Antique Bronze "Hebe and the Eagle of Jupiter" by Jules P. Roulleau

Antique bronze sculpture of Aladdin and the magic lamp by Marcel Debut. Impressive size, France ca. 1900. Literature: Bronzes, sculptors and founders by H...

Antique bronze sculpture Genius and brute force by Cyprien Godebski, 1835-1909. Impressive sculpture. France 1888. Weight 50 KG. This sculpture is illustrated in Les bronzes de XIXe siècle, Pierre Kjellberg...

Au But, Antique bronze sculpture of 3 nude runners by Alfred Boucher with the Siot founders' signature. Patinated bronze on red marble base. France, circa. 1890. Entitled To the go...

Antique Vienna bronze sculpture of a cat by Bergman. Stamped FB and Geschutzt. Cold painted patina. This model is illustrated in “Antique Vienna bronzes“ by Joseph Zobel. Schiffer. More information: “Bronzes de Vienne...

Antique bronze bust of a smiling child by Jean Antoine Injalbert. Foundry mark Siot Decauville Paris, Numbered. France 1900. Bronze, patinated. Belgian red marble base. Jean Anto...

Pair of Art Nouveau bronze busts of a young woman Mignon and Esmeralda by Emmanuel Villanis. Both with beautiful patina and foundry mark. France 1896. Mignon: E. Villanis, initial...

A ‘Hebe and the eagle of Jupiter’ statue by the artist Jules Pierre Roulleau. Statue depicting the Greek goddess of youth, Hebe, the cupbearer to the gods. Hebe raises a vessel of t...

A stunning French 19th century patinated bronze statue of Hebe and the Eagle of Jupiter, signed by Louis Charles Hippolyte Buhot. The statue is raised by a circular black Belium marb...

French bronze of Hebe and Jupiter Disguised as an Eagle, by Louis Charles Hippolyte Buhot. Louis-Charles-Hippolyte Buhot (1815-1865) was a pupil of David d'Angers. Buhot entered t...

In classical mythology, Hebe, the personification of youth, is also cupbearer to the gods. She is the daughter of Juno and Jupiter (represented here by his eagle). Seated between his wings, she is holding the oinochoe (wine pitcher) in one arm while with her free hand she gracefully offers him divine nectar known as ambrosia, a drink which reinforced the Olympians' immortality. The three-piece clock garniture centred around the large silvered bronze figural group after the original by Albert-Ernest Carrier-Belleuse, supported on a gilt-bronze mounted onyx clock base, denoting the hours in Roman numerals, the central clock flanked by a pair of silvered and gilt bronze female figures in neoclassical garb, their amphoras issuing five scrolling candleholders...

JULES BENNES French, fl. late 19th to early 20th century "The Race" Medium-brown nuanced patina on sand-cast bronze Signed in cast "J. Bennes" Item # 112PZE03S A remarkable fin...

Presented is a 20th century bronze sculpture, after Jules Moigniez, of an eagle on a rocky perch. The dignified eagle has its wings tucked and his head turned to the side, showcasing exquisite craftsmanship. Textured feathers, a rugged base, and sharp talons show Moigniez’s artistry at the lost wax process. The bronze sculpture sits atop a marble base. Jules Moigniez (1835-1894) was a French sculptor widely known for his highly detailed bronze works depicting dynamic wildlife. After studying under Paul Cromolera, Moigniez made a name for himself at his first exhibition in 1855 at the Paris Exposition Universelle. From 1859 to 1892, he showed regularly at the annual Saloons, with a total of 30 recorded works exhibited. A successful sculptor in France, Moignez increased his British and American collector base by exhibiting at the London International Exhibition of 1862. Intensely dedicated to the process of casting, Jules and his father decided to establish their own foundry in 1857, solely for the purpose of having complete control at every step, as well as the freedom to experiment. They created bronzes with unusually and unique finishes, experimenting in gilded, silver, and multi-color chemical patinas. Most of his works were cast using the lost-wax patina and were always chiseled and chased with great skill and care. While many bronze artists at the time focused solely on the subject, Moigniez incorporated highly detailed bases to accommodate his various animals. After Jules Moigniez’s tragic death in 1894, his father continued to cast his son’s bronzes from the Moigniez foundry. Just before Moigniez’s father also passed away, he sold the foundry and his casts to Auguste Gouge, a family friend who once cast bronzes for Jules' teacher Paul Cromolera. Gouge continued to produce Moigniez’s bronze sculptures until WWI. Eagle sculptures, such as this, gained such popularity in America because of the symbolic and historical meanings associated with the elegant bird. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery was prominent. Since then, the eagle motif has appeared in allegorical engravings...