A most impressive bronze bust of a 1920s South American gentleman.

This superb Grand Tour bronze study portrays a bust of Diana of Versailles or Diana the Huntress, considered in Roman and Hellenistic mythology as goddess and patroness of countryside, nature, hunters, wildlife and childbirth. This fine example is French, circa 1860. It is raised onto a sophisticated base with a thin bronze foot with a turned black slate plinth and above there is a highly decorative cast...

This superb Austrian cold painted bronze study depicts a fox stealthy prowling after some prey. He is in a lowered position to avoid being noticed, highly alert with one ear up and t...

This most impressive life sized characterful plaster bust dates to circa 1860. It is finely modelled and depicts a medieval gentleman wearing a simple hat and tunic top. The features...

George Henry Paulin was a distinguished artist and sculptor who produced fine and important bronzes and wood carvings, many of them portraits of the rich and famous. After the first...

This stately patinated bronze bust is a late 19th century figure of a gentleman presented with a classical drape.

A Bust of a young Mexican Man. Unmarked on marble base.

Fine 19th century white carved marble bust of a gentleman with mustache wearing a Toga. Signed: Randolph Rogers, Rome. Randolph John Rogers (July 6, 1825, Waterloo, New York – January 15, 1892, Rome, Italy) was an American Neoclassical sculptor. An expatriate who lived most of his life in Italy, his works ranged from popular subjects to major commissions, including the Columbus Doors at the U.S. Capitol and American Civil War monuments. Born in Waterloo, New York, he spent most of his childhood in Ann Arbor, Michigan. He developed an interest in wood cuts and wood engraving, and moved to New York City about 1847, but was unsuccessful in finding employment as an engraver. While working as a clerk in a dry-goods store, his employers discovered his native talent as a sculptor and provided funds for him to travel to Italy. He began study in Florence in 1848, where he studied briefly under Lorenzo Bartolini. He then opened a studio in Rome in 1851. He resided in that city until his death in 1892. He began his career carving statues of children and portrait busts of tourists. He was not happy working with marble consequently all his marble statues were copied in his studio by Italian artisans under his supervision, from an original produced by him in another material. This also enabled him to profit from his popular works. His first large-scale work was Ruth Gleaning...

Step into the elegance of the Roaring Twenties with this 1920s French Marble Bust of a Woman, a piece reminiscent of the renowned work "Vichy, Sourc...