French Mid 19th Century Animalier Bronze "Lapin Assis" by Antoine L Barye

A charming mid 19th Century French bronze group of two feeding rabbits with fine autumnal (green, brown, black and orange) patination and excellent hand finished surface detail, sign...

A delightful mid 19th Century French bronze figure of a tortoise with excellent hand chased surface deail and very fine fine rich brown patina rubbed to a golden hue in areas, raised...

"Guerrier du Caucase" by Antoine L Barye Excellent French bronze study of a mounted Caucasian Warrior in full armour, the bronze with excellent hand chased surface detail and rich green, brown, black and orange patination, signed BARYE. A fabulous example of this important sculpture in optimal condition. Additional Information Height: 20 cm Width: 17 cm Depth: 7 cm Condition: Excellent Original Condition Foundry: Atelier Barye circa: 1874 Materials: Bronze Book Ref BARYE Catalogue Raisonne des Sculptures by Michel Poletti – Alain Richarme Page no. 78 Description Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...

An impressive late 19th Century Animalier bronze study of a standing panther with excellent rich green patina and very fine hand chased surface detail. Raised on an integral base, si...

A superb mid 19th Century French animalier bronze study of a powerful panther reclining on a naturalistic rock. The surface of the bronze with excellent autumnal patina and very fine...

Magnificent and very impressive bronze group entitled ‘Theseus and the Centaur’ by Antoine L Barye. The bronze with rich autumnal green, black, brown and orange patination and excell...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis, no. 2" Sand-cast bronze with autumnal patina signed in cast BARYE, stamped verso "AD" surmounted by a ...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 2" Patinated bronze Signed in cast "BARYE" Item # 109YHP24E Initially modeled by Barye in 1846 as a commission by Louis-Phillipe for the Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture sat near to Barye's Lion au Serpent until it was later moved in 1867 to the grand entrance to Pavilion de Flore and a pair was crafted for it using a mechanical technique, a gesture which incensed Barye, as he preferred to sculpt a mate to oppose Lion Assis but the government refused on the basis of the high cost. There are similarities between Lion Assis and Barye's Lion of the July Column, both beasts with notable similarity in the multiple layers of their manes and the quiet repose and powerful presence of the motionless Lion Assis is a natural development over his violent clashing group of Lion au Serpent from thirteen years prior. Version no. 1 was first offered in Barye's 1847 catalogue as no. 99 and due to the popularity of the sculpture it was cast in four different editions with varying dimensions. Lion Assis no. 2 was originally set over two base types: the more rare naturalistic base seen in the present model and the more common molded base (which incidentally also gives that variation some additional height). It was cast posthumously by Auguste Delafontaine, Hector Brame, Colin, Barbedienne and Graech-Marly. The same model and the original plaster and wax are held in the permanent collection of the Virginia Museum of Fine Arts (acc. no. 2007.70 & 71). The present model is an early posthumous cast with a richly textured surface and exquisite detail finished in an overall dark brown patina with hints of reddish undertones; the surface is silky and translucent. Artist Listings & Bibliography: *Barye: Catalogue raisonné des sculptures, Polleti & Richarme, 2000, p. 182, cat. A57, ill. 143 *The Founders and Editors of the Barye Bronzes, Reinis, 2007, see p. 85-88 for discussion of Delafontaine and their role in casting Lion Assis (fig. 50), see p. 79-80 (fig. 25) for discussion of Ancienne Maison Colin...

'Elephant du Senegal' A late 19th century bronze sculpture by Antoine-Louis Barye (1795-1875) of a charging African Elephant. Excellent green patination and hand chased detail. Signe...

This particular bronze sculpture of the famous model of Antoine Louis Barye (1796 - 1875) shows a great elaborated basset dog. This version of Barye´s "Chien Basset Debout" was firs...

ANTOINE-LOUIS BARYE France, 1796-1875 "WALKING LEOPARD" (conceived 1831, cast after 1875) Patinated bronze bas-relief plaque on walnut backing Signed "BARYE" Item # 109VKQ16P A beautifully textured and well-preserved bas-relief plaque of Walking Leopard mounted...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Dévorant une Gazelle (second edition)" Verde and autumnal patinated bronze Signed in cast "BARYE", incised "F. Barbedienne Fondeur" c...