Items Similar to Vintage Large Scale Ceramic Kifwebe-Inspired Mask Lamp on Mahogany Base, 1950s

Large Scale Ceramic Chinoiserie Lamp on Wood Base

Vintage Black Glazed Ceramic Cubist Bust Lamp Attributed to Heifetz, 1950s

Pair of 1950s Biomorphic Abstract Decorated Ceramic Lamps

Yasha Heifetz, Freeform Lamps, Oak, Ceramic, USA, 1950s

Ceramic Lamp Vintage 1950s

1950s Spanish White Ceramic Lamp with Gold Base

Want more images or videos?

Request additional images or videos from the seller

1 of 12

Vintage Large Scale Ceramic Kifwebe-Inspired Mask Lamp on Mahogany Base, 1950s

About the Item

Vintage Large Scale Ceramic Kifwebe-Inspired Mask Lamp on Mahogany Base, Circa 1950s. A gorgeous interpretation of a Congolese Kifwebe mask rendered in off-white stoneware with incised surface detailing in shades of tan and brown. Mounted on a solid mahogany base. We believe this piece to have inspired by an actual carved wood Kifwebe mask in the collection of the MET. Possibly produced by Heifetz, but likely a one-of-a-kind off piece. SOLD WITHOUT LAMPSHADE. “The striations on both male and female masks, which are a unique stylistic trait of all Songye masks, are derived from the markings and patterns of wild and dangerous animals, such as the zebra or striped antelope, crocodile, lion, porcupine, and snake. Bifwebe (Male masks) may be painted black, white, and red. The colors of black and white, however, refer to gender. Female masks are predominantly white, if they are painted at all.” - Dallas Museum of Art “Kifwebe masks played a central role in Songye society enacting control over the social order, and participating in crucial activities such as initiations. This face mask only formed part of a costume ensemble that also included a hood, shirt, and pants made of woven bark, completed by diverse implements in animal skins, furs, and feathers. Like most masks in Western collections, this example was separated from the rest of the costume following its collection from Africa. Once removed from its original context, it no longer formed part of a kinetic and multisensory environment but was admired as a static object of strong graphic qualities, particularly its contrasting white and black striations, stylized features, and overall sense of balance.” - Metropolitan Museum of Art, New York Condition: Excellent vintage condition. One tiny chip on the forehead ridge (barely noticeable and as detailed in photos). Light wear to wood base. Specs: 28” total height top of shade to base. 21 3/4” height from socket to base, 7 1/4” depth, 8 1/2” width. 8 1/4” width of base, 6” depth of base.

Attributed to:

Yasha Heifetz (Manufacturer)

Dimensions:

Height: 21.75 in (55.25 cm)Width: 8.5 in (21.59 cm)Depth: 7.25 in (18.42 cm)

Power Source:

Plug-in

Voltage:

110-150v

Lampshade:

Not Included

Style:

Mid-Century Modern (Of the Period)

Materials and Techniques:

Ceramic,Mahogany,Glazed,Hand-Crafted

Place of Origin:

United States

Period:

1950-1959

Date of Manufacture:

1950s

Condition:

Wear consistent with age and use. Minor losses. Excellent vintage condition. One tiny chip on the forehead ridge (barely noticeable and as detailed in photos). Light wear to wood base.

Seller Location:

Long Island City, NY

Reference Number:

1stDibs: LU7465236766632

View Invoice