"Child's Head, " African American bronze portrait, circa 1930s

Large unsigned deer cast bronze stands prominently on a black veined marble base, seemingly surveying the landscape. With a twelve point rack between two large antlers, this deer bro...

Crafted in the early 20th century, this petite Guatemalan children's chair charms with its playful asymmetry and richly textured surface. Influenced by Spanish Colonial furniture design, the chair has a slatted back and square seat resting on two short, hand-turned legs. The low seat is the perfect height for a youngster, but we love this petite chair as a low side table or tabletop display Stand...

African ebony head 1930 with a height of 20 cm for a width of 10 cm and a depth of 18 cm. Additional information: Material: Exotic wood.

Original sculpture, representing the head of Christ, made by Daniel BOUESSO. It represents Christ wearing the crown of thorns, with his eyes closed. His face is filled with a certain serenity. This head is placed on a visible cross above and on either side of his skull. The sculpture is made in a tribal taste, reminiscent of African art. A dark wood (Wenge) is used as a support. The back bears the name of the artist: Daniel BOUESSO. Daniel Bouesso is a Senegalese artist of the second half of the 20th century. He comes from the Haouassas ethnic group. This sculptor is mainly known for his representations of African figures.

Marina Núñez del Prado (1910-1995) was a celebrated Bolivian sculptor and one of the most respected sculptors from Latin America. Her work is hi...

Vintage decoration or a toy. Original condition. With original biox fully functional

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.

Beautiful depiction of Mother and Child. Signed V. Kendrick 1974 for Universal Statuary Corp. Chicago. Home photo is the true color.

Jens Jacob Bregnø (1877-1946). A dark patinated bronze sculpture of a nude woman braiding her hair while holding a mirror between her knees. Signed with monogram to the base JJB. On ...

Antelope Head Sculpture in Porcelain by French ceramicist Paul Milet (1870-1950), 1930s. Made in sea-green porcelain on a black column base. Signed on the underside. Excellent condit...