Pair of French Silverplated Bronze Swans

French Neoclassical Silverplated Bronze Mounted Crystal Newel Post A stunning French Neoclassical Silverplated Bronze Mounted Crystal Newel Post, ...

A pair of French silver plated neoclassical knife rests, each one holds up to 12 full or dessert size knives. Unmarked.

English Modern Chrome & Resin "Le Garcon" Mannequin by Lindsey B. England , Circa 1980s A rare iconic design of English Modern, The silver and black lacq...

WMF Art Nouveau Silverplated Dragonfly Motif & Engraved green crystal box Germany, 1900s An exceptional example of the WMF Art Nouveau workmanship, combining the silvered figural m...

French modern cast bronze sculpture of a Vase France, Later 20th century Tall and sleek, the sculpture of a geometric vase, with a fine naturalistic texture in the brutalist sty...

French gilt bronze sculpture of seated monkeys, nicely detailed, two expressive sitting primates, attached to an oval bloodstone marble ba...

Equestrian silvered bronze table push bell. Man riding a horse, or as soon in several british drawings, it can be a fox hunting scene. Classy way to signal ...

The object on sale is a little bronze figurine modelled after an endearing pair of cocker spaniel pups, that was originally intended to hold salt and pepper dispensers. But it can al...

This pair of hand blown candlesticks are made of a very unusual green with a subtle iridescence featuring a charming swan connector who is enci...

A unique and highly decorative pair of Brutalist style swan statues in bronze both in a takeoff position. The wings are finely. Carved displaying amazing d...

An elegant French Empire or neoclassical pair of doré bronze and cut crystal ormolu-mounted candlesticks. Measures: 4.75W x 11 H.

In the 1920s Gio Ponti, who defined 20th century Italian design, was the art director of Richard-Ginori, a venerable porcelain company established in the 18th century. When Ponti moved on in 1930, his protégé Giovanni Gariboldi, who also designed furniture and interiors, filled the vacated position. It would seem that Gariboldi found his model for these shell-shaped dishes in nature, but this is not the case. Rather, he channeled the essence of “shellness," and endowed his design with the faux verisimilitude of delicate ribbing along the scalloped edge. Yet he had them glazed in improbable candy-like pastel colors of pink, yellow, and blue. Originally used principally as ashtrays, no doubt, they could also be put to use as serving dishes for nuts and candies, or as decorative tabletop objects...