Vintage Exaggerated Molded Fiberglass Female Body Form on Fluted Base

Vintage cast bronze fist sculpture on wood base, Signed R Silverman, circa 1980s. Rough cast bronze in the form of a closed fist. Often seen as the symbol ...

Extremely rare work by renowned Chicago modern artist, George Kafka, circa 1973. The Totem structure is formed through welded, stacked abstract shapes c...

Vintage Large Scale Ceramic Kifwebe-Inspired Mask Lamp on Mahogany Base, Circa 1950s. A gorgeous interpretation of a Congolese Kifwebe mask rendered in off-white stoneware with incised surface detailing in shades of tan and brown. Mounted on a solid mahogany base. We believe this piece to have inspired by an actual carved wood Kifwebe mask in the collection of the MET. Possibly produced by Heifetz, but likely a one-of-a-kind off piece. SOLD WITHOUT LAMPSHADE. “The striations on both male and female masks, which are a unique stylistic trait of all Songye masks, are derived from the markings and patterns of wild and dangerous animals, such as the zebra or striped antelope, crocodile, lion, porcupine, and snake. Bifwebe (Male masks) may be painted black, white, and red. The colors of black and white, however, refer to gender. Female masks are predominantly white, if they are painted at all.” - Dallas Museum of Art “Kifwebe masks played a central role in Songye society enacting control over the social order, and participating in crucial activities such as initiations. This face mask only formed part of a costume ensemble that also included a hood, shirt, and pants made of woven bark, completed by diverse implements in animal skins, furs, and feathers. Like most masks in Western collections, this example was separated from the rest of the costume following its collection from Africa. Once removed from its original context, it no longer formed part of a kinetic and multisensory environment but was admired as a static object of strong graphic qualities, particularly its contrasting white and black striations, stylized features, and overall sense of balance.” - Metropolitan Museum of Art, New York Condition: Excellent vintage condition. One tiny chip on the forehead ridge (barely noticeable and as detailed in photos...

Vintage Molded White Plexiglass Lamp Designed by Neal Small, Circa 1965. Produced by Neal Small Designs Inc., New York, NY, the lamp is designed around so...

Vintage Signed Aquatint by Andrew Stevovich Titled "Twenty-One," Circa 1988. 7-color aquatint by noted contemporary figurative painter, Andrew Stevovich. A group of four seated figur...

Rare Vintage Jane + Gordon Martz for Marshall Studios Incised Stoneware Lamp 141/35/122, Circa 1960s/70s. A rare iteration from Jane and Gordon ...

Great piece of sculpture- female form on its original stylized deco style tripod stand. Worn and distressed, with light remnants/shadows of a harlequin p...

Large three dimensional fiberglass mold of a hand. Acts as a functional mold or as a unique and interesting decorative object. Great vintage condition.

Classically sculpture of a male body on a base. Great addition to your architectural interiors. Plaster form with original finish dome wear for its age that adds to its character.

This sculpture is provocative and gorgeous. When we acquired this piece, we were told it was called "Study on a Female Body" and that it had been in the gentleman's office since he first opened in the 1970's. The sculpture is anatomically correct and features a female torso arching back and has large pieces of attached brutalist bronze pieces that protrude almost evocative of wings to create some sort of angelic aspect to the piece. It's both brutal / crude, but so elegantly executed and really is just a stunning piece. From the naval to the articulated spine, the attention to detail was masterfully executed on this sculpture. The sculpture sits upon a steel rod, which is mounted to a stone block. The piece is signed illegibly on the stone. A wonderful piece that would really look great in any type of modern environment. Would be great as an entryway sculpture...

Viktor Schreckengost-styled fiberglass maroon horse bust on a hardwood base. Dimensions: -Sculpture- Height: 26" Width: 16" Depth: 5" -With Base- Height: 26" Width: 20" Depth: 16.5"

Graceful even when motionless the Bronze Female Archer on Marble Base is a delightful addition to any setting. Using traditional lost wax casting methods the Bronze Female Archer sta...