Japanese Ceramic Cobra, Italian Artist 2010s

Ceramic sculpture representing a roaring black panther, by Italian artist Ceramist Bernardino Palazzi (1907-1986). Mid-20th century. Very good conditions.

This Garibaldi's Portrait Majolica is an original decorative object realized in ceramic. An interesting colored ceramic tile representing the Italian 19th century general Giuseppe...

Vintage ceramic child sculpture is an original decorative object realized in the mid-20th century. Made in Italy. Colored metal surface. The sculpture depict a black haire...

Terracotta maiolicata with gilded decoration. Marked: Francesco Nonni, Scuola di Faenza, 1922. Rare and precious piece of art realized du F. Nonni in Faenz...

Good luck Elephant is an original decorative object realized in the 1970s. An ornamental object realized in colored ceramic. Good overall condition...

Camel with Bedouin is an original decorative object produced in the 1920s by Goldscheider. Original ceramics. Very good conditions. Beautiful sculpture realized by the renow...

Modern Boomerang Wooden Sculpture on Steel Pedestal by David Hymes, Contemporary A laminated plywood 'Boomerang' sculpture by David Hymes, mounted on a st...

Italian ceramic vase sculpture centrepiece “Vasi Litigati” series designed by Mario Ferrarini and produced by Bitossi. The vase consists of two parts, a cilindric base and a ‘hat’ th...

A fabulous pair of ceramic King Cobra snake sculptures, circa 1970s. The cobras are in very good vintage condition with no chips or cracks and measure 7.5"W...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

A geometrical ceramic sculpture by Nadia Pasquer. Artist monogram at the base, circa 2010. Unique piece. Perfect conditions.    

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...