Bronzebust of American Pianist Richard Buhlig by British Sculptor Hibbert Binney

This a wonderful driftwood sculpture or assemblage by Marc Bourlier originally purchased at Galerie Beatrice Soulier in Paris when the gallery had their exhibition 'Small de Marc Bou...

Modeled in th style of Manuel Neri (American 1930-2021) this figure with exaggerated long legs is in some ways reminiscent of works by Giacometti. Standing 7 feet tall the sculpture ...

Standing 28 inches tall this lidded ceramic vase is crowned by a half moon shape multi colored iridescent (one side black) bronze handle on a hand crafted bronze mount. The vase rest...

Number 3 in a series of similar sculptures this unique creation by Virgil Greca (American, 20th century) features elements of the early modernist movement...

Number 3 in a series of similar sculptures this unique creation by Virgil Greca features elements of the early modernist movement as it was demonstrated b...

Pair of wonderful coral and gilt wood fragments. These were custom made. Pieces of coral mounted onto antique gilt wood bases. One of a kind.

Larry Mohr abstract sculpture bronze bars bolt together to form an abstract figurative sculpture. A well know artist who's works are included in museum collections.

A soldered wire sculpture under plexiglass vitrine by American sculptor Marilynn Gelfman-Karp. Signed and dated. Sculpture size - 15" high by 25" wide by 7.5" deep, Circa 1970.

A carved wooden cubist sculpture of a seated nude woman by Boris Blai (1893-1985). This carving likely dates to the 1920s-1930s (during Blai's time in Philadelphia). Most likely constructed of sections of laminated basswood stained with a dark stain, it has an integral plinth with button feet and a carved signature the base. The sharp angular lines of the body are starkly contrasted by the soft-edged, almost nondescript depiction of the head and face. Blai was born in Russia and studied in academies in St. Petersburg, Paris, and eventually under Auguste Rodin. After WWI, Blai emigrated to the US, where aside from his prolific art production, he was also instrumental in the founding of the Tyler School of Art at Temple University, the Long Beach Island...

Poignant bronze sculpture of nurturing mother elephant and her calf. Rich brown patina with hints of verdigris. By American sculptor Dan Ostermiller. Signed and dated 1992. Casting number 14 out of 30. Mounted on marble and wood base. One of America's foremost wildlife sculptors, Dan Ostermiller works in a realist style and is admired for his extensive knowledge of animal anatomy, high level of craftsmanship, and compassionate treatment of his subjects. He is committed to studying animals in their own environments and strives to put character into his pieces. His is a fluid style that conveys grace of motion, and he quite often works on fifteen to twenty pieces at a time. Ostermiller has also taught animal anatomy and the animal characteristics around the world. Ostermiller was raised in Cheyenne, Wyoming, and his father, Ron, was a highly respected taxidermist. As a result, Ostermiller was working with clay at an early age. As a teenager, he became his father's assistant and learned the basic skills of making an animal look life-like, from facial expressions to body language. Breaking away from taxidermy because he wanted to be more creative, Ostermiller spent time in Texas as a hunting guide, and worked on sculpting, moving to Loveland, Colorado to be close to foundries. During this period he was estranged from his father, who was exceedingly bitter about his son's decision not to become a taxidermist. The two united in the late 1980's when the father was dying of cancer. Ron Ostermiller lived long enough to see his son honored for his accomplishments, including the 1987 recognition by the Wyoming governor at the dedication of his monumental sculpture at the state capital. By the late 1990's, Ostermiller had created nearly 250 different pieces of sculpture. He had made several trips to Africa, accompanying hunters to Rhodesia, but lost his interest in hunting animals for any purpose other than photography. He has great feeling for his subjects, and no desire to harm them. Ostermiller works from a large studio complex in Loveland, Colorado where he is surrounded by a park of his sculpture, a stream, waterfall, and grounds with wild birds. In addition to sculpting, he enjoys hiking, gourmet cooking, and collecting cars...

