Italian Life-Size Bronze Crab

This is a life-size Bronze of a Boy tangled in a length of barbed wire. Really nice looking aged patina. Weighted base

A beautifully crafted bronze sculpture of a bighorn sheep , with a very nice patina… this sheep, has incredible detail ,showing the curls of hair and the deep ruts and power of the ...

Darker brown patina with fully articulated body. Purchased in London by previous owner.

Wonderful patina and fully articulated. Purchased in London by previous owner.

Dark greenish brown patina with fully articulated body. Purchased in London by past owner.

Dark copper toned patina, wonderfully articulated. Purchased in London by previous owner.

A beautiful 19th century Italian patinated bronze figure of Mercury after the model by Giambologna. Resting on a marble pedestal

Impressive life-size bronze sculpture of a bear, cast in Naples, Italy, during the 20th century. This striking piece is executed with remarkable realism and attention to anatomical d...

Our extraordinary patinated bronze torchiere depicting a female slave comes from the firm of Lacarrière Frères & Delatours. Signed "Lacarrière Freres & Delatours", "Paris 1880". Fitted for electricity in the late nineteenth century, but currently in need of sockets and wiring. Provenance: Rochelle Sepenuk, New York, NY. The firm of Auguste Lacarrière sent exhibits to the the first International Exhibition in London in 1851. At that time they seem to have occupied two Paris addresses, 9 rue St Elizabeth and 55 rue Meslay, as well as having another outlet in Limoges. They are recorded as showing "specimens of lustres, sconces, chandeliers, medallions, etc..". By the 1862 Exhibition they were only recorded at the Sainte Elizabeth address and showed, "appareils à gaz de fonte, de zinc et de bronze." Nevertheless, their exhibit was highly praised and the business, now called A. Lacarrière, Père et Fils...

A bronze sculpture by John Brevard depicts a man in a profound state of contemplation, standing as if in prayer. His focus is entirely on the cell phone he holds before him, symbolizing the modern world's devotion to technology. The figure's expression, a mix of reverence and obsession, suggests a deeper narrative about the digital age's impact on human spirituality and connection. The phone, subtly detailed to hint at an apple, serves as a modern 'forbidden fruit,' representing temptation and knowledge in the digital era. The sculpture captures the intricate relationship between humanity and technology, rendered in bronze to evoke a timeless quality amidst a contemporary theme. This piece is a contemporary expression on a midcentury masterwork. Inspired by A 1947 bronze sculpture by Alberto Giacometti. The pointing man became the most expensive sculpture...