depth: 3.75 in (9.5 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1920
- Condition:Wear consistent with age and use. Minor losses. Minor structural damages. Minor fading.
- Seller Location:Autonomous City Buenos Aires, AR
- Reference Number:1stDibs: LU7304240235452
Edouard-Marcel Sandoz
Born in Basle, educated in Switzerland, Edouard Marcel Sandoz worked mainly in Paris, where he settled in 1908. A sculptor of men and of animals, he expressed himself in bronze, in ceramic, and through the direct cutting of stone. A painter of flowers and of landscapes, he was also an unflagging producer of sketches and water-colours. His motto : “ In art, one has to love everything : nature, science, one's fellow man… ” His defining characteristics : intellectual curiosity and technical discipline. His freedom of expression was grounded in mastery of classical and traditional techniques, his knowledge of materials, the constant search for new tools, the opening up of new artistic territories, and the study and profound understanding of his subject-matter. His very personal style, developed in the course of a long career, bears the imprint of the Art Nouveau period, in which he was a forceful presence.The predominance of animalism in his sculptural work incited him to found the French Society of Animalists in 1933. His commitment to the service of his fellow artists led him to preside over the Baron Taylor Association for more than thirty years, to found the Charitable Society for Children of Artists, and to contribute to the creation of the Cité des Arts in Paris. In recognition of his talents and achievements, France elected him a Member of the Academy of Fine Arts, and appointed him to the rank of Commander both of the Legion of Honour and of the Order of Arts and Letters.
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