Frank Vittor (1888-1966) important bronze of mother and child. Signed by the artist “F. Vittor” and dated 1915. Also bears the foundry mark. Measures 12 1/2"h x 12 ½”w x 9"long. Bronze rests on a 1 ½ inch marble plinth. Artist born in Italy, studied with Rodin. The foundry is the National Art bronze works. The bronze was converted to a lamp at one point, and still bears a threaded tube projecting from the lower base approximately ½ inch. Frank Vittor (January, 6, 1888 - January 24, 1968) was an Italian immigrant to the United States who became famous as a sculptor. Vittor was born in Mozzato, Como, a suburb of Milan, Italy. He studied art in Milan at the Academy of Beres and then traveled to Paris, France to study under Auguste Rodin. When Vittor was 18, in 1906, U.S. architect Stanford White brought Vittor to New York to work on his staff. White, who had designed Madison Square Garden II, was murdered at a performance at The Garden two weeks after Vittor arrived. The youth, having little money and knowing very limited English, decided to stay in America and soon opened an art studio. He met his future wife, Ade Mae Humphreys, a resident of Pittsburgh, and made the move to her home town. Aviator Charles Lindbergh's first solo trans-Atlantic 3,600-mile (5,800 km) flight between Long Island, New York and Paris, France was immortalized in bronze by Vittor with a 50-foot-tall (15 m) sculpture showing a winged youth spanning the Statue of Liberty and the Eiffel Tower. Congress approved the expenditure in 1928, and the work was completed in 1929. Perhaps no work by Vittor created as much controversy and media coverage as did his nude statue of Henrietta Leaver, Miss America 1935. Though Leaver posed for Vittor, she did so in a bathing suit, accompanied by her grandmother. Upon first viewing the life-size 5-foot 5-inch plaster statue Leaver was shocked that it was a nude and demanded her representation be draped or veiled. Vittor did not agree and called in art experts to judge the work and all agreed it should stay as it had been created. Leaver did not back down and demanded people her own age review The American Venus, as it had originally been called. Unfortunately for Leaver her 60 peers, many of whom were art students, agreed it should remain unveiled. Though the strong disagreement between the two eventually did subside, Leaver, Vittor and the statue resurfaced five decades later in recaps of controversial Miss America mishaps. Baseball player Honus Wagner, one of the first five players inducted into the Hall of Fame, was memorialized by Vittor in a 17-foot-tall (5.2 m) bronze statue, originally on display near the Pittsburgh Pirates Forbes Field. It was moved to Three Rivers Stadium and, when that stadium was imploded in 1971, the statue was relocated to PNC Park.[6] In 1958, one of Vittor's greatest works, a 50-foot-tall (15 m) granite base and bronze statue of Christopher Columbus, was unveiled in Pittsburgh's Schenley Park. Shortly after the statue was placed, the bronze plaque at the base was stolen by vandals. The Sons of Columbus USA desire to replace the plaque with the original wording; however, there exists no record of what Vittor had written regarding Columbus. Charles Lindbergh was the recipient of a second work of art created by Vittor. The artist and sculptor designed a commemorative stamp picturing the pilot and his plane, the Spirit of St. Louis. Walter F. Brown, the U.S. Postmaster General, authorized a 175th anniversary commemorative "Battle of Braddock" 2-cent stamp to be designed by Vittor. The artwork he created featured a likeness of Colonel George Washington with the inscription "Battle of Braddock's Field, 1755-1930. In 1936 the U.S. Congress authorized minting a half-dollar coin to commemorate the 75th anniversary of the American Civil War. Vittor was the person selected to design the coin. The obverse depicts the profile of two soldiers, one from the North and one from the South and the reverse holds a symbol of the battle placed between the combatant's shields. The coins were distributed through the Pennsylvania State Commission for Gettysburg. Throughout Pittsburgh and the surrounding communities there exist more than 50 statues...

Vintage photograph of an unknown abstract sculptor.