Carved Busts

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

Early 20th Century Italian Artemis white statuary marble torso on bronze base.

Captivating late 19th century French bronze bust of a beautiful woman, enhanced by the variegated rich brown patination and excellent tactile surface detail, raised on an integral bronze base with raised title to the fore. Signed ?E Villanis and further raised on a breche griotte stepped and shaped marble plinth ADDITIONAL INFORMATION Height: 33 cm Width: 16 cm Depth: 11 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 17 SKU: 8616 ABOUT Puccini's Opera - La Bohème SYNOPSIS - A group of friends are living a Bohemian life in Paris and trying to make their livings creating art. Rodolfo, the writer, falls in love with the seamstress, Mimi, while Marcello, the painter, and Musetta, the singer, are the on-and-off-again couple by their sides. When the four are happy, they spend their time celebrating life and love. However, Mimi is revealed to be very ill, and Rodolfo struggles to come to terms with the fact that she will inevitably die. Rodolfo and Mimi break up, and months later, Musetta discovers Mimi extremely sick and close to death. She brings Mimi to Rodolfo and Marcello's apartment. Rodolfo immediately takes her in and tries to nurse her back to health, but he is too late. Almost as soon as the two are reunited and have professed their love for one another, Mimi succumbs to her illness and dies. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

19th Century Diminutive Bronze & Marble Portrait Bust of Franz Liszt Germany, Late 19th Century A splendid bronze bust of famed composer Franz Liszt in...

A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

Model Nude Archer mounted sculpture bust bronze stone base Art Deco antiques CA. Excellent color and details decorative Sculpture on a desk as garniture on a mantle fireplace, on a s...

Presenting a gorgeous American bronze sculpture of a “Rugged Outdoorsman” bronze by Lundeen. George Wayne Lundeen (b. 1948), American Sculptor … limited Edition No 10/12 … dated 1977. Fully and properly signed and marked on the rear of the head. This is an exceptional quality bronze with exceptional detail. It features the bust/head of a bearded and rugged American Frontiersman with rope over his shoulder. It sits on a granite base. George Wayne Lundeen, American sculptor (b. 1948 -). Born in Holdrege, Nebraska, George Lundeen has become a nationally known sculptor of realistic figures. He achieved the status of full Academician of the National Academy of Design in New York, which is the highest professional recognition bestowed on visual arts in America. One of his best known pieces is the seated, life-size figure in bronze of Benjamin Franklin at the University of Pennsylvania campus in Philadelphia. He also has work at the Capital Rotunda in Washington DC. and in 2001, his sculpture Thomas Jefferson was dedicated at the University of Missouri-Columbia. Lundeen served as the 2001 Thomas Jefferson Distinguished Visiting Lecturer and participated in the unveiling of the Jefferson sculpture. Recipient Pioneer award, Nebraska legislature, 1995, Distinguished Nebraskan, Governor Nebraska, 1995; Fulbright-Hays grantee, Florence, Italy, 1973-1974. Member of National Academy of Design (academician), Allied Artists American (Montana award 1982), National Sculpture Society (Bronze medal 1981, 1984, Silver medal 1982). UNIVERSITY OF NEBRASKA 1999 Honorary Doctorate of Humane Letters STATE OF NEBRASKA 1995 “Distinguished Nebraskan” by proclamation of the Governor of Nebraska LEGISLATURE OF NEBRASKA AND THE NEBRASKALAND FOUNDATION 1995 Pioneer Award NATIONAL SCULPTURE SOCIETY 1983 National Sculpture Society’s Prizewinner Exhibition, Bronze Medal: “Departure” 1982 National Sculpture Silver Medal: “Old Friends” 1981 National Sculpture Bronze Medal: “Departure” ALLIED ARTISTS OF AMERICA 1991 Associate Members Award: “Joy of Music-Bass Player” 1990 Helen Gapen Oehler Memorial Award: “Hearts on a Swing” 1987 Allied Artists Members & Associates Award: “Ben Franklin” 1981 Pietro and Alfrieda Montana Memorial Award: “Michelle” NORTH AMERICAN SCULPTURE EXHIBITION 1986 John Cavenaugh Memorial Award: “Flatlander” 1983 Art Castings of Colorado Award: “Lovers” 1981 Rocky Mountain Sculpture...

A large Italian hand carved white marble gilt-bronze mounted sculpture - bust of Minerva draped in classical attire, wearing a helmet on a white marble...

This elegant bust of Marie Antoinette was sculpted in Paris, France, circa 1790. The sculpture, signed in the back by French sculptor Lecomte, depicts the queen with her elaborate well-known coiffure, numerous Fleur-de-Lys on her dress, and a Louis XVI portrait...

This is a Maurice Maignan bronze female bust sculpture. It depicts a young lady with a smile and wearing a tight corset adorned with an upper bor...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Made in bronze in the shape of a p...

Signed. Very fine details.

An early 19th century Italian carved marble bust of a young Caesar, sitting on an antique marble and bronze column base. Measurements: Total height 51.5" Length 10" Depth 7" D...