Belle Epoch Period Bronze Sculpture by Emile Bruchon

Bronze sculpture of Napoleon Bonaparte by Emile Pinedo, 19th century, Napoleon III period. Bronze sculpture by Emile Pinedo from the 19th century, Napoleon III period, beautiful bro...

Émile Hébert, the wanderer, French Belle Époque patinated bronze sculpture, circa 1880s Dimensions: Height 24.75” Width 10.5” Depth 5.75” Pierre-...

19th century French bronze sculptures of young farm boys by Emile Laporte (1858 - 1907), France. One boy carrying a basket of flowers, the other a bundle of sticks. Signed, mounted o...

This stunning antique sculpture is finely crafted by Emile Pinedo, who was a master craftsman in creating works of Fine bronze. He is particularly well-kn...

Emile Pinedo bronze bust sculpture of a woman.

A bronze sculpture on marble base by Emile Gilioli entitled "La Petite Sphere". This piece will be included in "The Forth Coming" catalog which is being produced by The Gilioli Archive. "Emile Gilioli was born to a family on Italian shoemakers who had settled beside the Canal Saint-Martin. After the first World War, the family moved back towards Italy, settling in Nice. In 1932, Gilioli took courses at the Ecole des Arts Decoratifs de Nice, notably with the future artist Marie Raymond. During the Second World War, Gilioli was mobilized in Grenoble where he passed the remainder of the conflict. He made the acquaintance of Andry Fracy, a conservationist at the Grenoble Musee des baux-arts and led him to discover cubism. After the war, Gilioli settled in Saint-Martin-de-La-Cluze near Grenoble, where he sculpted in his workshop. His art was associated in a certain way with the deeds of the French Renaissance. He became friendly with Thomas Gleb...

EMILE PICAULT French, 1833-1915 "Reveil de la Nature" (The Awakening of Nature) Sand-cast patinated bronze signed to naturalistic base "E. PICAULT" with the title of the work embo...

Beautiful bronze sculpture by Emile Picault. This statuary is of a woman holding a torch sitting on a rock with stars. An eagle with outstretched wings s...

Napoleon Bonaparte bronze desk inkwell, signed Pinedo with foundry mark. Mounted over a Green Alps marble. Antique signed 19th large bronze ...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...