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“Standing Hen” Vienna Bronze by Franz Bergman, circa 1900
About the Item
“Standing Hen” Vienna bronze by Franz Bergman - circa 1900.
A very fine early 20th century cold painted Austrian bronze study of a standing hen with excellent hand chased surface detail and fine naturalistic colour, signed with the Bergman ‘B’ in an amphora vase
Franz Bergman - Austrian, 1861 - 1936 - is celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental, Arab bronze and animal subjects, including Harem beauties, Arab tradesmen, Scribes and Arab Warrior and almost every animal subject that was known at the time.
- Creator:Franz Bergmann (Artist)
- Dimensions:Height: 8.27 in (21 cm)Width: 0 in (0.01 mm)Depth: 0 in (0.01 mm)
- Materials and Techniques:Bronze,Cold-Painted
- Place of Origin:
- Period:
- Date of Manufacture:1900
- Condition:Wear consistent with age and use.
- Seller Location:London, GB
- Reference Number:Seller: 80031stDibs: LU3216327302102
Franz Bergmann
There were many bronze foundries operating in Vienna in this period, but it was Bergman’s which became the most celebrated, working with a number of celebrated Viennese sculptors at the turn of the 20th Century, such as Bruno Zach, to produce designs for his famous bronze figures. Bergman bronzes are especially famous for having utilised a technique for decorating the bronzes called cold painting. Cold painting as a technique developed in Vienna in the late 19th Century, and involved the application of several layers of paint added to the bronze after firing. It was used to make fashionable collectors’ items. Bergman figures came in three main forms: animal figures, Orientalist sculptures, and erotic figures in the Art Nouveau style. His animal figures were often whimsical and humorous, and often satirical. They have become highly sought-after collectors’ items today. Bergman’s Orientalist sculptures are equally highly sought-after. He was producing these figures at a time when interest in the exotic lands of the Middle East and North Africa was at its peak among Europe’s artists and buyers.
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