18th Century Continental Polychrome Terracotta Sculpture of the Kneeling Virgin

Fantastic, life size sandstone statue of David. Circa late 18th century.

A carved wooden sculpture of a knight crusader from the mid-20th century painted in a silver color with brown undertone. The knight is kneeling on a later rectangular black wooden stepped pedestal, holding his sword horizontally while wielding a kite shield mounted on his forearm, emblazoned with a cross and a forked lightning. Looking determined to battle for glory, he wears a silver painted chainmail coif on his head and chest beneath a helmet framing his bony face, a cuirass above a hauberk, greaves and sabatons. The perfect recreation of a crusader’s battle armor enhanced by the silver paint and numerous details make this carved wooden sculpture of a kneeling knight...

An Italian Carrara marble model of the Navicella. Raised on white marble base, Rome, 19th century.

An Italian Rococo sarcophagus-shaped wooden chest of bombé rectangular form with richly carved gilt decoration on a distressed ebonized ground. The hinged pagoda top lid is skillfull...

This is an outstanding Italian 18th century carved wood polychromed sculpture of Virgin Mary. The Sculpture is hand painted with some remains of a gold gilt in few places and originated until lately in a private Villa in Tuscany (Italy). The colors are typical red, blue and green are spectacular on this large figure. The Virgin's hands are joined together in a prayer, while standing on a pedestal on the both sides of which are devil's horns (bottom left side horn missing ) symbolising Holly Mary defeating the Evil, protected by the Holly Ghost and an Angel. A story tells the pose of the Virgin Mary sculpture...

18th Century north Spanish polychrome wooden sculpture of the Virgin Mary holding baby Jesus.  

18th Century Spanish Polychrome Wood Sculpture of the Immaculate Virgin A captivating 18th-century Spanish School sculpture of the Immaculate Virgin, masterfully hand-carved in poly...

18th century Immaculate Madonna Terracotta, 53 x 22 x 20 cm The work examined depicts the Virgin Mary treated according to the iconography of the Immaculate Virgin The theme of the Immaculate Conception began to appear in artistic works ever since the debate began, which saw the Franciscans and the ramifications of the Benedictine Order lined up on one side, linked to the thought of Anselmo d'Aosta and Bonaventura da Bagnoregio, and on the other the Dominicans, linked to the discussion offered by Thomas Aquinas...