1930s Animal Sculptures

Art Deco leaping deer bookends by Max Le Verrier. The sculptures are executed in patinated metal and mounted on Portor marble bases. France 1930.

This huge Art Deco panther sculpture was produced in Paris, France in the 1930s. It is completely made of ceramic effect black lacquered plaster (gypsum) and lays on a walnut wood ...

Roger Fabian Ceramic Art deco Ram head Artist Roger Favin Ceramic sculpture Art deco Ram head Circa 1930 Origin France Very good condition- Small restoration on one horn but very wel...

Art Deco Birds Statue by Rochard is a unique treatment of two pheasant birds in contrasting positions. Both figures are mounted on a beautiful base that ...

Black panther on oak base signed L. Houzeaux Original Art Deco, France 1930s width: 65 cm Height: 20 cm Depth: 12,5 cm

Large expressive, naturalistic Art Déco sculpture "panther with cobra" by Felix Guis, 1930s. Signed by the artist F.Guis. The artist Felix Guis ( 1887 to 1972 ), born in Tunesia ha...

European porcelain maker. Porcelain figure. Seated dachshund. 1930s / 40s. Measures: 23 x 17 cm. In excellent condition. Stamped.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

A spectacularly glazed Japanese Kutani model, okimono, of a pheasant, Showa era, early 20th century, Japan. The okimono, or decorative sculpture, in the form of a magnificent phea...

Sculpture of a girl with a bird by Jacques Limousin Régule, with original colorful patina Marble base Original Art Deco, France 1930s Measures...

A fantastic Japanese Aote type Kutani incense burner, koro, in the form a phoenix, Showa era, circa 1930's, Japan. The censer, koro, gracefull...

Austrian Art Deco Sier Kunst Bull Wood & Brass Sculpture in Haguenauer Manner ca. 1930 DETAILS Marked ‘SK’ in a triangle for Sier Kunst and ‘Made In Aus...

IRENEÈ ROCHARD Horse heads in motion, titled "Vers le But", edited by Reveyrolis Paris, Bronzier d'Art. Important and rare 1930s sculpture in terracotta with bronze effect finish, ...

Large ceramic sculpture with cream colored glaze Elephant and panther Original Art Deco, France 1930s Dimensions: Width: 54 cm Height: 37 cm Depth: 21 cm.

We is delighted to offer for sale this absolutely sublime, very rare and original 1930’s Liberty’s London, Omersa brown leather hand dyed, extra large Pig stool...

Bimini glass exotic cartoon bird from the Art Deco period, circa 1930's. With a Disneyesque look and striking stance. Delicate hollow blown construction in vibrant colorations. Excel...

Scottie dog perfume lamp in the form of a terrier puppy and mother/father attributed to Carl Scheidig Grafenthal, Germany. Made from glazed porcelain. Restored electrical parts wit...

Art Deco sculpture depicting a stalking panther, France, circa 1930 Green patinated régule panther on a rectangular, profiled pedestal of white veine...

Art Deco Belgium black marble desk set This 3-piece desk consists of an inkwell (with the original brass insert) Penn holder and a rocker blotter. S...

Large Art Deco sculpture of hunter and panther (or lion) by the famous sculptor Demetre H. Chiparus. The Art metal sculpture has a beautiful green verdigris patina and stands on an angled green/white/black multi-color marble base. Excellent condition and inscribed on the base “D.H.Chiparus”! Original bronze spear and patina. Very large in size and would look incredible in your entryway, living room, mantle or buffet, or just about anywhere you have 36 inches wide. Chiparus of course the master sculptor, arguably the most important artist for statues of the Art Deco period. He always had a way of rendering both men and women in a most natural and desirable way. A very important piece, pictured in many books on Art Deco...

A fabulous pair of vintage hand forged black iron rooster sculptures having terrific details and crowing poses.

Wayland Gregory, Porcelain zebra sculpture, glazed, signed, 1930s, USA. New Jersey, circa 1935, high glazed ceramic, incised signature, Measures: 4 5/8" W x 1 1/2" D x 5 1/2" H Exhibitions: Waylande Gregory: Art Deco Ceramics...

1930s Cubist sculpture of a climbing and growling panther on the prowl. Art Deco design with the artistic facet-like details are imaginative and convey a ...

Hallmarked in London in 1935 by Goldsmiths & Silversmiths Co., this incredible, Sterling Silver Model of a Fox, is presented on a wooden plinth which has a vacant plaque, and is wond...

Pair of squirrel bookends attributed to Jozef Peeters - Belgium 1930s.

Art Deco elephant sculpture on marble stylized base. Spelter metal with ivoroid ( synthetic) tusks, in the lucky position of going upward. This is a great piece, showing style and mo...

An Antique Meissen Porcelain figure of a Dachshund dog, with double blue crossed swords mark under-glaze. This is a very well portrayed Dachs...

Guido Cacciapuoti ceramic cat base black lacquered wood, 1940.

Black glazed ceramic elephants signed: L. Francois France, 1930s Dimensions: Width 35 cm Height 23 cm. Depth: 9 cm

Extremely rare black panther bronze sculpture by Louis Albert Carvin, circa 1930. This is an example of pure cubist style in black patina, portraying a panther standing tall and prou...

A.Kelety Et M Guillard, Art Deco enameled terracotta panther. Etling edition. Very good condition, Paris, 1930.

Silvered copper-plated earthenware animal Black lacquered wood base Excellent condition.

Maurice Prost (1894-1967, France) : "Walking Black Panthera" / "Panthère noire en marche" Black patinated and varnished bronze on a black fine Belgium marble base (Pure black colour stone with no veins) / Sculpture en bronze...