Monumental White Hand-Molded Raku Boar Rust Color Base

The Brendan Bass Estate Collection is an homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they...

This piece is a part of Brendan Bass’s one-of-a-kind collection, Le Monde. French for “The World”, the Le Monde collection is made up of rare and hard to find pieces curated by Brend...

Walter Midener MCM carved woman with base. Base is not pictured with sculpture but is added to photo reel. Piece from our one of a kind collection, ...

This sculpture combines the beauty of coral and oxidized metal. A perfect combination of natural elements and home decor pieces, this sculpture will take your living space to the next level. A perfectly balanced pairing of manmade and natural materials, this sculpture is sure to make a lasting impression in any home or office. With its sterile oxidized metal base this coral piece...

The Brendan Bass Estate Collection is an homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they...

This French cast bronze camel sculpture is a perfect and sophisticated representation for the mild desert roamers that can become a wonderful co...

Sculpture Orcas in Raku on base From the clay the sculpture creates a silhouette, that of the animal evolving in its environment. The living being gradually begins to move, in a g...

The piece is a unique representation of an Horse in a modern way. The animal is gently handcrafted starting from clay and all hand worked. All the pieces from Mosche Bianche are uniq...

Large three dimensional fiberglass mold of a hand. Acts as a functional mold or as a unique and interesting decorative object. Great vintage condition.

Sculptural bone white porcelain hand latex glove mold.

A mid-19th century model of the Uffizi Boar, called 'Il Porcellino', by Austin & Seeley, the seated figure of the boar on an integral square plinth. This cast stone model of the Uffizi Boar takes its name from a 17th-century bronze fountain by sculptor Pietro Tacca, made for Cosimo II de' Medici and originally placed in the Loggia at the Mercato Nuovo in Florence. This civic space was also known as the Loggia del Porcellino, named after the boar as rubbing the statue's nose is said to bring great wealth. Made in the 1630s, it was modelled after an earlier marble version (Italian, 2nd-1st century BC) discovered in Rome in 1556 on the slopes of the Esquiline Hill, itself thought to be based on a lost Greek Hellenistic bronze version. After restoration, the marble statue was brought to Florence in 1568 as a gift from Pope Pius IV to Duke Cosimo I de’ Medici, initially placed in the Pitti Palace. Both this marble and the 17th-century bronze versions are now housed in the Uffizi Gallery in Florence. It remained an immensely popular subject for Grand Tourists, who collected their own versions. It is a testament to the commercial prowess of Austin and Seeley...

A vintage bronze mythical boar sculpture from the mid-20th century with great patina. Created with the traditional technique of the lost-wax (à la cire...