Italian Marble Furietti Centaurs

This important George III tazza is attributed to famed Scottish-Swedish architect Sir William Chambers. The magnificent piece features a base carved from statuary marble in the shape of a stylized dolphin, which relates to Chambers' extraordinary 18th-century architectural designs. A marvel of beauty and craftsmanship, the tazza is also inset with specimens of Derbyshire Blue John in both the plinth and bowl. Blue John is one of the most in-demand decorative stones in the world, and its inclusion in this piece elevates the tazza to a true Georgian masterpiece. Due to its popularity, the largest veins of Blue John had disappeared by the early 19th century, and only a small amount of the stone remains today. Because of its scarcity, most examples of Blue John furniture feature only small inset veneers. By contrast, this rare tazza features not one, but two substantial specimens of the stone. It represents some of the last ornamental wares created of such grand size and proportion, though other smaller examples still grace the stately British estates of Chatsworth, Hardwick, Kedleston and Haddon, among others. Not only does this tazza boast a highly rare material, but it was also designed by one of the most important architects and designers of the Georgian era. Sir William Chambers was a Scottish-Swedish architect based in London who was active during the reigns of Kings George II and George III. Celebrated for his combination of English Palladianism...

This impressive and unique sculpture transforms a highly rare fossiliferous crinoid marble specimen into a stunning sculpted herd of wild horses. Crafted in the 20th century, the rem...

One of the only known sculptures rendered in Blue John to exist in the world, this extraordinary George III panther exemplifies Georgian sophistication. Georgian — and later Regency — aesthetics revived classical themes of the ancient Mediterranean and Near East. With a proud stance, gaping jaw and unyielding gaze, the stately panther closely resembles the grand ancient Roman panthers often carved from marble as trapezophoros table supports. The regal cat rests atop a plinth, also made of Blue John, with Siena and Ashford marble detailing. The intrinsic and richly hued mineral inclusions of the Blue John replicate the textures and colors of the animal’s fur. The rare stone is a variety of natural calcium fluorite found exclusively in Derbyshire, England. It was first discovered in the early 18th century, but its mining did not being until circa 1760. Blue John was a wildly popular material in the decorative arts during the Georgian and Regency...

This model is attributed to John Flaxman, Jr., a celebrated English sculptor, illustrator and designer, considered a leading artist in the Neoclassical style in England. In this expertly rendered black basalt bust...

This charming pair of Meissen porcelain figures celebrates the essence of Revelry. First modeled by the renowned Johann Joachim Kändler on bases by Peter Reinicke, circa 1767, these ...

This exceptional and monumental antique terracotta sculpture was crafted at Vienna’s renowned Goldscheider manufactory. This enchanting sculpture, model #1225, depicts a charming genre scene of a young boy...

An excellent pair of opposing dore bronze Furietti Centaur reductions of those that were excavated at Hadrian’s Villa in Tivoli in 1735. The models are named after Giuseppe Furie...

Pair of marble centaurs. Furietti centaurs in Siena yellow marble, marble sculpture, ancient sculpture,. xx century

Over the wooden black painted base and a column of red marble from Verona is set the lava and chalk cast of the young head of Furietti Centaur. The o...

Beautifully cast bronze copies of the Furietti Centaurs, one elder and one younger. Each is mounted on a bronze base and both are unsigned with no foundry marks. These bronzes are copies of the two Roman (or Hellenistic) monumental marble versions excavated at Hadrian's Villa in December 1736 by Monsignor Giuseppe Alessandro Furietti. The original models now reside at the Capitoline Museum in Rome. These bronzes were a popular subject for collecting in both the 18th and 19th century Grand Tour periods. Engravings of the pair were widely disseminated in Europe in the 18th century which increased their fame. Provenance: The Estate of John Nelson, a noted Los Angeles antiques dealer...

Marble centaur sculpture, ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND QUOTE FOR SHIPPING COST CAN BE REQUEST BY SENDING AN EMAIL, ULTERIORI FOTO, INFORMAZIONI SUL LOTTO E PREVENTIV...

This rare Italian marble sculpture of a centaur is a copy of one of the life-size originals from “Hadrian’s Villa”. The originals where found in 17...