
Gabriella Binazzi Giant Silvered Bronze, Seashell Bird Bowl, 1970s
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Gabriella Binazzi Giant Silvered Bronze, Seashell Bird Bowl, 1970s
About the Item
- Attributed to:Gabriella Binazzi (Artist)
- Dimensions:Height: 7.07 in (17.96 cm)Width: 5.5 in (13.97 cm)Depth: 7.07 in (17.96 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1970
- Condition:
- Seller Location:Atlanta, GA
- Reference Number:Seller: 2W085CEAHCD1stDibs: LU1632240761762
About the Seller
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Measurements:
When the piece is flat: 8.69 in wide (22 cm) x 2.94 in deep (7.5 cm) x 11.44 in high (29 cm).
When the piece is in 3D: 9.07 in diameter (23 cm) x 11.44 in high (29 cm).
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Unbreakable, rot-proof, and unchanging, stainless steel was Féal’s first choice of material. It was created in 1913 but did not appear in the French decorative arts until the early 1960s.
Thus, by incarnating the “Parisian chic” and a form of avant-garde, stainless steel was used by some of the most well-known designers of the time, such as Joseph-André Motte, Michel Boyer, and Maria Pergay. Many renowned companies such as Uginox, Kappa, and Inox Industrie contributed to popularise stainless steel. It is the latter that manufactured Xavier Féal’s designs.
Féal’s training as an interior architect opened the doors to some important projects. International, as well as in France, the projects included hotel planning, embassies, and private apartments. The Xavier Féal collection, with its radical designs, was realized in a small series and directed towards an enlightened clientele. In his designs, the steel is folded into curves or projecting edges. He plays with light by using brushed or high-polished finishes. Although his designs perfectly incarnate the style of the 1970s, his creations conserve their modernity even today.
From 1975, Xavier Féal slowly abandoned the universe of furniture. He began, under his real name, voluntarily undisclosed, a brilliant career in industrial design. He worked in various fields, one of which was precision engineering. Even though his period of production in the decorative arts was brief, he made an undoubtful and lasting impact on the field in France.
(Credit: Galerie Meubles et Lumiéres)
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