Vintage Greige Pietra Decor Series Terracotta Lamp by Bitossi, Circa 1950

Vintage Molded White Plexiglass Lamp Designed by Neal Small, Circa 1965. Produced by Neal Small Designs Inc., New York, NY, the lamp is designed around so...

Vintage Black Glazed Ceramic Abstracted Cubist Bust Lamp Attributed to Yasha Heifetz, Circa 1950s. Abstract human torso posed in a twisted motion mounted on a rectangular self plinth...

Vintage Large Scale Ceramic Kifwebe-Inspired Mask Lamp on Mahogany Base, Circa 1950s. A gorgeous interpretation of a Congolese Kifwebe mask rendered in off-white stoneware with incised surface detailing in shades of tan and brown. Mounted on a solid mahogany base. We believe this piece to have inspired by an actual carved wood Kifwebe mask in the collection of the MET. Possibly produced by Heifetz, but likely a one-of-a-kind off piece. SOLD WITHOUT LAMPSHADE. “The striations on both male and female masks, which are a unique stylistic trait of all Songye masks, are derived from the markings and patterns of wild and dangerous animals, such as the zebra or striped antelope, crocodile, lion, porcupine, and snake. Bifwebe (Male masks) may be painted black, white, and red. The colors of black and white, however, refer to gender. Female masks are predominantly white, if they are painted at all.” - Dallas Museum of Art “Kifwebe masks played a central role in Songye society enacting control over the social order, and participating in crucial activities such as initiations. This face mask only formed part of a costume ensemble that also included a hood, shirt, and pants made of woven bark, completed by diverse implements in animal skins, furs, and feathers. Like most masks in Western collections, this example was separated from the rest of the costume following its collection from Africa. Once removed from its original context, it no longer formed part of a kinetic and multisensory environment but was admired as a static object of strong graphic qualities, particularly its contrasting white and black striations, stylized features, and overall sense of balance.” - Metropolitan Museum of Art, New York Condition: Excellent vintage condition. One tiny chip on the forehead ridge (barely noticeable and as detailed in photos...

Vintage Mid-Century White Metal Desk Lamp by Bill Scarlett for Swivelier, Circa 1950s/60s. White metal body with brushed nickel details. Plastic disc shade diffuser and press button ...

Rare Yasha Heifetz Mounted Lavender Glazed Ceramic Nautilus Shell Lamp, Circa 1950s. A beautiful biomorphic rendering of a nautilus shell with mottled...

Vintage Mid-Century Rotaflex Pendant Lamp For Yasha Heifetz. Shade is ribbed two-tone cream and beige hand-spun cellulose acetate. Cone shaped shade with brass fixture hardware. Circ...

1950s Bitossi studio ceramic lamp. Biomorphic Designs. All original.

Rare pair of voluminous grand scale pair of lamps featuring a textured surface and 22-karat gold glaze. Rewired for use in the USA using brass double pull chain sockets, gold silk co...

Two Milano Moderna Aldo Londi by Bitossi for Raymor Geometric Art Pottery Table Lamps. Small footprint. Featuring a cylindrical bottle form, conical tea...

Midcentury iridescent Bitossi table lamp for Raymor, Italy, circa 1950s. Single socket, antiqued bronze stem. Black twisted silk cord. Shade not included.

MARVELOUS! BITOSSI TEAK & POTTERY SCULPTURAL LAMP FOR WILMAR LAMP CO. GORGEOUS MODERNISM! DIMENSIONS: Approximately 27" x 18" This beautiful lamp makes clear why Italian lamp...

Pair of Italian pottery lamps by Aldo Londi for Bitossi. Stunning and unusual pair of Italian pottery lamps by Aldo Londi for Bitossi. These masterfully created glazed pottery lamps...