Lucréce by Emmanuel Villanis, an Art Nouveau

Sapho A large Art Nouveau sculpture by Emmanuel Villanis of Sapho playing her lyre, with her loose fitted garment falling at her feet. Labelled 'Sapho' and signed 'E'Villanis' to bro...

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

Janotte, an Art Nouveau, patinated bronze bust of a young lady with head scarf. Dark brown patination. Set on an integral plinth. Signed Villanis under shoulder. Signed Villanis u...

'L'Echo' an Art Nouveau bronze sculpture by Mathurin Moreau. A deep brown late 19th century bronze sculpture by Mathurin Moreau depicting a young maiden holding her hand up to her ea...

'Ondine' a bronze bust of a young lady by Henri Jacobs (1864-1935). Excellent features and original condition. Signed 'H Jacobs to back' with 'Ondine' title to...

A late 19th century Art Nouveau bronze sculpture by Èdouard Drouot (1859-1945). A partially nude woman holding a star fish in her outstretched arm, riding the crest of a wave with gu...

A entrancing late 19th century French Art Nouveau bronze bust entitled ‘Lucrece’, of a beautiful classical lady modeled in the Art Nouveau style with excellent rich brown variegated patina and smooth tactile surface detail. Signed E Villanis...

EMMANUEL VILLANIS [after] French, fl. 1880-1920 "Cendrillon" (Cinderella) Lost-wax patinated bronze signed in cast on left of socle "E. Villanis", titled to integral socle in raised relief "Cendrillon" cast circa 1930-50 Item # 212PVG15A A charming bust of a young maiden entitled Cendrillon (Cinderella), it is executed in the lost-wax method in a single piece with an integral socle that is titled in raised relief. The young woman is serious in her composure with a quiet strength, her eyes slightly downcast in the clothing of a common girl, her diaphonous garment sliding off one shoulder while the overall sculpture remains chaste and elusive. The surface is finished in a two-toned patina, the reddish-oxide surface being utilized for the flesh tones and a darker brown for the base and garments. Casting from the second quarter of the 20th century. ARTIST Born in Lille, France, little is known about the life of Emmanuel Villanis, despite the fact that he has a simply incredible level of output during the years of 1880-1920. First exhibiting at Salon in 1886, he went on to exhibit nearly five-hundred models, almost exclusively featuring the female form with strong influence of the Art Nouveau movement evident in every aspect of his work. He received honorable mention at the 1889 Exposition Universelle, Paris. Artist Listings...

EMMANUEL VILLANIS French, fl. 1880-1920 "Bust of Diana the Huntress" Signed in cast along shoulder "E. Villanis" and cold stamped "3 S" verso Item # 212KRG15A An exquisite and expertly cast example of Emmanuel Villanis' Diana the Huntress, it features a delightful light...

EMMANUEL VILLANIS French, fl. 1880-1920 "Bust of Thais" Cast signature to shoulder "E. Villanis" cold-stamped "3264" & "CB" with foundry cachet of "Societe des Bronzes de Paris" o...

Art Nouveau bust of a woman Sultane signed by Emmanuel Villanis. Art metal, cold painted patina. France 1890. Literature: Emmanuel Villanis, un sculpteur art nouveau, Pascal Launa...

A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore. ADDITIONAL INFORMATION Height: 28 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 79 SKU: 8775 ABOUT Sylvia Ballet - Silvia Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch. The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion. Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...