French Animal Sculptures

Pair of tawny enameled earthenware animal sculptures representing boxers dogs laid with a necklace. Work realized circa 1900.

Perseus and Pegasus, by Emile Picault, is an important bronze inspired by Greek mythology, was cast in a Parisian foundry in the early twentieth century after the original, presented...

A stunning 19th Century bronze sculpture. Prosper Lecourtier (1851-1924) crafted this bronze sculpture depicting a stag and a doe in a floral forest. At the feet of the animals are a...

A late 19th century bronze study of an alert Pointer. Unsigned.

Marble lions is a pair of original sculptures by an anonymous artist of the French School realized during the 19th century. White marble sculptures representing a couple of lions ...

A fantastic early 19th century Delft figure of a lion. The lion has an exuberant mane, is sitting on its haunches, with a long tail curled over its hind q...

A late 19th century equestrian bronze of thoroughbred racehorse with saddle by Jules Moigniez (1835-1894) signed "J. MOIGNIEZ" on the bronze base and...

Antique 19th century French bronze by JULES MOIGNIEZ (1835-1894): SETTER WITH HARE, the setter looking back at the hare, crouched under foliage, inscribed to edge of oval base 'J MOI...

Dress a dining table with elegance using this set of "Porte-Couteaux". Crafted in France circa 1880, each silver plated piece is different and depicts an outdoor animal...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 2" Patinated bronze Signed in cast "BARYE" Item # 109YHP24E Initially modeled by Barye in 1846 as a commission by Louis-Phillipe for the Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture sat near to Barye's Lion au Serpent until it was later moved in 1867 to the grand entrance to Pavilion de Flore and a pair was crafted for it using a mechanical technique, a gesture which incensed Barye, as he preferred to sculpt a mate to oppose Lion Assis but the government refused on the basis of the high cost. There are similarities between Lion Assis and Barye's Lion of the July Column, both beasts with notable similarity in the multiple layers of their manes and the quiet repose and powerful presence of the motionless Lion Assis is a natural development over his violent clashing group of Lion au Serpent from thirteen years prior. Version no. 1 was first offered in Barye's 1847 catalogue as no. 99 and due to the popularity of the sculpture it was cast in four different editions with varying dimensions. Lion Assis no. 2 was originally set over two base types: the more rare naturalistic base seen in the present model and the more common molded base (which incidentally also gives that variation some additional height). It was cast posthumously by Auguste Delafontaine, Hector Brame, Colin, Barbedienne and Graech-Marly. The same model and the original plaster and wax are held in the permanent collection of the Virginia Museum of Fine Arts (acc. no. 2007.70 & 71). The present model is an early posthumous cast with a richly textured surface and exquisite detail finished in an overall dark brown patina with hints of reddish undertones; the surface is silky and translucent. Artist Listings & Bibliography: *Barye: Catalogue raisonné des sculptures, Polleti & Richarme, 2000, p. 182, cat. A57, ill. 143 *The Founders and Editors of the Barye Bronzes, Reinis, 2007, see p. 85-88 for discussion of Delafontaine and their role in casting Lion Assis (fig. 50), see p. 79-80 (fig. 25) for discussion of Ancienne Maison Colin...

Pierre-Jules Mêne, French, 1810-1879 Three dogs burrowing ‘Chase au Lapin’ French sculptor and animalière. He is considered one of the pioneers of animal ...

19th century French polychrome carved horse sculpture circa 1840 Decorative wooden horse sculpture in its original polychrome painted finish Measures: H 50 x W 40 x D 11 cm. ...

Bronze stylized sculpture of a stork holding a branch in the beak, with additional branch detailing below and on hooved feet.